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London Philharmonic Orchestra

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Production details

The gorgeous, weaving theme that opens Rachmaninov's Third Piano Concerto oozes Slavic atmosphere so readily you can almost smell it. What follows is an astounding piece that seems to lead its listeners by the hand through a series of almost hypnotic aural sensations, each as alluring as its neighbour. It could well be the aesthetic opposite to Beethoven's most rugged, potently charged symphony. The Seventh is all 'sit-up-and-listen' next to Rachmaninov's 'lie-back-and-hear'. With their common artistic strength, vision and beauty, they make the perfect orchestral concert partners. Concert Hall

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