Death Trap - T842989422Rambert are masters of dance theatre where the dance is exceptional and the theatre delivers irresistible stories. Death Trap is an evening of two short works by Lost Dog Dance's Ben Duke, known for his storytelling that reveals the absurd, the savage and funny. Cerberus is an adaptation of the Greek myth Orpheus and Eurydice, a bittersweet musing on myth where dance is literally a matter of life and death. Goat is inspired by the music and spirit of Nina Simone with a live on-stage band performing her iconic songs including 'Feelings', 'Feeling Good' and 'Ain't Got No/ I Got Life'.Choreographer Ben Duke. | |
1 Mar 24 to 2 Mar 24 | Hall for Cornwall, Truro :: V1183 listing details L0120476009 |
22 Nov 23 to 25 Nov 23 | Sadler's Wells Theatre, Inner London :: V224 listing details L01240627647 |
2 Nov 23 to 4 Nov 23 | Theatre Royal, Bath :: V854 listing details L795336541 |
Peaky Blinders: The Redemption of Thomas Selby - T0234113349Tommy and the Peakys fought together at Flanders and the show opens in the trenches. Bound by this experience, a really personal story unfolds as the Shelby family navigate the decisions that determine their fate and Tommy is intoxicated by the mysterious Grace.Author Steven Knight. Choreographer Benoit Swan Pouffer. Director Benoit Swan Pouffer. Producer Rambert. Producer Robin Saunders. Producer Simon Sinek. Music Roman GianArthur. Music Nate Wonder. Musical Director Roman GianArthur. Design Moi Tran. Lighting Natasha Chivers. Costume Richard Gellar. Sound Moshik Kop. Musical Director Yaron Engler. DramaturgKaite O'Reilly. Director Filipe J Carvalho (Illusions). Director Adrian Palmer (Fight). Director Yarit Dor (Intimacy). Director Kim Pearce (Acting). Performer Benjamin Zepheniah (Narrator - recorded). | |
23 May 23 to 27 May 23 | Birmingham Hippodrome, Birmingham :: V145 listing details L861624838 |
28 Mar 23 to 1 Apr 23 | Theatre Royal Plymouth, Plymouth :: V895 listing details L1302294498 |
21 Mar 23 to 25 Mar 23 | Wales Millennium Centre, Cardiff :: V1984858935 listing details L01035914586 |
14 Mar 23 to 18 Mar 23 | The Lowry, Salford :: V0655996499 listing details L2027356505 |
28 Feb 23 to 4 Mar 23 | Festival Theatre, Edinburgh :: V600 listing details L1666938296 |
21 Feb 23 to 25 Feb 23 | Royal & Derngate, Northampton :: V449 listing details L0722371085 |
7 Feb 23 to 11 Feb 23 | Mayflower Theatre, Southampton :: V774 listing details L1938509562 |
31 Jan 23 to 4 Feb 23 | Hull New Theatre, Hull :: V934 listing details L0422807683 |
25 Jan 23 to 28 Jan 23 | Alhambra Theatre, Bradford :: V965 listing details L02107957524 |
17 Jan 23 to 23 Jan 23 | Theatre Royal, Norwich :: V72 listing details L1294246007 |
12 Oct 22 to 6 Nov 22 | Troubadour Wembley Park Theatre, Outer London :: V1682992566 listing details L0730303986 |
27 Sep 22 to 2 Oct 22 | Birmingham Hippodrome, Birmingham :: V145 listing details L1219364705 |
Eye Candy, New Commission, Following the Subtle Current Upstream - T0783441488Choreographer Imre van Opstal. Choreographer Marne van Opstel. Choreographer Ben Duke. Choreographer Alonzo King. | |
31 May 22 to 1 Jun 22 | Theatre Royal, Brighton :: V657 listing details L01674570072 |
25 May 22 to 27 May 22 | The Lowry, Salford :: V0655996499 listing details L01730609309 |
18 May 22 to 21 May 22 | Sadler's Wells Theatre, Inner London :: V224 listing details L0903924249 |
13 May 22 to 14 May 22 | Hall for Cornwall, Truro :: V1183 listing details L1063324875 |
Aisha and Abhaya - T038194876Sisters Aisha and Abhaya are seeking refuge from a violent homeland. We encounter them washed ashore in a strange land; a fireside ritual; Blade Runner-style cityscapes, and a huge augmented-reality Spirit.Director Kibwe Tavares. Choreographer Sharon Eyal. Choreographer Gai Behar (co-creator). Company The Royal Ballet (Co-production). | |
10 Feb 22 to 12 Feb 22 | Festival Theatre, Edinburgh :: V600 listing details L2119043346 |
18 Jan 22 to 19 Jan 22 | Royal & Derngate, Northampton :: V449 listing details L01535702225 |
Draw From Within - T421149132Wim Vandekeybus is a story-teller. At this precise moment in the world, he wants to show how we're at once fragile and strong. Threat is countered by liberation, death by birth. Most of the time we don't think of the blood coursing through our veins. We usually only become aware of our heart beating in our chest when we're afraid, or something's wrong. Wim wants to dare us to look under the skin and embrace these contraries.Choreographer Wim Vandekeybus. | |
6 Oct 21 to 8 Oct 21 | The Lowry, Salford :: V0655996499 listing details L796764488 |
25 Jun 21 to 26 Jun 21 | Mayflower Theatre, Southampton :: V774 listing details L0316996066 |
2 Jun 21 to 5 Jun 21 | Sadler's Wells Theatre, Inner London :: V224 listing details L1071825428 |
25 Sep 20 | Wales Millennium Centre, Cardiff :: V1984858935 listing details L15258327 |
24 Sep 20 to 25 Sep 20 | The Lowry, Salford :: V0655996499 listing details L0493840813 |
Marne van Opstal & Imre van Opstal - Marion Motin's Rouge - T1566537947Siblings Marne van Opstal and Imre van Opstal (company dancers NDT, Batsheva) are among the hottest up-and-coming new choreographers on the scene. Rambert is always looking for exciting new voices, so we've invited them to unleash their fresh creative force on our dancers. Marion Motin's choreography for Dua Lipa (IDGAF) and Christine and the Queens (Christine, Tilted) has a quirky hip hop vibe. Rouge is what happened when we invited pop's coolest choreographer to work with Rambert's daring dancers. Now she's back in the studio re-making Rouge with a new cinematographic twist.Choreographer Marne van Opstal. Choreographer Imre van Opstal. Choreographer Marion Motin. | |
15 Jul 21 to 17 Jul 21 | Theatre Royal, Bath :: V854 listing details L1155051138 |
Rooms - T1594423552On-line event. 17 dancers, 35 scenes, 100 characters ... Like passing-by miniature scenes through a train window, or cycling through the streets and peering into apartments, we all love to glimpse into other lives, and the homes they're lived out in. | |
8 Apr 21 to 10 Apr 21 | Theatre Royal, Bath :: V854 listing details L01765365820 |
8 Apr 21 to 10 Apr 21 | The Lowry, Salford :: V0655996499 listing details L02082790565 |
Triple Bill: PreSentient/Rouge/In your Rooms - T372672189Wayne McGregor's arrival as a major talent was marked by PreSentient, a showcase of the extended lines, razor-sharp angles and hyperextended lines that would become his trademarks. In 2007, young Israeli choreographer Hofesh Shechter was thrown into the spotlight when In your rooms made its Sadler's Wells premiere. Discover the origins of Shechter's unique style, blending the personal and political in a work of heart-stopping intensity. Marion Motin has hundreds of millions of YouTube hits for her hip hop-inspired movement in videos including Christine and the Queens' Tilted and Dua Lipa's IDGAF. She has never worked with a contemporary company, until now. Rambert's stunning new show brings together these memorable dance moments - a chance to see three breakthroughs.Choreographer Wayne McGregor. Choreographer Marion Motin. Choreographer Hofesh Shechter. | |
29 Apr 20 to 1 May 20 | New Victoria Theatre, Woking :: V709 listing details L02000911025 |
30 Oct 19 to 1 Nov 19 | The Lowry, Salford :: V0655996499 listing details L01398940179 |
24 Oct 19 to 26 Oct 19 | Theatre Royal, Bath :: V854 listing details L422362764 |
3 May 19 | Churchill Theatre, Bromley :: V302 listing details L1760147105 |
Rambert Event - T0870995589The master of dance improv, Merce Cunningham, developed his landmark Event format to fuse music, design, and dance into an unforgettable show that remains unique to each performance and location. | |
7 Nov 19 to 9 Nov 19 | Sadler's Wells Theatre, Inner London :: V224 listing details L02048023134 |
McGregor/Motin/Shechter - T01302798438World leading contemporary dance company Rambert uncovers early works by two Sadler's Wells Associate Artists and a new piece by a rising star. Created for Rambert by Wayne McGregor in 2002, PreSentient marked the arrival of a major new talent with its perfect match between McGregor's angular movement and the lyrical phrasing of Steve Reich's music. Hofesh Shechter had a similar impact in 2007 with In Your Rooms, blending the personal and political with heart-stopping intensity. Completing the triple bill is a new work by Marion Motin, whose hip hop influenced style is best known through her work for Christine and the Queens. | |
14 May 19 to 18 May 19 | Sadler's Wells Theatre, Inner London :: V224 listing details L01487778147 |
Ghost Dances and other works - T1310722458Christopher Bruce's masterpiece, Ghost Dances, is possibly the most popular work in Rambert's history. It tells stories of love and compassion, as death - in the form of the iconic 'ghost dancers' - interrupts the daily lives of a series of ordinary people. Visually referencing the Day of the Dead, and driven by bewitching Latin American folk music, it is a moving, intensely human work. This triple bill also includes a brand new dance theatre creation by rising star Ben Duke, inspired by the music and spirit of Nina Simone, with a selection of her best-loved songs performed on stage. Completing the programme is an all-action work by internationally acclaimed choreographer Andonis Foniadakis.Choreographer Christopher Bruce (Ghost Dances). | |
27 Mar 18 to 29 Mar 18 | New Victoria Theatre, Woking :: V709 listing details L01238451079 |
21 Mar 18 to 24 Mar 19 | Theatre Royal, Brighton :: V657 listing details L01498074792 |
15 Mar 18 to 17 Mar 18 | Waterside Theatre, Aylesbury :: V1452754579 listing details L0129343331 |
6 Feb 18 to 8 Feb 18 | Theatre Royal, Newcastle upon Tyne :: V570 listing details L01481144092 |
19 Oct 17 to 20 Oct 17 | Theatre Royal, Norwich :: V72 listing details L884107380 |
Life is a Dream - T1219602372After a lifetime of incarceration, a man gains a single day of freedom in this retelling of the 17th century play by Pedro Calder?n de la Barca. Illusion and reality collide as legendary filmmakers the Quay Brothers place the action in a dream-like world. A full-size symphony orchestra adds to the other-worldly atmosphere with the rich, harmonious music of Witold Lutoslawski for this tale of revenge and reconciliation.Choreographer Kim Brandstrup. Design The Quay Brothers. Music Witold Lutoslawski. Lighting Jean Kalman. Costume Holy Wddington. DramaturgWillem Bruls. Sound Ian Dearden. | |
28 Feb 19 to 2 Mar 19 | Curve, Leicester :: V830272338 listing details L1555671813 |
14 Feb 19 to 16 Feb 19 | Theatre Royal, Glasgow :: V623 listing details L0590753947 |
22 May 18 to 26 May 18 | Sadler's Wells Theatre, Inner London :: V224 listing details L718138287 |
E2 7SD/Killer Pig/Ghost Dances - T670316107The world's best young dancers will perform two works that launched the international careers of their choreographers: E2 7SD by Sydney Dance Company artistic director and former Rambert Dancer, Rafael Bonachela and Killer Pig by Sharon Eyal. The programme will also include a new creation by Benoit Swan Pouffer, Rambert's Guest Artistic Director. The evening closes with Christopher Bruce's masterpiece. Ghost Dances, tells stories of love and compassion using imagery from celebrations of the Day of the Dead, accompanied by the rhythms of traditional Latin American music. Beautiful and humane, this is a moving tribute to the victims of political oppression.Choreographer Rafael Bonachela (E2 7SD). Choreographer Sharon Eyal (Killer Pig). Choreographer Christopher Bruce (Ghost Dances). | |
15 Nov 18 to 17 Nov 18 | Theatre Royal, Bath :: V854 listing details L01179469902 |
Two - T1904070823Made up of the world's most exhilarating early career dancers, the brand new Rambert2 attacks works from some of the world's most thrilling choreographers: artistic director of Sydney Dance Company Rafael Bonachela's E2 7SD, Killer Pig by Sadler's Wells' newest Associate Artist Sharon Eyal and a new creation by Rambert's guest artistic director Benoit Swan Pouffer. Alongside this new ensemble are the final London performances of a classic, as Rambert performs Christopher Bruce's tribute to the victims of political oppression, Ghost Dances. | |
6 Nov 18 to 10 Nov 18 | Sadler's Wells Theatre, Inner London :: V224 listing details L01420480258 |
A Linha Curva and other works - T0763762893Itzik Galili's party piece for Rambert returns to Sadler's Wells for a percussion-fuelled carnival of dance. 28 dancers, four samba drummers and a dazzling light show contribute to its infectious energy. Rising star Ben Duke's dance theatre creation is inspired by the music and spirit of Nina Simone, with a selection of her best-loved songs performed live on stage. The programme also features a celebration of the dancers' virtuosity choreographed by Andonis Foniadakis, director of Greek National Opera Ballet, with a newly commissioned score by Ilan Eshkeri. | |
21 Nov 17 to 25 Nov 17 | The Lilian Baylis Theatre, Inner London :: V236 listing details L1452172602 |
21 Nov 17 to 25 Nov 17 | Sadler's Wells Theatre, Inner London :: V224 listing details L451150863 |
A Linha Curva and other works - T01903013996A new work from Australian dance maker Lucy Guerin, Tomorrow, follows on from her collaboration with Carrie Cracknell on Macbeth for the Young Vic, with original music by electronica artist Scanner. Shobana Jeyasingh's enigmatic Terra Incognita, propelled by Gabriel Prokofiev's driving score, evokes the yearning for the unknown that inspired ancient sea-farers. | |
26 Oct 17 to 28 Oct 17 | Festival Theatre, Edinburgh :: V600 listing details L0451833775 |
30 Nov 16 to 2 Dec 16 | Theatre Royal Plymouth, Plymouth :: V895 listing details L0914437364 |
6 Oct 16 to 7 Oct 16 | Theatre Royal, Norwich :: V72 listing details L01987199722 |
28 Sep 16 to 30 Sep 16 | The Lowry, Salford :: V0655996499 listing details L0998847939 |
10 May 16 to 14 May 16 | Sadler's Wells Theatre, Inner London :: V224 listing details L928081087 |
Ghost Dances plus other works - T1101438128 | |
28 Sep 17 to 30 Sep 17 | The Lowry, Salford :: V0655996499 listing details L947719578 |
16 May 17 to 20 May 17 | Sadler's Wells Theatre, Inner London :: V224 listing details L2104226079 |
23 Mar 17 to 24 Mar 17 | Hall for Cornwall, Truro :: V1183 listing details L646815971 |
15 Mar 17 to 17 Mar 17 | New Theatre, Oxford :: V802 listing details L01484036270 |
8 Mar 17 to 11 Mar 17 | Theatr Clwyd, Mold :: V810 listing details L1063888721 |
1 Mar 17 to 4 Mar 17 | Theatre Royal, Brighton :: V657 listing details L570282955 |
9 Feb 17 to 11 Feb 17 | Theatre Royal, Glasgow :: V623 listing details L1477262685 |
Contemporaries/The Creation - T01919521222To celebrate its 90th anniversary, Rambert presents two programmes at Sadler's Wells. Contemporaries is a programme of work from a new generation of dance makers, exploring themes of migration, identity, society and art. The evening features new pieces by emerging choreographers, including Alexander Whitley (a Sadler's Wells New Wave Associate Artist), Malgorzata Dzierzon and Patricia Okenwa, currently a member of Sadler's Wells Summer University, all of whom have worked with Rambert and New Movement Collective. The Creation is Joseph Haydn's masterpiece, with its lyrical arias and monumental choruses showcasing one of the greatest classical composers at his peak. Rambert's new staging sees over 50 dancers perform Mark Baldwin's choreography, accompanied by 70 musicians including the Rambert Orchestra, the BBC Singers and three soloists. Designs by artist Pablo Bronstein further complement Haydn's score. | |
23 Nov 16 to 25 Nov 16 | Festival Theatre, Edinburgh :: V600 listing details L964634345 |
7 Nov 16 to 12 Nov 16 | Sadler's Wells Theatre, Inner London :: V224 listing details L794090429 |
Macbeth/Tomorrow/Hydrargyrum - T01198280343Something wicked this way comes! Rambert celebrates its 90th anniversary in 2016, returning to Bath with a stunning programme of virtuoso dancing and live music, including a new work inspired by Macbeth. Tomorrow is a split-stage experience taking you inside the dark, dangerous world of Shakespeare's hero-turned-villain. Seven eerie ?witches' perform a danse macabre, their sinister, spellbinding movements presented alongside the pivotal moments of the drama. It will make you see the Scottish Play in a whole new light. A giant, revolving mirror hangs over the stage in Hydrargyrum. It offers a different angle to view the dancers as they morph from a powerful-butanonymous group to defiant-but-vulnerable individuals. A third piece looks at the subject of migration. It uses multimedia projections to create an evershifting backdrop as the dancers dramatise the mix of hope and fear that make up the migrant experience of leaving one home to search for another. All three original dance works are packed with powerful images and emotions, making an utterly distinctive and memorable programme from Britain's national dance company. | |
27 Oct 16 to 29 Oct 16 | Theatre Royal, Bath :: V854 listing details L1225687048 |
The Three Dancers/Transfigured Night/Frames - T0924832453This is a programme full of gripping drama, world-class dancing and live music throughout. It is Britain's national dance company at its most captivating. Love, desire and betrayal are the ingredients of the shocking true story which inspired Picasso's masterpiece, The Three Dancers. Now Rambert springs Picasso's painting from the canvas to the stage, bringing to life his vivid Cubist imagery and the themes of ecstasy and doom that haunt his work. Choreographed by Didy Veldman, with orchestral music by leading Australian composer Elena Kats-Chernin, The 3 Dancers is part of a triple bill. Two lovers meet by moonlight in Transfigured Night. Their confrontation is shown from different points of view, revealing their hopes, fears and secrets. Created by two-time Olivier- Award winning choreographer Kim Brandstrup, it is a cinematic love story told through virtuosic dancing to Schoenberg's achingly beautiful score. The programme is completed by Frames, an inventive and visually-arresting piece by British dance's hottest property Alexander Whitley. Dissecting the process of making theatre, twelve performers skilfully manipulate seventy interlocking metal bars, forming shapes, structures and spaces which, quite literally, frame their dancing in a different light. Frames is created in collaboration with artists Revital Cohen and Tuur Van Balen with music by Icelandic composer Daniel Bjarnason.Choreographer Didy Veldman (The Three Dancers). Music Elena Kats-Chernin (The Three Dancers). Choreographer Kim Brandstrup (Transfigured). Choreographer Alexander Whitley (Frames). Music Daniel Bjarnason (Frames). | |
16 Mar 16 to 19 Mar 16 | Theatre Royal, Brighton :: V657 listing details L0846276242 |
9 Mar 16 to 12 Mar 16 | Theatr Clwyd, Mold :: V810 listing details L804841879 |
12 Nov 15 to 14 Nov 15 | Theatre Royal, Bath :: V854 listing details L1958891618 |
The 3 Dancers/Terra Incognita/New Work - T0595039302Love, desire and betrayal are the ingredients of the shocking true story which inspired Picasso's masterpiece, ?The Three Dancers'. Now Rambert springs Picasso's painting from the canvas to the stage, bringing to life his vivid Cubist imagery to create a portrait of doomed passion. The 3 Dancers forms the centrepiece of a triple bill which also includes Terra Incognita, where Rambert's dancers journey to unknown lands in an atmospheric piece that evokes the sense of mystery that inspired the ancient sea-farers. With a new work from company dancer Patricia Okenwa completing the programme, this is Britain's national dance company at its most stylish: with thought-provoking drama, striking visuals, superb live music and the finest dancers in the world. | |
3 Mar 16 to 5 Mar 16 | New Victoria Theatre, Woking :: V709 listing details L0804886107 |
The 3 Dancers/The Strange Charm of Mother Nature/Frames - T01975581008Love, desire and betrayal are the ingredients of the shocking true story which inspired a masterpiece by Picasso. Now Rambert springs the painting from the canvas to the stage, bringing to life Picasso's famous Cubist imagery and the themes of ecstasy and doom that fill his work. Choreographed by Didy Veldman, with orchestral music by leading Australian composer Elena Kats-Chernin, The 3 Dancers is part of a triple bill of dance for Newcastle. The Strange Charm of Mother Nature, created by Rambert's Artistic Director Mark Baldwin, is inspired by the science of the cosmos. To music including Stravinsky and JS Bach, dancers fizz with the energy of the miniscule building blocks that created life, the universe and everything. The programme is completed by Frames, an inventive and visually arresting piece by British dance's hottest property, Alexander Whitley. 12 performers skilfully manipulate 70 interlocking metal bars, forming shapes, structures and spaces which, quite literally, frame their dancing in a different light. | |
2 Feb 16 to 4 Feb 16 | Theatre Royal, Newcastle upon Tyne :: V570 listing details L353641931 |
Dark Arteries: Terra Incognita/The Three Dancers - T731840771Dark Arteries forms the centrepiece of a triple bill of stunning dance, which also includes Terra Incognita, a moving meditation on exploration and discovery from ground-breaking dancemaker Shobana Jeyasingh, and an explosive story of love, desire and betrayal inspired by Picasso's masterpiece, The Three Dancers, choreographed by Didy Veldman.Music Gavin Higgins. Choreographer Mark Baldwin (Dark Arteries). Choreographer Shobana Jeyasingh (Terra Incognita). Choreographer Didy Veldman (The Three Dancers). | |
26 Nov 15 to 28 Nov 15 | Festival Theatre, Edinburgh :: V600 listing details L1370781653 |
30 Sep 15 to 2 Oct 15 | The Lowry, Salford :: V0655996499 listing details L01244571574 |
Love, Art & Rock n Roll - Kim Brandstrup/Didy Veldman/Christopher Bruce - T0868131360Two lovers meet by moonlight in Transfigured Night. We see their confrontation from the woman's point of view, then from the man's, revealing their hopes, fears and secrets. Created by double Olivier Award-winning choreographer Kim Brandstrup, it is a cinematic love story told through virtuosic dancing to Schoenberg's beautiful score. The 3 Dancers is based on one of Picasso's greatest paintings, and the tragic love triangle that inspired it. Choreographer Didy Veldman and composer Elena Kats-Chernin bring to life Picasso's vivid Cubist imagery and the themes of love, desire and doom which haunt his work. Topping the bill is your final chance to see Rooster, Christopher Bruce's funny, thrilling smash hit about boys meeting girls in the swinging sixties. Sharp-dressed, snake-hipped men dance to impress strong, sassy women, to the pulsating rock n roll of the Rolling Stones' most famous tunes. Mats - 95mins | |
3 Nov 15 to 7 Nov 15 | Sadler's Wells Theatre, Inner London :: V224 listing details L176555963 |
Rooster and Other Works - T1622150532Britain's national dance company makes its long-awaited return to Birmingham, bringing the rock'n'roll swagger of the Rolling Stones to life in Rooster. Sharp-suited, snake-hipped men and strong, sassy women perform virtuoso courtship dances to some of the Stones' most famous tunes, including Not Fade Away, Paint It Black, Sympathy for the Devil and Little Red Rooster. One of Rambert's all-time best loved works, Christopher Bruce's celebration of the swinging sixties tops the bill in a programme which also includes Frames, a sculpturally beautiful work by Alexander Whitley, who is acclaimed as one of dance's hottest properties. The programme is completed by the world premiere of Transfigured Night, a love story choreographed by two-time Olivier Award-winner Kim Brandstrup to Schoenberg's achingly beautiful score, played live. | |
28 Oct 15 to 31 Oct 15 | Birmingham Repertory Theatre, Birmingham :: V143 listing details L0408600465 |
The 3 Dancers/Terra Incognita/Frames - T89854918Love, desire and betrayal are the ingredients of the shocking true story which inspired Picasso's masterpiece, The Three Dancers. Rambert springs Picasso's painting from the canvas to the stage, bringing to life his vivid Cubist imagery. Didy Veldman's The 3 Dancers, with orchestral music by Elena Kats-Chernin, forms the centrepiece of Rambert's programme for Norwich. The triple bill also features Terra Incognita, created by ground-breaking dancemaker Shobana Jeyasingh. Set to Gabriel Prokofiev's driving score, Rambert's dancers journey to unknown lands in an atmospheric piece that evokes the sense of mystery that inspired ancient sea-farers. The programme is completed by Frames, choreographed by British dance's hottest property Alexander Whitley. Dissecting the process of making theatre, dancers skilfully animate metal structures that grow, transform and combine to create a stage within a stage. Packed with thought-provoking drama, sumptuous live music and world-class dancing, this is Britain's national dance company at its most captivating. | |
8 Oct 15 to 9 Oct 15 | Theatre Royal, Norwich :: V72 listing details L01517733127 |
with Tredegar Town Band and the Rambert Orchestra - T112104971Live on the Sadler's Wells stage, the full ranks of Tredegar Town Band, 2013 British Open Champions, propel Rambert's wonderful dancers in Dark Arteries, the world's first brass band dance work. Composer Gavin Higgins (who wrote the opening piece for 2014's Last Night of the Proms) and Rambert Artistic Director Mark Baldwin have created a work that is powerful and uplifting, celebrating how brass band music endures as the legacy of the communities which mined the coalfields - the 'dark arteries' - of Britain. It is a dance which draws you into its emotional heart, even as the sound lifts the hairs on the back of your neck, then raises the roof. Dark Arteries forms the centrepiece of a new programme from Britain's national dance company, which also includes the latest work from Alexander Whitley - "[his] cutting-edge contemporary choreography has made him one of the rising stars of Britain's dance scene" (GQ) - and a revival of celebrated US choreographer Lucinda Childs' minimalist masterpiece Four Elements: "a classic by any standards" (The Times). | |
12 May 15 to 16 May 15 | Sadler's Wells Theatre, Inner London :: V224 listing details L0207868302 |
Rooster - T094035149The rock'n'roll swagger of the Rolling Stones is brought thrillingly to life in Rooster, Christopher Bruce's electrifying celebration of the swinging sixties. Sharp-suited, snake-hipped men and strong, sassy women perform virtuoso courtship dances to some of the Stones' most famous tunes, including Not Fade Away, Paint It Black, Sympathy for the Devil and Little Red Rooster. Rambert, Britain's national dance company, combines inventive storytelling, world-class dancers and a live orchestra to create an exhilarating theatrical experience. One of its all-time best-loved pieces, Rooster tops the bill in a mixed programme also featuring a brand new dance work created by Rambert's Olivier Award-winning Artistic Director Mark Baldwin, and Four Elements by US dance legend Lucinda Childs.Choreographer Christopher Bruce. | |
25 Mar 15 to 28 Mar 15 | Theatre Royal, Brighton :: V657 listing details L1086713283 |
6 Nov 14 to 7 Nov 14 | Theatre Royal, Norwich :: V72 listing details L1627918650 |
30 Oct 14 to 1 Nov 14 | Theatre Royal, Bath :: V854 listing details L1580381011 |
Rooster/Tnhe Castaways/Sounddance/Dutiful Ducks - T1720711055 | |
5 Mar 15 to 7 Mar 15 | Theatre Royal, Glasgow :: V623 listing details L032038702 |
21 Oct 14 to 23 Oct 14 | Theatre Royal, Nottingham :: V462 listing details L1035922566 |
24 Sep 14 to 26 Sep 14 | Theatre Royal Plymouth, Plymouth :: V895 listing details L01008293261 |
Triptych: The Strange Charm of Mother Nature/Sibterraom/New Work - T1500947630From underground depths to the outer-reaches of the cosmos, Rambert's new show takes you inside a series of unique worlds. They spring from the imaginations of three of British dance's most distinctive artists and are inhabited by the company's world-class dancers. The discovery of the 'God Particle' inspires The Strange Charm of Mother Nature, the new work by Rambert's Artistic Director Mark Baldwin. The dancers fizz with the energy of the miniscule building blocks that created life, the universe and everything. Subterrain is a sensuous, enigmatic voyage underground, created by former Scottish Ballet Director Ashley Page - "a compelling piece, immaculately danced" (The Guardian). The programme is completed by a first work for Rambert by ground-breaking choreographer Shobana Jeyasingh. Accompanied by live orchestral music, ranging from JS Bach to Mark-Anthony Turnage, Triptych showcases the diversity and brilliance of Britain's national dance company.Choreographer Mark Baldwin (The Strange Charm of Mother Nature). Choreographer Ashley Paige (Subterrain). Choreographer Shobana Jeyasingh (New Work). | |
18 Nov 14 to 22 Nov 14 | Sadler's Wells Theatre, Inner London :: V224 listing details L0354531199 |
Featuring Fichard Alston-Christopher Bruce-Lucinda Childs and Merce Cunningham - T0165540782Celebrated as "the most musical, muscular, versatile contemporary dance troupe in Britain" (Daily Telegraph), Rambert returns with an eclectic programme showcasing the dancers' extraordinary athleticism. Making a much anticipated return after a 13-year absence, Rambert presents Rooster, Christopher Bruce's electrifying celebration of the swinging Sixties set to music by the Rolling Stones. The performance also features Four Elements, another classic by dance legend Lucinda Childs. Renowned for her sleek minimalism and for turning the slightest movements into an intricate choreographic masterpiece, Childs' unique style has been described as "stage heaven" (The Guardian). Completing the programme is Sounddance, a seminal piece by late master of dance Merce Cunningham, and Dutiful Ducks. First created for Michael Clark in 1982, Richard Alston's short, sharp and witty solo is set to a tongue-twisting soundtext by Charles Amirkhanian. With live music by the Rambert Orchestra. Running time: 2hrs 10mins (including two 20min intervals). Mats: 1hr 40mins (including one 20min interval) | |
20 May 14 to 24 May 14 | Sadler's Wells Theatre, Inner London :: V224 listing details L01021830859 |
The Castaways - T265325430The rock'n'roll swagger of the Rolling Stones is brought thrillingly to life in Rooster - one of Rambert's all-time best-loved works, making a much anticipated return after a 13-year absence. Transporting you to the coolest nightspot in town, sharp-suited, snake-hipped men and strong, sassy women perform virtuoso courtship dances to some of the Stones' most famous tunes. | |
3 Apr 14 to 4 Apr 14 | Churchill Theatre, Bromley :: V302 listing details L846925538 |
19 Mar 14 to 21 Mar 14 | New Theatre, Oxford :: V802 listing details L1597077140 |
6 Feb 14 to 8 Feb 14 | New Victoria Theatre, Woking :: V709 listing details L1958405360 |
Rooster - T0508652694Rambert's unrivalled variety of performances, world class dancers and critically acclaimed orchestra have delighted audiences and critics alike for 87 years. Making a much anticipated return, after a 13-year absence, Rambert presents Rooster, Christopher Bruce's electrifying celebration of the swinging Sicties set to music by the Rolling Stones. Plus, a striking new work by Ashley Page, former Artistic Director of Scottish Ballet, and a world premiere of Barak Marshall - arresting, original and fevered in style, this is a rare chance to see work by one of America's most celebrated choreographers. | |
25 Mar 14 to 27 Mar 14 | Theatre Royal, Newcastle upon Tyne :: V570 listing details L0982350931 |
The Castaways/Rooster/SUB - T1392228138Making a much anticipated return after a 13-year absence, Rambert presents Rooster, Christopher Bruce's electrifying celebration of the swinging Sixties set to music by The Rolling Stones. Plus, SUB, an astonishing all-male piece by Itzik Galili, the creator of the hugely successful A Linha Curva, and The Castaways, a world premi?re by Barak Marshall - arresting, original and fevered in style, this is a rare chance to see work by one of America's most celebrated choreographers.Choreographer Barak Marshall (The Castaways). Choreographer Itzik Galili (SUB). Choreographer Christopher Bruce (Rooster). | |
12 Mar 14 to 15 Mar 14 | Theatr Clwyd, Mold :: V810 listing details L0166179219 |
Mixed Bill: Subterrain/The Castaways/The Comedy of Change - T1895780241This autumn, Ashley Page, former Artistic Director of Scottish Ballet, returns to Rambert with a world premiere. Subterrain is set to music by Aphex Twin and award-winning composer Mark-Anthony Turnage, whose recent work includes the controversial opera about Anna Nicole Smith for the Royal Opera House and UNDANCE at Sadler?s Wels. Barak Marshall, one of America's most celebrated choreographers, has presented work across the world but rarely in London. Arresting, original and fevered in style, Barak makes his Rambert debut with The Castaways. Completing the programme is Mark Baldwin's The Comedy of Change, originally created to commemorate Darwin Year, and described as ?a rare beast: a dance that thinks and imagines on a grand scale? (The Guardian). Running time: 2hrs 20mins (including two 20min interval)Choreographer Ashley Page (Subterrain). Music Aphex Twin (Subterrain). Music Mark-Anthony Turnage (Subterrain). Choreographer Barak Marshall (The Castaways). Choreographer Mark Baldwin (The Comedy of Change). Company Rambert Orchestra. | |
31 Oct 13 to 2 Nov 13 | Theatre Royal, Bath :: V854 listing details L01146971826 |
22 Oct 13 to 26 Oct 13 | Sadler's Wells Theatre, Inner London :: V224 listing details L0803776560 |
T1494251478A world premiere, a witty solo, a breathtaking work by the late master of dance, Merce Cunningham, and an all-male piece by the creator of the hugely successful A Linha Curva - Rambert presents a sensational programme of outstanding theatre. With 22 of the world's finest dancers and its own critically acclaimed orchestra, a Rambert performance is an unforgettable spectacle of mesmerising dance and inspiring live music. | |
17 Oct 13 to 18 Oct 13 | Theatre Royal, Norwich :: V72 listing details L2031896905 |
Rambert Season of New Choreography - T0373846085Following Rambert's sell-out 2012 Season of new choreography in Southbank Centre's Queen Elizabeth Hall last year, the company returns with four brand new works created by its versatile dancers. Rambert Dance Company has a track record of nurturing young choreographers - Mark Baldwin, Rambert's Artistic Director, cut his own choreographic teeth producing work for previous seasons and is passionate about continuing the tradition. Several works have subsequently joined the company's repertoire and been seen throughout the UK. | |
14 May 13 | Southbank Centre, West End :: V423 listing details L2077445346 |
RainForest - T01166408797Choreographer Merce Cunningham. | |
27 Mar 13 | Barbican Centre, West End :: V371 listing details L0677140118 |
Labyrinth of Love Tour - T01362075288In 2012 Mark Baldwin celebrates 10 years at the helm of Rambert, the national company for contemporary dance, and returns to present the Labyrinth of Love Tour. Powerful, heartbreaking and humorous, Marguerite Donlon's brand new work of the same name reveals the joy and pain of love in all its glory. Rambert's breathtaking world class dancers also present Merce Cunningham's exuberant 1975 work Sounddance, paired with the sharp and witty Dutiful Ducks by Richard Alston. Completing the programme is the brutal and seductive Elysian Fields by groundbreaking choreographer Javier De Frutos, inspired by Tennessee Williams and A Streetcar Named Desire. | |
13 Mar 13 to 16 Mar 13 | Theatr Clwyd, Mold :: V810 listing details L903750496 |
6 Mar 13 to 8 Mar 13 | Theatre Royal, Nottingham :: V462 listing details L01501272210 |
28 Feb 13 to 2 Mar 13 | Theatre Royal, Glasgow :: V623 listing details L1190740707 |
13 Feb 13 to 16 Feb 13 | Theatre Royal, Brighton :: V657 listing details L01674532708 |
8 Nov 12 to 10 Nov 12 | Theatre Royal, Bath :: V854 listing details L1347227637 |
16 Oct 12 to 20 Oct 12 | Sadler's Wells Theatre, Inner London :: V224 listing details L1306367587 |
Love Songs Tour 2012: L'Apres-midi d'un faune/What Wild Ecstasy/Monolith - T2071003248In 2012 Mark Baldwin celebrates 10 years at the helm of Rambert, the national company for contemporary dance, and returns to present the Love Songs Tour 2012. Powerful, heart-breaking and humorous, Marguerite Donlon's new work, Love Songs, reveals the joy and pain of love in all its glory. 22 of the world's finest dancers also perform the Rambert version of Nijinsky's seminal ballet L'Apres-midi d'un faune, paired with Mark Baldwin's colourful modern-day response to this 100 year-old piece, What Wild Ecstasy. Tim Rushton's heartstoppingly athletic Monolith completes this spectacular and diverse performance, featuring live music throughout by the Rambert Orchestra. | |
29 Nov 12 to 30 Nov 12 | Theatre Royal, Norwich :: V72 listing details L01768038773 |
14 Nov 12 to 15 Nov 12 | Regent Theatre, Stoke-on-Trent :: V124 listing details L0883479844 |
Featuring L'Apres-midi d'un faune/What Wild Ecstasy - T601657964In 2012, Mark Baldwin celebrates ten years at the helm of Rambert. As artistic director he has presented the work of over 20 international choreographers and commissioned more than 25 world premieres. To commemorate this anniversary year, Mark has created What Wild Ecstasy, a modern day take on Nijinsky's 100 year old L'Apr?s-midi d'un faune. Rambert's version of this influential work will also be performed, revived by the Company for the first time in almost 30 years. | |
15 May 12 to 19 May 12 | Sadler's Wells Theatre, Inner London :: V224 listing details L01078226441 |
Seven for a Secret Never to be Told/Elysian Fields/Roses - T987132428This year, Rambert Dance Company celebrates 85 years at the heart of British dance, and returns to Brighton with a breathtaking new programme. Artistic Director Mark Baldwin s playful new work, Seven for a Secret, Never to be Told, features a gorgeous score by Ravel/McNeff, while Javier De Frutos exciting new work Elysian Fields is inspired by the life and work of Tennessee Williams. Plus don t miss this rare chance to see the romantic and surprising Roses by American dance icon Paul Taylor, with live music throughout from the sensational Rambert Orchestra. | |
28 Mar 12 to 31 Mar 12 | Theatre Royal, Brighton :: V657 listing details L507991063 |
Seven for a Secret Never to be Told/The Art of Touch/A Linha Curva - T40781901Acclaimed Artistic Director mark Baldwin reminds us of our childhood days with his new work Seven for a secret, never to be told, a magical and humorous production, set to an adaptation of a score by Ravel. The programme also features Siobhan Davies' stunning The Art Of Touch, gorgeously athletic and cool and set to the music of Scarlatti, plus Itzik Galili's sensational samba-inspired A Linha Curva, wowing audiences wherever it is shown. All three works feature music played live by the Rambert Orchestra, adding a thrilling new dimension to each performance. Running time approx. 135minsChoreographer Mark Baldwin (Seven for a Secret Never to be Told). Choreographer Siobhan Davies (The Art of Touch). Choreographer Itzik Galili (A Linha Curva). | |
21 Mar 12 to 23 Mar 12 | Marlowe Theatre, Canterbury :: V674 listing details L0399786054 |
21 Sep 11 to 23 Sep 11 | The Lowry, Salford :: V0655996499 listing details L01449196292 |
Seven for a Secret Never to be Told/Elysian Fields/A Linha Curva - T0934436182Rambert Dance Company is celebrating 85 years at the heart of British dance, and returns to Mold with a breathtaking new programme. The Welsh premiere of Artistic Director Mark Baldwin's brand new work, Seven for a secret, never to be told is this season's must-see performance, adding a touch of magical humour to the Company's repertoire; featuring a gorgeous score based on Ravel's L'enfant et les sortileges, adapted by Stephen McNeff, and with designs by Michael Howells. The programme also features the brutal and seductive Elysian Fields, by groundbreaking choreographer Javier De Frutos, set to the seminal score from A Streetcar Named Desire and inspired by its author, Tennessee Williams, in his centenary year; plus the sensational samba rhythms of Itzik Galili's A Linha Curva. Note: Elysian Fields contains adult themes. Suitable for 14 years+Choreographer Mark Baldwin (Seven for a Secret...). Choreographer Javier De Frutos (Elysian Fields). Choreographer Itzik Galili (A Linha Curva). | |
14 Mar 12 to 17 Mar 12 | Theatr Clwyd, Mold :: V810 listing details L2009372653 |
Seven for a Secret Never to be Told: Monolith/What Wild Ectasy - T01435185641Seven for a secret, never to be told is this year's must-see performance, adding a touch of magical humour to the Company's repertoire; featuring a gorgeous score based on Ravel's L'enfant et les sortileges, adapted by Stephen McNeff, and with designs by Michael Howells. The programme also features the heartstoppingly athletic Monolith, by director of Danish Dance Theatre, Tim Rushton, plus the world premiere of What Wild Ecstasy, a brand-new work to mark the centenary of Nijinsky's iconic L'apres-midi d'un faune. With music played live by the sensational Rambert Orchestra, the Company's anniversary tour promises drama and spectacle in equal measure.Choreographer Mark Baldwin (Seven for a Secret...). Music Stephen McNeff (based on Ravel's L'enfant et les sortileges). Design Michael Howells. Choreographer Tim Rushton (Monolith). Company Rambert Orchestra. | |
15 Feb 12 to 17 Feb 12 | His Majesty's Theatre, Aberdeen :: V585 listing details L0306021842 |
Seven for a Secret Never to be Told: Monolith/Roses - T1806043485This year, Rambert Dance Company celebrates 85 years at the heart of British dance, and returns to Newcastle with a breathtaking new programme. Artistic Director Mark Baldwin s brand new work, Seven for a Secret, never to be told is this year s must-see performance, adding a touch of magical humour to the Company s repertoire; featuring a gorgeous score based on Ravel s L enfant et les sortileges, adapted by Stephen McNeff, and with designs by Michael Howells. The programme also features the heartstoppingly athletic Monolith, by director of Danish Dance Theatre, Tim Rushton, plus a rare chance to see the romantic Roses by American dance icon, Paul Taylor, described as "serene and unclouded... perfect in shape, dance and music in radiant accord" (Financial Times, May 2011). With music played live by the sensational Rambert Orchestra, the Company s anniversary tour promises drama and spectacle in equal measure. | |
7 Feb 12 to 9 Feb 12 | Theatre Royal, Newcastle upon Tyne :: V570 listing details L1921844300 |
Seven for a Secret...Tour 2011/Monolith/Roses - T30976386In 2011, Rambert Dance Company celebrates 85 years at the heart of British dance, and returns to Bath with a breathtaking new programme. Artistic Director Mark Baldwin’s brand new work, , Seven for a secret, never to be told is this year’s must-see performance, adding a touch of magical humour to the Company’s repertoire. It features a gorgeous score based on Ravel’s L’enfant et les sortilèges, adapted by Stephen McNeff, and has designs by Michael Howells. The programme also features the heartstoppingly athletic Monolith, by director of Danish Dance Theatre, Tim Rushton, plus a rare chance to see Roses by American dance icon, Paul Taylor. | |
30 Nov 11 to 2 Dec 11 | Theatre Royal Plymouth, Plymouth :: V895 listing details L0415284807 |
20 Oct 11 to 22 Oct 11 | Theatre Royal, Bath :: V854 listing details L0636413659 |
Seven for a Secret Never to Be Told/Roses/A Linha Curva - T01561098944Artistic Director Mark Baldwin's magical and playful new work, Seven for a secret, never to be told, set to beautiful and enchanting music based on Ravel's opera L'enfant et les sortileges, is complemented by the romantic Roses, by American dance icon Paul Taylor. Plus, don't miss Itzik Galili's multi-coloured and sensational samba-inspired A Linha Curva, wowing audiences wherever it is performed. No two performances from Rambert are ever the same, with a constantly changing repertoire and 22 of the world's finest and most versatile dancers. All three works feature music played live by the Rambert Orchestra, adding a thrilling new dimension to each performance.Choreographer Mark Baldwin (Seven for a Secret Never to be Told). Choreographer Paul Taylor (Roses). Choreographer Itzik Galili (A Linha Curva). | |
23 Nov 11 to 25 Nov 11 | Alhambra Theatre, Bradford :: V965 listing details L0937962174 |
Featuring Seven for a Secret Never to be Told - T706452406Artistic Director Mark Baldwin has attracted some of the very best international choreographers, composers and designers to Rambert since taking the helm in 2002. Following the successes of Constant Speed, Eternal Light and The Comedy of Change, Baldwin presents his brand new work, Seven for a secret, never to be told; a magical and playful piece set to beautiful music based on Ravel’s opera L'enfant et les sortileges, adapted by Stephen McNeff with designs by Michael Howells. An inventive and groundbreaking choreographer, Javier De Frutos returns to create a world premiere inspired by the life and work of Tennessee Williams. Set to music from A Streetcar Named Desire, this new work is De Frutos at his very best. Concluding the bill is Merce Cunningham’s spellbinding RainForest, a work praised for its "childlike gentleness" (New York Times) performed to David Tudor’s evocative score. All three works will be played live by the Rambert Orchestra.Choreographer Mark Baldwin. Design Michael Howells. Choreographer Javier De Frutos. Choreographer Merce Cunningham. | |
15 Nov 11 to 19 Nov 11 | Sadler's Wells Theatre, Inner London :: V224 listing details L01660729175 |
Seven for a Secret Never to be Told/RainForest/A Linha Curva - T01218947262Don’t miss the world premiere of Artistic Director Mark Baldwin’s magical and playful new work, Seven for a secret, never to be told, inspired by the music of Ravel. The programme also features RainForest by American dance icon Merce Cunningham, a heady and hypnotic piece from the late 1960s. Plus, Itzik Galili’s multi-coloured and sensational samba-inspired A Linha Curva, which continues to wow audiences wherever it is performed. No two performances from Rambert are ever the same, with a constantly changing repertoire and 22 of the world’s finest and most versatile dancers. All three works feature music played live by the Rambert Orchestra, adding a thrilling new dimension to each performance. | |
10 Nov 11 to 11 Nov 11 | Theatre Royal, Norwich :: V72 listing details L2101597669 |
Seven for a Secret Never to be Told - T0183224458 | |
3 Nov 11 to 5 Nov 11 | Theatre Royal, Glasgow :: V623 listing details L1172663145 |
T599723771Rambert Dance Company returns to The Place with new work created by six Rambert dancers. Following Rambert s hugely successful performances at the Royal Opera House s Linbury Studio and the Southbank Centre, the Company returns to The Place for the first time in two years with a Season of new choreography, featuring work created by six of its versatile dancers with live music. Rambert Dance Company has a track record of nurturing young choreographers. Mark Baldwin, its Artistic Director, cut his own choreographic teeth producing work for previous seasons and is passionate about continuing the tradition. This year s workshops feature choreography by Kirill Burlov, Otis-Cameron Carr, Malgorzata Dzierzon, Jonathan Goddard and Gemma Nixon. | |
11 Oct 11 to 12 Oct 11 | The Place Theatre, Inner London :: V240 listing details L1600491810 |
Roses/Monolith/Cardoon Club - T0238167782In 2011, Rambert Dance Company celebrates 85 years at the heart of British dance, producing and touring some of the UK’s most iconic and memorable dance experiences. This May, audiences have a rare opportunity to enjoy the work of American choreographer Paul Taylor, described by Martha Graham as the ‘naughty boy’ of dance. A tribute to love and relationships, Roses was first created in 1985 and is set to music by Richard Wagner and Heinrich Baermann. The sensational Rambert dancers and orchestra also perform the London premiere of Monolith, by English choreographer Tim Rushton, artistic director for Danish Dance Theatre. Admired for taking risks in his choreography, pushing vocabulary and choreographic craft to extremes, Monolith is Rushton’s debut work for Rambert. The final piece in this diverse triple bill is the return of Henrietta Horn’s witty and sparkling revue, Cardoon Club.Choreographer Paul Taylor (Roses). Choreographer Tim Rushton (Monolith). Choreographer Henrietta Horn (Cardoon Club). Company Rambert Orchestra. | |
24 May 11 to 28 May 11 | Sadler's Wells Theatre, Inner London :: V224 listing details L02055954915 |
Awakenings Tour/Monolith/Cardoon Club - T1385065618A theatrical rollercoaster of emotions, Awakenings is based upon true life stories and inspired by Dr Oliver Sacks’ book of the same name,made famous by the 1990 Hollywood film. Featuring a a specially-commissioned score, both passionate and lyrical, the Rambert dancers and orchestra draw you into this dramatic and spine tingling new work - just one of three stunning dances to experience. The Company will also perform two further works, new to Shrewsbury audiences; Monolith by artistic director of the Danish Dance Theatre, Tim Rushton, and Henrietta Horn’s sparkling, light-hearted and colourful revue, Cardoon Club. | |
12 Apr 11 to 15 Apr 11 | Theatre Severn, Shrewsbury :: V0465778148 listing details L01578605963 |
Awakenings/Monolith/Cardoon Club - T0879729885Its ravishing new work, Awakenings, is a theatrical rollercoaster of emotions based on true life stories and inspired by Dr. Oliver Sacks’ book of the same name, made famous by the 1990 Hollywood film. Featuring specially-commissioned score, both passionate and lyrical, the Rambert dancers and orchestra draw you into this dramatic and spine-tingling new work. The Company will also perform two further works, new to Northampton audiences: Monolith by artistic director of the Danish Dance Theatre, Tim Rushton, and Henrietta Horn’s sparkling, light-hearted and colourful revue, Cardoon Club. | |
6 Apr 11 to 8 Apr 11 | Theatre Royal, Nottingham :: V462 listing details L1986500295 |
2 Mar 11 to 3 Mar 11 | Royal & Derngate, Northampton :: V449 listing details L591574762 |
Awakenings Tour 2011: The Art of Touch/RainForest - T01724462349Britain's national contemporary dance company returns to its partner theatre with a brand new programme of imaginative, ambitious and high quality dance, including an exciting new work, Awakenings. A collaboration between theatrical choreographer Aletta Collins and a newly commissioned score by celebrated American composer Tobias Picker, this is the first dance interpretation of Oliver Sacks' book of the same name. Made famous by the 1990’s Hollywood film starring Robin Williams and Robert De Niro, Awakenings is a beautiful piece of dance full of high emotion, energy and drama. Two further dance works, yet to be announced, will also be performed. | |
23 Mar 11 to 26 Mar 11 | Theatre Royal, Brighton :: V657 listing details L0235212806 |
16 Feb 11 to 18 Feb 11 | Festival Theatre, Edinburgh :: V600 listing details L808939043 |
Awakenings Tour 2011: The Art of Touch/Cardoon Club - T01363201501Awakenings - a roller-coaster of emotions inspired by Dr Oliver Sacks' book made famous by the 1990 Hollywood film. Two further dance works will also be performed, including the critically-acclaimed and gorgeously frantic The Art of Touch by the renowned Siobhan Davies, and the darkly witty and colurful Cardoon Club by German choreographer Henrietta Horn.Choreographer Siobhan Davies (The Art of Touch). Choreographer Henrietta Horn (Cardoon Club). | |
16 Mar 11 to 19 Mar 11 | Theatr Clwyd, Mold :: V810 listing details L678230416 |
Awakenings/Hush/RainForest - T793999326This autumn, Rambert is delighted to première its exciting new work Awakenings. A collaboration between theatrical choreographer Aletta Collins and celebrated American composer Tobias Picker, this is the first dance interpretation of Oliver Sacks’ book of the same name, made famous by the 1990 Hollywood film starring Robin Williams and Robert De Niro. Awakenings is a beautiful piece of dance full of high emotion, energy and drama. Christopher Bruce’s award-winning and uplifting Hush and Merce Cunningham’s RainForest complete the bill. With 22 of the world’s finest dancers and incredible live music from the Rambert Orchestra, the company continues to be at the very heart of British dance.Choreographer Aletta Collins (Awakenings). Music Tobias Picker (Awakenings). Choreographer Christopher Bruce (Hush). Choreographer Merce Cunningham (RainForest). | |
1 Dec 10 to 4 Dec 10 | Theatre Royal Plymouth, Plymouth :: V895 listing details L0819669567 |
22 Sep 10 to 24 Sep 10 | The Lowry, Salford :: V0655996499 listing details L1453299131 |
T162091398Following Rambert’s sell-out 2009 Seasons of new choreography at London’s Southbank Centre and The Place, the Company comes to the Royal Opera House’s Linbury Studio Theatre with brand new work created by six of its versatile dancers, featuring live music. Rambert Dance Company has a track record of nurturing young choreographers; Mark Baldwin, Rambert’s Artistic Director, cut his own choreographic teeth producing work for previous seasons and is passionate about continuing the tradition. Several recent works have subsequently joined the Company’s repertoire and been seen throughout the UK. | |
25 Nov 10 to 26 Nov 10 | Royal Opera House, West End :: V377 listing details L01007761479 |
featuring Awakenings - T01597323651Winner of the 2010 Laurence Olivier Award for Outstanding Achievement in Dance, Rambert Dance Company is Britain’s national company for contemporary dance. This triple bill includes a brand new work by UK choreographer Aletta Collins. Inspired by Dr Oliver Sacks' book, made famous by the 1990 Hollywood film, Awakenings is the first dance interpretation of these remarkable stories. To accompany this energetic and emotional work, Rambert has commissioned a passionate, lyrical and theatrical score by celebrated American composer Tobias Picker. Rambert also presents the return of the popular and critically acclaimed Hush, winner of the Critics' Circle National Dance Award 2009 for Best Choreography, by icon of British choreography Christopher Bruce. For the third work, German choreographer Henrietta Horn, previously Co-Artistic Director (with Pina Bausch) at the Folkwang Tanzstudio, makes her Rambert choreographic debut with Cardoon Club. All three works will be played live by the Rambert Orchestra. | |
9 Nov 10 to 13 Nov 10 | Sadler's Wells Theatre, Inner London :: V224 listing details L01363473940 |
Awakenings Tour/Hush/A Linha Curva - T1644681437Britain's national contemporary dance company returns to Stoke-on-Trent with its winning formula of imaginative, ambitious and high quality dance. This Autumn, Rambert is delighted to present its exciting new work, Awakenings. A collaboration between theatrical choreographer Aletta Collins and celebrated American composer Tobias Picker, this is the first dance interpretation of Oliver Sacks' book of the same name, made famous by the 1990 Hollywood film starring Robin Williams and Robert De Niro. Awakenings is a beautiful piece of dance full of high emotion, energy and drama. Two further dance works, brand new to Stoke-on-Trent, will also be performed, including Christopher Bruce's gorgeously uplifting and award-winning Hush, and Itzik Galili's sensational samba-inspired A Linha Curva, which has wowed audiences wherever it has been performed. | |
3 Nov 10 to 5 Nov 10 | Regent Theatre, Stoke-on-Trent :: V124 listing details L0507821620 |
1 Oct 10 to 2 Oct 10 | Venue Cymru (formerly - North Wales Theatre), Llandudno :: V848 listing details L01461660385 |
Awakenings Tour/Cardoon Club/RainForest - T630014312Rambert is at the heart of British dance, and returns to Bath with its award-winning formula of imaginative, ambitious and high-quality performances. This autumn, Britain’s national contemporary dance company presents its ravishing new work, Awakenings, a theatrical rollercoaster of emotions based on true life stories and inspired by Dr Oliver Sacks’ book of the same name, made famous by the 1990 Hollywood film. Featuring a specially commissioned score, both passionate and lyrical, the Rambert dancers and orchestra draw you into this dramatic and spine-tingling new work. Two further dance works, brand new to Bath audiences, will be Cardoon Club, a sparkling and witty piece by German choreographer Henrietta Horn and RainForest, a heady celebration of the 1960s, with choreography by the late Merce Cunningham, an electronic score by David Tudor and reflective silver pillows from Andy Warhol. With twenty two of the world’s finest dancers and live music from the Rambert Orchestra adding a further dimension to each performance, the size, scale and spectacle of the Company continues to thrill and inspire. | |
21 Oct 10 to 23 Oct 10 | Theatre Royal, Bath :: V854 listing details L01082526109 |
Awakenings Tour 2010: The Art of Touch - T1536602650This autumn, Rambert is delighted to premiere its exciting new work Awakenings. A collaboration between theatrical choreographer Aletta Collins and celebrated American composer Tobias Picker, this is the first dance interpretation of Oliver Sacks’ book of the same name, made famous by the 1990 Hollywood film starring Robin Williams and Robert De Niro. Awakenings is a beautiful piece of dance full of high emotion, energy and drama. | |
13 Oct 10 to 15 Oct 10 | Theatre Royal, Norwich :: V72 listing details L0491953385 |
A Triple Celebration: A Linha Curve/RainForest/The Art of Touch - T1540535657Rambert Dance Company's May visit to Sadler's Wells is a celebration of some of the world's most outstanding and popular choreographers. Following its unprecedented success earlier this year and due to overwhelming public demand, artistic director Mark Baldwin brings back to London the irresistible samba-inspired lines and curves of Itzik Galili's A Linha Curva. In complete contrast, Rambert honours the life and work of American dance icon, Merce Cunningham with the UK revival premiere of his illustrious piece, RainForest. With its electronic score by David Tudor and reflective silver pillows by Andy Warhol, RainForest is a wonderful artefact from the 1960s. Siobhan Davies returns to Rambert with the London revival premiere of the Olivier Award-winning work The Art of Touch. The speed and wit of Domenico Scarlatti's sonatas are the triggers for the irascibly fast footwork that propel the dancers across the space scooping the air as they go, beautifully completing this eclectic programme.Choreographer Itzik Galili (Itzik Galili (A Linha Curve). Choreographer Merce Cunningham (RainForest). Music David Tudor (RainForest). Choreographer Siobhan Davies (The Art of Touch). | |
25 May 10 to 29 May 10 | Sadler's Wells Theatre, Inner London :: V224 listing details L1628443656 |
Comedy of Change/Hush/A Linha Curva - T0691172854Commemorating Charles Darwin year, Comedy of Change is set to a specially commissioned score by renowned British composer Julian Anderson with production design by Kader Attia, one of Paris’ leading lights of contemporary art. It skilfully blends dance and science into a stunning, energetic and striking performance. Hush- a light-hearted and affectionate celebration of family life. Critically acclaimed in both America and the UK and set to music by Bobby McFerrin and Yo-Yo Ma, this brilliant 2006 creation will lift your spirits and keep your toes tapping. The chequer-board stage of Itzik Galili's A Linha Curva is filled with rhythmic pulses and sexual tension. With irresistible samba inspired lines and curves Itzik Galili blends Brazilian capoeira and contemporary dance technique. This new version for Rambert by one of Israel's most talented choreographers features a live on-stage percussion band and large cast.Choreographer Mark Baldwin (Comedy of Change). Choreographer Christopher Bruce (Hush). Choreographer Itzik Galili (A Linha Curva). | |
28 Apr 10 to 30 Apr 10 | Sheffield Theatres, Sheffield :: V962 listing details L01572290968 |
17 Feb 10 to 19 Feb 10 | Festival Theatre, Edinburgh :: V600 listing details L01125878347 |
25 Nov 09 to 27 Nov 09 | Theatre Royal, Norwich :: V72 listing details L0405946832 |
1 Oct 09 to 3 Oct 09 | Theatre Royal, Nottingham :: V462 listing details L01998251827 |
Comedy of Change Tour 2010: On the Origin of Species/The Art of Touch/Tread Softly - T1587714358Choreographer Mark Baldwin (On the Origin of Species). Music Julian Anderson (On the Origin of Species). Design Kader Attia (On the Origin of Species). Choreographer Siobhan Davies (The Art of Touch). Choreographer Henri Oguike (Tread Softly). | |
21 Apr 10 to 23 Apr 10 | Theatre Royal, Newcastle upon Tyne :: V570 listing details L01423561687 |
11 Feb 10 to 13 Feb 10 | Theatre Royal, Glasgow :: V623 listing details L121167117 |
Comedy of Change/Hush/A Linha Curva - T095787615The Comedy of Change is set to a specially commissioned score by renowned British composer Julian Anderson and production design by one of Paris' leading lights of contemporary art, Kader Attia. It skilfully blends dance and science into a stunning, energetic and striking performance. [Christopher Bruce], one of Britain's best loved choreographers revives Hush, a light hearted and affectionate celebration of family life. Critically acclaimed in America and the UK and set to music by Bobby McFerrin and Yo-Yo Ma, this brilliant 2006 creation will lift your spirits and keep your toes tapping. The chequer-board stage of [Itzik Galili]'s A Linha Curva is filled with rhythmic pulses and sexual tension, with irresistible samba-inspired lines and curves, blended with a Brazilian style and contemporary dance technique. This new version for Rambert by one of Israel's most talented choreographers is a sensation and a real crowd-pleaser. The original music, composed by Dutch percussion band Percossa, drives the rhythms and electrifies the atmosphere to an incredibly powerful level.Choreographer Mark Baldwin (The Comedy of Change). Choreographer Christopher Bruce (Hush). Choreographer Itzik Galili (A Linha Curva). | |
10 Mar 10 to 13 Mar 10 | Theatr Clwyd, Mold :: V810 listing details L01291005574 |
Comedy of Change/Carnival of the Animals/New Work - T1001858404The Company’s twenty-two dancers are among the finest and most versatile in the world and, with uplifting live music superbly enhancing the Rambert experience, this autumn’s programme is more thrilling and diverse than ever before. After the universal successes of Constant Speed (2005) and Eternal Light (2008), Artistic Director Mark Baldwin creates a brand new work that will tantalise the senses and stimulate the mind. Commemorating Charles Darwin year, Comedy of Change is set to a specially-commissioned score by renowned British composer Julian Anderson and designed by one of the leading lights of Paris’ contemporary art scene, Kader Attia. It skilfully blends dance and science into a stunning, witty and striking performance. Two further and equally breathtaking works include Siobhan Davies’ delightful five star Carnival of the Animals and a new piece by Nigerian/Welsh choreographer Henri Oguike, described by The Daily Telegraph as 'one of Britain’s juiciest young talents'.Company Orchestra London Musici. Choreographer Mark Baldwin. Music Julian Anderson (Comedy of Change). Design Kader Attia (Comedy of Change). Choreographer Siobhan Davies (Carnival of the Animals). Choreographer Henri Oguike (New Work). | |
3 Feb 10 to 6 Feb 10 | Theatre Royal, Brighton :: V657 listing details L1333837546 |
2 Dec 09 to 4 Dec 09 | Royal & Derngate, Northampton :: V449 listing details L717521871 |
12 Nov 09 to 14 Nov 09 | Theatre Royal, Bath :: V854 listing details L1392395228 |
3 Nov 09 to 7 Nov 09 | Sadler's Wells Theatre, Inner London :: V224 listing details L57915963 |
23 Sep 09 to 25 Sep 09 | The Lowry, Salford :: V0655996499 listing details L01665080506 |
Comedy of Change/Hush/Tread Softly - T039102678Commemorating Charles Darwin year, Comedy of Change is set to a specially commissioned score by renowned British composer Julian Anderson with production design by Kader Attia, one of Paris’ leading lights of contemporary art. It skilfully blends dance and science into a stunning, energetic and striking performance. The programme also includes Christopher Bruce’s Hush- a light-hearted and affectionate celebration of family life. Critically acclaimed in both America and the UK and set to music by Bobby McFerrin and Yo-Yo Ma, this brilliant 2006 creation will lift your spirits and keep your toes tapping. The evening also features Tread Softly a breathtaking new work by Henri Oguike, described by The Daily Telegraph as "one of Britain’s juiciest young talents". | |
13 Oct 09 to 16 Oct 09 | Theatre Severn, Shrewsbury :: V0465778148 listing details L0940937619 |
Season of New Choreography - T0539074548Following Rambert’s sold-out Season of New Choreography in 2008, the Company returns with brand new work created by six of its versatile dancers. Clara Barbera, Mikaela Polley, Alexander Whitley, Patricia Okenwa, Angela Towler and Martin Joyce present a programme of five diverse works, performed to live music. The Company has a track record of nurturing young choreographers; Mark Baldwin, Rambert’s Artistic Director, cut his choreographic teeth producing work for previous seasons and is passionate about continuing the tradition. | |
9 Jun 09 to 10 Jun 09 | The Place Theatre, Inner London :: V240 listing details L0826180969 |
22 May 09 | Southbank Centre, West End :: V423 listing details L1646377495 |
Hush/A Linha Curva - T010467732Rambert Dance Company's spring visit to Sadler's Wells features two very diverse London premieres. Renowned for their versatility, Artistic Director Mark Baldwin's current company of dancers is "technically assured and smoothly athletic, disciplined but highly individual" (Sunday Express). Christopher Bruce, one of Britain's best loved choreographers revives Hush, a lighthearted and raucous musical celebration of life. Critically acclaimed in America and set to music by Bobby McFerrin and Yo-Yo Ma, this brilliant 2006 creation will lift your spirits and keep your toes tapping. The chequer-board stage of Itzik Galili's A Linha Curva is filled with rhythmic pulses and sexual tension. With irresistible samba inspired lines and curves Itzik Galili blends Brazilian capoeira and contemporary dance technique. This new version for Rambert by one of Israel's most talented choreographers features a live on-stage percussion band and large cast. A third work, yet to be announced completes this vibrant programme. | |
12 May 09 to 16 May 09 | Sadler's Wells Theatre, Inner London :: V224 listing details L01657629193 |
Eternal Light Tour - T01001721195Rambert Dance Company returns with a brand new programme of diverse works, including a major new work by Artistic Director Mark Baldwin. Created in collaboration with popular composer Howard Goodall, Eternal Light is set to a powerful and elegiac new score, played live by London Musici and accompanied by a fantastic live choir at every performance. Eternal Light was commissioned by Sadler’s Wells. Score commissioned by Mark Stephenson on behalf of London Musici. The performance also features a revival of Siobhan Davies’ gorgeous and endearing work, Carnival of the Animals, plus the hugely athletic and spiritual Infinity by cutting-edge Australian choreographer, Garry Stewart. Rambert’s 22 dancers are considered to be some of the finest and most versatile in the world, performing a wide range of styles with precision and flair. The Company believes in the power of live music to enrich the senses and is the only modern dance company to permanently tour with an orchestra. | |
18 Mar 09 to 21 Mar 09 | Theatr Clwyd, Mold :: V810 listing details L449999751 |
4 Mar 09 to 7 Mar 09 | Theatre Royal, Brighton :: V657 listing details L01417949852 |
Season of New Choreography - T786680402Following last year's sold-out performance at Southbank Centre, Rambert's Season of New Choreography returns with brand new work created by six of Rambert's versatile dancers. Clara Barbera, Mikaela Polley, Alexander Whitley, Patricia Okenwa, Angela Towler and Martin Joyce present a programme of four diverse works, performed to live music. | |
2 Feb 09 | Southbank Centre, West End :: V423 listing details L923111221 |
Eternal Light Tour 2008 - Eternal Light/Carnival of the Animals/Infinity - T01297097254Eternal Light is one of Rambert Dance Company's most ambitious collaborations in recent years, a powerfully beautiful and life-affirming celebration set to an elegiac and evocative score. Carnival of the Animals - Carnival of the Animals is arguably [Siobhan Davies]' most popular and endearing work. This brand new production by Britain's most accomplished female choreographer is set to [Saint-Saens]' beautiful and melodic music. Re-invigorated for the 21st century the work re-unites Rambert dancers with this outstanding artist. Infinity - Australian choreographer [Garry Stewart]'s high energy Infinity explores the dramatic and often brutal passage towards life's inevitable end. Intuitive and emotional, the work pits the dancers against each other in an avalanche of striking physical imager, and is set to an eclectic and other-worldly new musical score.Choreographer Mark Baldwin (Eternal Light). Music Howard Goodall (Eternal Light). Design Michael Howells (Milliner - Eternal Light). Costume Stephen Jones (Eternal Light). Choreographer Siobhan Davies (Carnival of the Animals). Music Charles Camille Saint-Saens (Carnival of the Animals). Design David Buckland (Carnival of the Animals). Costume Antony McDonald (Carnival of the Animals). Lighting Peter Mumford (Carnival of the Animals). Choreographer Garry Stewart (Infinity). Music Luke Smiles (Infinity). Design Gaelle Mellis (Infinity). Costume Georg Meyer-Wiel (Infinity). Lighting Michael Mannion (Infinity). | |
26 Nov 08 to 29 Nov 08 | Theatre Royal Plymouth, Plymouth :: V895 listing details L02125959715 |
Eternal Light Tour 2008 - Eternal Light/A Tribute to Norman Morrice/See Me/Swansong - T01201323326Eternal Light is one of Rambert Dance Company's most ambitious collaborations in recent years, a powerfully beautiful and life-affirming celebration set to an elegiac and evocative score. A Tribute to Norman Morrice - Two short excerpts from works by Rambert dancer/choreographers [Mikaela Polley] and [Alexander Whitley], performed as a tribute to the late Norman Morrice, Rambert's former Artistic Director, and set to music by [Ralph Vaughan Williams] and [Karen Khachaturian]. See Me - A striking and bittersweet short work by Rambert dancer/choreographing duo [Martin Joyce] and [Angela Towler], first performed during Rambert's 2008 Season of New Choreography in London, impressing audiences and critics alike.Choreographer Mark Baldwin (Eternal Light). Music Howard Goodall (Eternal Light). Design Michael Howells (Milliner - Eternal Light). Costume Stephen Jones (Eternal Light). Choreographer Mikaela Polley (A Tribute to Norman Morrice). Choreographer Allexander Whitley (A Tribute to Norman Morrice). Music Ralph Vaughan Williams (A Tribute to Norman Morrice). Music Karen Khachaturian (A Tribute to Norman Morrice). Design Signe Beckmann (A Tribute to Norman Morrice). Costume Signe Beckmann (A Tribute to Norman Morrice). Lighting Warren Letton (A Tribute to Norman Morrice). Lighting Lee Curran (A Tribute to Norman Morrice). Choreographer Martin Joyce (See Me). Choreographer Angela Towler (See Me). Music Sonogram (See Me). Music Arvo Part (See Me). Design Martin Joyce (See Me). Costume Martin Joyce (See Me). Design Angela Towler (See Me). Costume Angela Towler (See Me). Lighting Malcolm Glanville (See Me). | |
19 Nov 08 to 22 Nov 08 | Malvern Theatres, Malvern :: V01718852442 listing details L293019493 |
Eternal Light Tour 2008 - Eternal Light/A Tribute to Norman Morrice/Infinity/Swansong - T1774630815Eternal Light is one of Rambert Dance Company's most ambitious collaborations in recent years, a powerfully beautiful and life-affirming celebration set to an elegiac and evocative score. A Tribute to Norman Morrice - Two short excerpts from works by Rambert dancer/choreographers [Mikaela Polley] and [Alexander Whitley], performed as a tribute to the late Norman Morrice, Rambert's former Artistic Director, and set to music by [Ralph Vaughan Williams] and [Karen Khachaturian]. Infinity - Australian choreographer [Garry Stewart]'s high energy Infinity explores the dramatic and often brutal passage towards life's inevitable end. Intuitive and emotional, the work pits the dancers against each other in an avalanche of striking physical imager, and is set to an eclectic and other-worldly new musical score. Swansong - [Christopher Bruce]'s classic and ever popular Swansong makes a triumphant return to the Company's repertoire. As relevant and as topical today as when it was first created in 1987, Swansong's theme of torture and interrogation for three dancers is set to move and inspire a whole new generation of audiences.Choreographer Mark Baldwin (Eternal Light). Music Howard Goodall (Eternal Light). Design Michael Howells (Milliner - Eternal Light). Costume Stephen Jones (Eternal Light). Choreographer Mikaela Polley (A Tribute to Norman Morrice). Choreographer Allexander Whitley (A Tribute to Norman Morrice). Music Ralph Vaughan Williams (A Tribute to Norman Morrice). Music Karen Khachaturian (A Tribute to Norman Morrice). Design Signe Beckmann (A Tribute to Norman Morrice). Costume Signe Beckmann (A Tribute to Norman Morrice). Lighting Warren Letton (A Tribute to Norman Morrice). Lighting Lee Curran (A Tribute to Norman Morrice). Choreographer Garry Stewart (Infinity). Music Luke Smiles (Infinity). Design Gaelle Mellis (Infinity). Costume Georg Meyer-Wiel (Infinity). Lighting Michael Mannion (Infinity). Choreographer Christopher Bruce (Swanson). Music Philip Chambon (Swansong). Design Christopher Bruce (Swansong). Costume Christopher Bruce (Swansong). Lighting David Mohr (Swansong). | |
11 Nov 08 | Sadler's Wells Theatre, Inner London :: V224 listing details L76566992 |
20 May 08 to 24 May 08 | Sadler's Wells Theatre, Inner London :: V224 listing details L1890469590 |
Eternal Light Tour 2008 - Eternal Light/Swansong/Infinity - T0626648684Eternal Light is one of Rambert Dance Company's most ambitious collaborations in recent years, a powerfully beautiful and life-affirming celebration set to an elegiac and evocative score. Swansong - [Christopher Bruce]'s classic and ever popular Swansong makes a triumphant return to the Company's repertoire. As relevant and as topical today as when it was first created in 1987, Swansong's theme of torture and interrogation for three dancers is set to move and inspire a whole new generation of audiences. Infinity - Australian choreographer [Garry Stewart]'s high energy Infinity explores the dramatic and often brutal passage towards life's inevitable end. Intuitive and emotional, the work pits the dancers against each other in an avalanche of striking physical imager, and is set to an eclectic and other-worldly new musical score.Choreographer Mark Baldwin (Eternal Light). Music Howard Goodall (Eternal Light). Design Michael Howells (Milliner - Eternal Light). Costume Stephen Jones (Eternal Light). Choreographer Christopher Bruce (Swanson). Music Philip Chambon (Swansong). Design Christopher Bruce (Swansong). Costume Christopher Bruce (Swansong). Lighting David Mohr (Swansong). Choreographer Garry Stewart (Infinity). Music Luke Smiles (Infinity). Design Gaelle Mellis (Infinity). Costume Georg Meyer-Wiel (Infinity). Lighting Michael Mannion (Infinity). | |
6 Nov 08 to 8 Nov 08 | Theatre Royal, Bath :: V854 listing details L1721081887 |
16 Oct 08 to 18 Oct 08 | Theatre Royal, Norwich :: V72 listing details L01924360513 |
Eternal Light Tour 2008 - Eternal Light/Anatomica #3/Carnival of the Animals - T02147029609Eternal Light is one of Rambert Dance Company's most ambitious collaborations in recent years, a powerfully beautiful and life-affirming celebration set to an elegiac and evocative score. Anatomica #3 - Renowned for his breakneck, athletic movement, Canadian choreographer [Andre Gingras] explores the idea of the human body as exhibition site in this high energy work for a large cast. Carnival of the Animals - Carnival of the Animals is arguably [Siobhan Davies]' most popular and endearing work. This brand new production by Britain's most accomplished female choreographer is set to [Saint-Saens]' beautiful and melodic music. Re-invigorated for the 21st century the work re-unites Rambert dancers with this outstanding artist.Choreographer Mark Baldwin (Eternal Light). Music Howard Goodall (Eternal Light). Design Michael Howells (Milliner - Eternal Light). Costume Stephen Jones (Eternal Light). Choreographer Andre Gingras (Anatomica #3). Music Joseph Hyde (Anatomica #3). Design Fabrice Serafino (Anatomica #3). Costume Fabrice Serafino (Anatomica #3). Lighting Lucy Carter (Anatomica #3). Choreographer Siobhan Davies (Carnival of the Animals). Music Charles Camille Saint-Saens (Carnival of the Animals). Design David Buckland (Carnival of the Animals). Costume Antony McDonald (Carnival of the Animals). Lighting Peter Mumford (Carnival of the Animals). | |
29 Oct 08 to 31 Oct 08 | Festival Theatre, Edinburgh :: V600 listing details L1659127726 |
Eternal Light Tour 2008 - Eternal Light/Carnival of the Animals/A Tribute to Norman Morrice/Infinity - T528789184Eternal Light is one of Rambert Dance Company's most ambitious collaborations in recent years, a powerfully beautiful and life-affirming celebration set to an elegiac and evocative score. Carnival of the Animals - Carnival of the Animals is arguably [Siobhan Davies]' most popular and endearing work. This brand new production by Britain's most accomplished female choreographer is set to [Saint-Saens]' beautiful and melodic music. Re-invigorated for the 21st century the work re-unites Rambert dancers with this outstanding artist. A Tribute to Norman Morrice - Two short excerpts from works by Rambert dancer/choreographers [Mikaela Polley] and [Alexander Whitley], performed as a tribute to the late Norman Morrice, Rambert's former Artistic Director, and set to music by [Ralph Vaughan Williams] and [Karen Khachaturian]. Infinity - Australian choreographer [Garry Stewart]'s high energy Infinity explores the dramatic and often brutal passage towards life's inevitable end. Intuitive and emotional, the work pits the dancers against each other in an avalanche of striking physical imager, and is set to an eclectic and other-worldly new musical score.Choreographer Mark Baldwin (Eternal Light). Music Howard Goodall (Eternal Light). Design Michael Howells (Milliner - Eternal Light). Costume Stephen Jones (Eternal Light). Choreographer Siobhan Davies (Carnival of the Animals). Music Charles Camille Saint-Saens (Carnival of the Animals). Design David Buckland (Carnival of the Animals). Costume Antony McDonald (Carnival of the Animals). Lighting Peter Mumford (Carnival of the Animals). Choreographer Mikaela Polley (A Tribute to Norman Morrice). Choreographer Allexander Whitley (A Tribute to Norman Morrice). Music Ralph Vaughan Williams (A Tribute to Norman Morrice). Music Karen Khachaturian (A Tribute to Norman Morrice). Design Signe Beckmann (A Tribute to Norman Morrice). Costume Signe Beckmann (A Tribute to Norman Morrice). Lighting Warren Letton (A Tribute to Norman Morrice). Lighting Lee Curran (A Tribute to Norman Morrice). Choreographer Garry Stewart (Infinity). Music Luke Smiles (Infinity). Design Gaelle Mellis (Infinity). Costume Georg Meyer-Wiel (Infinity). Lighting Michael Mannion (Infinity). | |
8 Oct 08 to 11 Oct 08 | Wycombe Swan, High Wycombe :: V749 listing details L01110361086 |
Eternal Light Tour 2008 - Eternal Light/Swansong/Anatomica #3 - T0240668440Eternal Light is one of Rambert Dance Company's most ambitious collaborations in recent years, a powerfully beautiful and life-affirming celebration set to an elegiac and evocative score. Swansong - [Christopher Bruce]'s classic and ever popular Swansong makes a triumphant return to the Company's repertoire. As relevant and as topical today as when it was first created in 1987, Swansong's theme of torture and interrogation for three dancers is set to move and inspire a whole new generation of audiences. Anatomica #3 - Renowned for his breakneck, athletic movement, Canadian choreographer [Andre Gingras] explores the idea of the human body as exhibition site in this high energy work for a large cast.Choreographer Mark Baldwin (Eternal Light). Music Howard Goodall (Eternal Light). Design Michael Howells (Milliner - Eternal Light). Costume Stephen Jones (Eternal Light). Choreographer Christopher Bruce (Swanson). Music Philip Chambon (Swansong). Design Christopher Bruce (Swansong). Costume Christopher Bruce (Swansong). Lighting David Mohr (Swansong). Choreographer Andre Gingras (Anatomica #3). Music Joseph Hyde (Anatomica #3). Design Fabrice Serafino (Anatomica #3). Costume Fabrice Serafino (Anatomica #3). Lighting Lucy Carter (Anatomica #3). | |
25 Sep 08 to 27 Sep 08 | The Lowry, Salford :: V0655996499 listing details L0565750813 |
World View Tour 2008 - Swansong/L'eveil/Anatomica #3 - T02035457976Rambert Dance Company’s World View Tour has an international flavour, bringing the very best of British and world-class talent to its audience. With a diverse programme of four new pieces, including a fresh revival of Christopher Bruce’s gripping Swansong, the drama, scale and spectacle of the Company continues to thrill and inspire.Choreographer Christopher Bruce (Swansong). Choreographer Melanie Teall (L'eveil). Choreographer Andre Gingras (Anatomica #3). | |
8 Apr 08 to 11 Apr 08 | Theatr Clwyd, Mold :: V810 listing details L01775649597 |
1 Apr 08 to 5 Apr 08 | Theatre Royal, Newcastle upon Tyne :: V570 listing details L991448092 |
World View Tour 2008 - T1381414703 | |
12 Mar 08 to 15 Mar 08 | Theatre Royal, Brighton :: V657 listing details L1360736081 |
20 Feb 08 to 21 Feb 08 | His Majesty's Theatre, Aberdeen :: V585 listing details L1043795622 |
L'eveil/Infinity/Swansong/Gran Partita - T1719990719L'eveil is an abstract piece for six women, loosely inspired by aspects of femininity and influenced by the power of the female voice through song. Featuring live singer [Melanie Marshall], it is perfomed to Kurt Weill's Je ne t'aime pas and [Leslie Bricusse]'s Feeling Good, with costumes inspired by world-renowned fashion designer [Roland Mouret}. Infinity explores the dramatic and often brutal passage towards life's inevitable end, through an avalanche of striking and relentles physical limagery. Swansong Revival Premiere - an intensely potent depiction of interrogation that is dramatic and sinister, but ultimately uplifting. Gran Partita is set to four movements from Mozart's exceptional piece of the same name. Capturing the verve and beauty of the music in movement, this emotional and dramatic piece complements Mozart's heart-melting sound. The celebrated designer [Jean Marc Puissant]'s fresh scenery and costumes create a dreamy poetic world.Choreographer Melanie Teall (L'eveil)). Choreographer Garry Stewart (Infinity)). Choreographer Christopher Bruce (Swansong). Choreographer Karole Armitage (Gran Partita). | |
5 Mar 08 to 7 Mar 08 | Grand Theatre, Swansea :: V831 listing details L2144357042 |
13 Nov 07 to 17 Nov 07 | Sadler's Wells Theatre, Inner London :: V224 listing details L671876470 |
Season of New Choreography - T075053063Rambert’s ever popular Season of New Choreography is an exciting opportunity to see brand new work created by five of Rambert’s versatile dancers. Rambert Dance Company has a track record of nurturing young choreographers; Mark Baldwin, Rambert’s Artistic Director, cut his choreographic teeth producing work for previous seasons and is passionate about continuing the tradition. For the first time at Southbank Centre, Hubert Essakow, Martin Joyce, Mikaela Polley, Angela Towler and Alexander Whitley present a programme of four diverse and thrilling works, performed to live music. | |
1 Feb 08 | Southbank Centre, West End :: V423 listing details L494148312 |
L'eveil/Gran Partita/Swansong/Anatomica #3 - T0110052594L'eveil is an abstract piece for six women, loosely inspired by aspects of femininity and influenced by the power of the female voice through song. Featuring live singer [Melanie Marshall], it is perfomed to Kurt Weill's Je ne t'aime pas and [Leslie Bricusse]'s Feeling Good, with costumes inspired by world-renowned fashion designer [Roland Mouret}. Gran Partita is set to four movements from Mozart's exceptional piece of the same name. Capturing the verve and beauty of the music in movement, this emotional and dramatic piece complements Mozart's heart-melting sound. The celebrated designer [Jean Marc Puissant]'s fresh scenery and costumes create a dreamy poetic world. Swansong Revival Premiere - an intensely potent depiction of interrogation that is dramatic and sinister, but ultimately uplifting. Anatomica #3 by Canadian-born choreographer [Andre Gingras]. Andre has been working in Holland since 1999 and is described as one of the country's most innovative and daring young choreographers, having developed a highly physical and visual personal language. His first work for Rambert has been inspired by the concept of the body as an exhibition site - looking at how the human form is perceived in the public eye, from both positive and negative viewpoints. With a striking set and costume design by ex-Rambert dancer [Fabrice Serafino] and original live music by young British composer [Joseph Hyde], this new work is a vigorous, and edgy addition to Rambert's repertoire.Choreographer Melanie Teall (L'eveil). Choreographer Karole Armitage (Gran Partita). Choreographer Christopher Bruce (Swansong). Choreographer Andre Gingras (Anatomica #3). | |
28 Nov 07 to 1 Dec 07 | Theatre Royal Plymouth, Plymouth :: V895 listing details L1854964192 |
L'eveil/Constant Speed/Swansong/Anatomica #3 - T2058427102L'eveil is an abstract piece for six women, loosely inspired by aspects of femininity and influenced by the power of the female voice through song. Featuring live singer [Melanie Marshall], it is perfomed to Kurt Weill's Je ne t'aime pas and [Leslie Bricusse]'s Feeling Good, with costumes inspired by world-renowned fashion designer [Roland Mouret}. Constant Speed, Baldwin’s first choreographic work as Artistic Director for Rambert, has been widely acclaimed for its novel and charming approach to physics. Commissioned by the Institute of Physics, Constant Speed has been inspired by three of Einstein’s key 1905 theories. The result is 19 of Rambert’s dancers whizzing around the stage like hyperactive molecules, in a joyous and athletic frenzy of movement. Performed to sparkling waltzes by Franz Lehár, this ingenious and witty piece succeeds in making physics intriguing and fun. Swansong Revival Premiere - an intensely potent depiction of interrogation that is dramatic and sinister, but ultimately uplifting. Anatomica #3 by Canadian-born choreographer [Andre Gingras]. Andre has been working in Holland since 1999 and is described as one of the country's most innovative and daring young choreographers, having developed a highly physical and visual personal language. His first work for Rambert has been inspired by the concept of the body as an exhibition site - looking at how the human form is perceived in the public eye, from both positive and negative viewpoints. With a striking set and costume design by ex-Rambert dancer [Fabrice Serafino] and original live music by young British composer [Joseph Hyde], this new work is a vigorous, and edgy addition to Rambert's repertoire.Choreographer Melanie Teall (L'eveil). Choreographer Mark Baldwin (Constant Speed). Choreographer Christopher Bruce (Swansong). Choreographer Andre Gingras (Anatomica #3). | |
21 Nov 07 to 23 Nov 07 | Regent Theatre, Stoke-on-Trent :: V124 listing details L01152871931 |
17 Oct 07 to 19 Oct 07 | Theatr Clwyd, Mold :: V810 listing details L0194309840 |
L'eveil/Swansong/Gran Partita/Infinity - T1166278664L'eveil is an abstract piece for six women, loosely inspired by aspects of femininity and influenced by the power of the female voice through song. Featuring live singer [Melanie Marshall], it is perfomed to Kurt Weill's Je ne t'aime pas and [Leslie Bricusse]'s Feeling Good, with costumes inspired by world-renowned fashion designer [Roland Mouret}. Swansong Revival Premiere - an intensely potent depiction of interrogation that is dramatic and sinister, but ultimately uplifting. Gran Partita is set to four movements from Mozart's exceptional piece of the same name. Capturing the verve and beauty of the music in movement, this emotional and dramatic piece complements Mozart's heart-melting sound. The celebrated designer [Jean Marc Puissant]'s fresh scenery and costumes create a dreamy poetic world. Infinity explores the dramatic and often brutal passage towards life's inevitable end, through an avalanche of striking and relentles physical limagery.Choreographer Melanie Teall (L'eveil). Choreographer Christopher Bruce (Swanson). Choreographer Karole Armitage (Gran Partita). Choreographer Garry Stewart (Infinity)). | |
7 Nov 07 to 9 Nov 07 | Festival Theatre, Edinburgh :: V600 listing details L614750824 |
L'eveil/Constant Speed/Swansong/Stand and Stare - T1477878986L'eveil is an abstract piece for six women, loosely inspired by aspects of femininity and influenced by the power of the female voice through song. Featuring live singer [Melanie Marshall], it is perfomed to Kurt Weill's Je ne t'aime pas and [Leslie Bricusse]'s Feeling Good, with costumes inspired by world-renowned fashion designer [Roland Mouret}. Constant Speed, Baldwin's first choreographic work as Artistic Director for Rambert, has been widely acclaimed for its novel and charming approach to physics. Commissioned by the Institute of Physics, Constant Speed has been inspired by three of Einstein's key 1905 theories. The result is 19 of Rambert's dancers whizzing around the stage like hyperactive molecules, in a joyous and athletic frenzy of movement. Performed to sparkling waltzes by Franz Leh?r, this ingenious and witty piece succeeds in making physics intriguing and fun. Swansong Revival Premiere - an intensely potent depiction of interrogation that is dramatic and sinister, but ultimately uplifting. Stand and Stare by [Darshan Singh Bhuller], is a gritty and powerful piece that uses the white negative space and the vertical and horizontal lines of artist LS Lowry's work in both the choreography and set design. It is performed to Bartok's dramatically haunting Sonata for Two Pianos and Percussion.Choreographer Melanie Teall (L'eveil). Choreographer Mark Baldwin (Constant Speed). Choreographer Christopher Bruce (Swansong). Choreographer Darshan Singh Bhuller (Stand and Stare). | |
31 Oct 07 to 3 Nov 07 | Grand Theatre and Opera House, Leeds :: V975 listing details L0136498116 |
Swansong/L'eveil/Lady into Fox/Gran Partita - T760560562Swansong Revival Premiere - an intensely potent depiction of interrogation that is dramatic and sinister, but ultimately uplifting. L'eveil is an abstract piece for six women, loosely inspired by aspects of femininity and influenced by the power of the female voice through song. Featuring live singer [Melanie Marshall], it is perfomed to Kurt Weill's Je ne t'aime pas and [Leslie Bricusse]'s Feeling Good, with costumes inspired by world-renowned fashion designer [Roland Mouret}. Lady into Fox - inspired by Andree Howard's original 1939 creation - which last appeared in Ballet Rambert's repertoire 57 years ago. Gran Partita is set to four movements from Mozart's exceptional piece of the same name. Capturing the verve and beauty of the music in movement, this emotional and dramatic piece complements Mozart's heart-melting sound. The celebrated designer [Jean Marc Puissant]'s fresh scenery and costumes create a dreamy poetic world.Choreographer Christopher Bruce (Swansong). Choreographer Melanie Teall (L'eveil). Choreographer Andree Howard (Lady into Fox - extra choreography [Mark Baldwin]). Choreographer Karole Armitage (Gran Partita). | |
10 Oct 07 to 13 Oct 07 | Wycombe Swan, High Wycombe :: V749 listing details L0741473771 |
Infinity/L'eveil/Stand and Stare/Gran Partita - T766193487Infinity explores the dramatic and often brutal passage towards life's inevitable end, through an avalanche of striking and relentles physical limagery. L'eveil is an abstract piece for six women, loosely inspired by aspects of femininity and influenced by the power of the female voice through song. Featuring live singer [Melanie Marshall], it is perfomed to Kurt Weill's Je ne t'aime pas and [Leslie Bricusse]'s Feeling Good, with costumes inspired by world-renowned fashion designer [Roland Mouret}. Stand and Stare by [Darshan Singh Bhuller], is a gritty and powerful piece that uses the white negative space and the vertical and horizontal lines of artist LS Lowry's work in both the choreography and set design. It is performed to Bartok's dramatically haunting Sonata for Two Pianos and Percussion. Gran Partita is set to four movements from Mozart's exceptional piece of the same name. Capturing the verve and beauty of the music in movement, this emotional and dramatic piece complements Mozart's heart-melting sound. The celebrated designer [Jean Marc Puissant]'s fresh scenery and costumes create a dreamy poetic world.Choreographer Garry Stewart (Infinity). Music Luke Smiles (Infinity). Design Gaelle Mellis (Infinity). Lighting Michael Mannion. Costume Georg Meyer-Weil. Choreographer Melanie Teall (L'eveil). Choreographer Darshan Singh Bhuller (Stand and Stare). Choreographer Karole Armitage (Gran Partita). | |
26 Sep 07 to 29 Sep 07 | The Lowry, Salford :: V0655996499 listing details L01156837255 |
Gran Partita/Anatomica #3/Pond Way - T2125333816Gran Partita is set to four movements from Mozart's exceptional piece of the same name. Capturing the verve and beauty of the music in movement, this emotional and dramatic piece complements Mozart's heart-melting sound. The celebrated designer [Jean Marc Puissant]'s fresh scenery and costumes create a dreamy poetic world. Receiving its London premiere is Anatomica #3 by Canadian-born choreographer [Andre Gingras]. Andre has been working in Holland since 1999 and is described as one of the country's most innovative and daring young choreographers, having developed a highly physical and visual personal language. His first work for Rambert has been inspired by the concept of the body as an exhibition site - looking at how the human form is perceived in the public eye, from both positive and negative viewpoints. With a striking set and costume design by ex-Rambert dancer [Fabrice Serafino] and original live music by young British composer [Joseph Hyde], this new work is a vigorous, and edgy addition to Rambert's repertoire. Pond Way is the eighth Cunningham work to enter the Company's repertoire. Pond Way can be described as one of his 'nature studies'. It is a lyrical, contemplative, often sensuous piece, with the movement, according to Cunningham, being reminiscent of the game of skimming stones over a pond, which he loved to play as a child. The production is further enriched with a backcloth from the visual artist [Roy Lichtenstein] and a soundscape by [Brian Eno].Choreographer Karole Armitage (Gran Partita). Design Jean Marc Puissant (Gran Partita). Costume Jean Marc Puissant (Gran Partita). Choreographer Andre Gingras (Anatomic #3). Design Fabrice Serafino (Anatomica #3). Costume Fabrice Serafino (Anatomica #3). Music Joseph Hyde (Anatomica #3). Choreographer Merce Cunningham (Pond Way). Design Roy Lichtenstein (Pond Way). Sound Brian Eno (Pond Way). | |
22 May 07 to 26 May 07 | Sadler's Wells Theatre, Inner London :: V224 listing details L561752468 |
Stand and Stare/Pond Way/Transit/Verge - T2131960802Stand and Stare is a gritty, powerful and athletic piece that uses the white negative space, and the vertical and horizontal lines of artist LS Lowry's work in both the choreography and set design, and is performed to Bartok's dramatically haunting Sonata for Two Pianos and Percussion. Pond Way is a lyrical, often sensuous piece, with a soundscape by Brian Eno and a backdrop by pop artist Roy Lichtenstein. Transit is an atmospheric, fluid exploration of movement and space, inspired by the phenomenon of the planet Venus in transit. Verge is performed to an original electro-acoustic score made up entirely of the dancers' physical sounds.Choreographer Darshan Singh Bhuller (Stand and Stare). Choreographer Merce Cunningham (Pond Way). Choreographer Melanie Teall (Transit). Choreographer Cameron McMillan (Verge). Costume Roland Mouret (Transit / Verge). | |
27 Mar 07 to 31 Mar 07 | Theatre Royal, Newcastle upon Tyne :: V570 listing details L02138220283 |
Judgment of Paris/Divine Influence/Stand and Stare/Constant Speed - T830253296 | |
22 Mar 07 to 23 Mar 07 | Villa Marina and Gaiety Theatre, Douglas :: V915 listing details L1756756235 |
Lady into Fox/Pond Way/Stand and Stare - T905303498Choreographer Andree Howard (Lady into Fox). Choreographer Mark Baldwin (Lady into Fox). Choreographer Merce Cunningham (Pond Way). Choreographer Darshan Singh Bhuller (Stand and Stare). | |
13 Mar 07 to 16 Mar 07 | Theatr Clwyd, Mold :: V810 listing details L0390878323 |
Swamp/Stand and Stare/Constant Speed - T920123911Choreographer Michael Clark (Swamp). Choreographer Darshan Singh Bhuller (Stand and Stare). Choreographer Mark Baldwin (Constant Speed). | |
8 Mar 07 to 10 Mar 07 | Grand Theatre, Swansea :: V831 listing details L0200000546 |
Transit/Verge/Anatomica #3/Stand and Stare - T01791072437Anatomica #3 has been inspired by the concept of the body as an exhibition site - looking at how the human form is perceived in the public eye, through both positive and negative viewpoints. Inspiration is drawn from a variety of sources, including the limitations, vulnerability and glory of the body itself, along with ideas of royalty and celebrity in popular culture. Stand and Stare by [Darshan Singh Bhuller], is a gritty and powerful piece that uses the white negative space and the vertical and horizontal lines of artist LS Lowry's work in both the choreography and set design. It is performed to Bartok's dramatically haunting Sonata for Two Pianos and Percussion. Transit by [Melanie Teall], is inspired by the phenomenon of the planet Venus in transit, [Cameron McMillan]'s intensely sharp Verge is performed to an original electro-acoustic score made up entirely of the dancers' physical sounds. Both pieces feature costume designs by fashion icon [Roland Mouret].Company London Musici. Choreographer Melanie Teall (Transit). Choreographer Cameron McMillan (Verge). Choreographer Andre Gingras (Anatomica #3). Design Fabrice Serafino (Anatomica #3). Lighting Lucy Carter (Anatomica #3). Music Joseph Hyde (Anatomica #3). Choreographer Darshan Singh Bhuller (Stand and Stare). | |
23 Feb 07 to 24 Feb 07 | Theatre Royal, Brighton :: V657 listing details L328027314 |
Pond Way/Transit/Verge/Lady in Fox - T406467556Choreographer Merce Cunningham (Pond Way). Choreographer Melanie Teall (Transit). Performer Cameron McMillan (Verge). Choreographer Andree Howard (Lady into Fox). Choreographer Mark Baldwin (Lady into Fox). | |
14 Feb 07 to 15 Feb 07 | Hall for Cornwall, Truro :: V1183 listing details L2118605903 |
Pond Way/Bloom/Stand and Stare - T0248525926Pond Way can be described as one of Merce Cunningham's 'nature studies'. It is a contemplative, often sensuous piece, with the movement being reminiscent of the game of skimming stones over a pond, which Cunningham loved to play as a child. The production is enriched with a backcloth from the artist Roy Lichtenstein and a soundscape by composer Brian Eno. bloom by Aletta Collins, is performed to infectious Romanian gypsy rhythms and has characters crashing in and out of focus in a giddy world and chaotic encounters. Collins' work spans dance, theatre, opera and film and bloom is her first collaboration with Rambert. L S Lowry - To mark the 30th anniversary of the death of British artist LS Lowry, former artistic director of Phoenix Dance Theatre, Darshan Singh Bhuller, creates a new work, taking his inspiration from Lowry's approach to his paintings and response to his surroundings.Choreographer Merce Cunningham. Choreographer Aletta Collins. Choreographer Darshan Singh. | |
6 Dec 06 to 9 Dec 06 | Theatre Royal Plymouth, Plymouth :: V895 listing details L1548973220 |
4 Oct 06 to 6 Oct 06 | Theatre Royal, Norwich :: V72 listing details L132410013 |
Pond Way/Stand and Stare/Constant Speed - T01252253946Choreographer Merce Cunningham. Choreographer Darshan Singh Bhuller. Choreographer Mark Baldwin. | |
30 Nov 06 to 2 Dec 06 | New Victoria Theatre, Woking :: V709 listing details L1017035577 |
Lady into Fox/Stand and Stare/Divine Influence/Verge - T0548587763Lady into Fox - inspired by Andree Howard's original 1939 creation - which last appeared in Ballet Rambert's repertoire 56 years ago. Alongside this, three of Rambert’s dancer/choreographers have created new works. Martin Joyce’s Divine Influence is a fast-moving, passionate duet bristling with comic tension and moments of intense tenderness, performed to the third movement of Beethoven's Moonlight Sonata. Transit, by Melanie Teall, is an exploration of space and movement for a solo female dancer, inspired by the phenomenon of the planet Venus in transit. (Performed on Wednesday and Friday evenings only). Cameron McMillan’s Verge, an intensely sharp ensemble piece for eight dancers, is a fragmented exploration of change, and is performed to an original electro-acoustic score made entirely of the dancers’ physical sounds. (Performed on Tuesday, Thursday and Saturday evenings only).Choreographer Mark Baldwin (Lady into Fox). Music Benjamin Pope (Lady into Fox). Design Michael Howells (Lady into Fox). Choreographer Darshan Singh Bhuller (Stand and Stare). Choreographer Melanie Teall (Divine Influence). Choreographer Cameron McMillan (Verge). Costume Roland Mouret (Divine Influence / Verge). | |
14 Nov 06 to 18 Nov 06 | Sadler's Wells Theatre, Inner London :: V224 listing details L0925915460 |
Divine Influence/Transit/Verge/Stand and Stare/Lady into Fox (World Premiere) - T562339027Choreographer Martin Joyce. Choreographer Melanie Teall. Choreographer Cameron McMillan. Choreographer Darshan Singh Bhuller. Choreographer Andree Howard. | |
14 Nov 06 to 18 Nov 06 | Sadler's Wells Theatre, Inner London :: V224 listing details L106567002 |
Divine Influence/Transit/Swamp/Constant Speed - T1847825996Choreographer Martin Joyce. Choreographer Melanie Teall. Choreographer Michael Clark. Choreographer Mark Baldwin. Costume Roland Mouret (Transit). | |
1 Nov 06 to 4 Nov 06 | Malvern Theatres, Malvern :: V01718852442 listing details L404353367 |
Pond Way/Constant Speed/Bloom - T0662435196Merce Cunningham is one of world's most revered and enigmatic choreographers and Rambert is one of the few companies permitted to perform his work. Pond Way can be described as one of Cunningham's ?nature studies' where the movement evokes birds, animals or landscapes. It is a lyrical, contemplative and sensuous piece, with the movement, according to Cunningham, being reminiscent of the game of skimming stones over a pond, which he loved to play as a child. The production is further enriched with a backcloth from the visual artist Roy Lichtenstein and a soundscape by Brian Eno. Constant Speed, Baldwin's first choreographic work as Artistic Director for Rambert, has been widely acclaimed for its novel and charming approach to physics. Commissioned by the Institute of Physics, Constant Speed has been inspired by three of Einstein's key 1905 theories. The result is 19 of Rambert's dancers whizzing around the stage like hyperactive molecules, in a joyous and athletic frenzy of movement. Performed to sparkling waltzes by Franz Leh?r, this ingenious and witty piece succeeds in making physics intriguing and fun. Bloom - Drawing its inspiration from a variety of sources, ranging from 1970s romantic posters to contemporary gypsy music, Bloom explores the idea of creating that perfect romantic moment. Aletta's impressive theatre and film experience will play a large role in the cration of Bloom, using improvisation and character work to create movement and narrative for 16 of Rambert's dancers. Bloom is performed to music that includes tracks from the acclaimed Romanian gypsy band Taraf de Haidouks, with disigns by [Simon Daw] and lighting design by [Charles Balfour].Choreographer Merce Cunningham (Pond Way). Choreographer Mark Baldwin (Constant Speed). Choreographer Aletta Collins (Bloom). Company London Musici. Conductor Paul Hoskins. Design Simon Daw (Bloom). Lighting Charles Balfour (Bloom). Design Roy Lichtenstein (Pond Way). Sound Brian Eno (Pond Way). Costume Michael Howells (Constant Speed). Lighting Samantha McNem (Constant Speed). | |
25 Oct 06 to 27 Oct 06 | Festival Theatre, Edinburgh :: V600 listing details L2013826462 |
23 May 06 to 27 May 06 | Sadler's Wells Theatre, Inner London :: V224 listing details L1547456879 |
Divine Influence/Transit/Pond Way - T0975631806Divine Influence by [Martin Joyce], is a fast moving, passionate duet bristling with comic tension and moments of intense tenderness and is performed to the third movement of Beethoven's Moonlight Sonata. Transit, a solo created and performed by [Melanie Teall], is a fluid, atmospheric piece inspired by the phenomenon of the planet Venus in transit, performed to extracts from Eric Serra's soundtrack to the film Leon. Pond Way by [Merce Cunningham], is a contemplative, often sensuous piece, with the movement being reminiscent of the game of skimming stones over a pond. The production is enriched with a backcloth from the artist Roy Lichtenstein and a soundscape by composer Brian EnoChoreographer Martin Joyce (Divine Influence). Choreographer Melanie Teall (Transit). Choreographer Merce Cunningham (Pond Way). Costume Roland Mauret (Transit). | |
17 Oct 06 to 21 Oct 06 | Theatre Royal, Bath :: V854 listing details L01368247067 |
Divine Influence/Transit/Stand and Stare/Constant Speed - T1088821663Choreographer Martin Joyce. Choreographer Melanie Teall. Choreographer Darshan Singh Bhuller. Choreographer Aletta Collins. Costume Roland Mouret (Transit). | |
11 Oct 06 to 14 Oct 06 | Wycombe Swan, High Wycombe :: V749 listing details L1023045846 |
Stand and Stare - T01804154556The work has been specially commissioned by The Lowry, Salford to mark 30 years since the death of artist LS Lowry.Producer Rambert Dance. Producer The Lowry. Choreographer Darshan Singh Bhuller. Company Associate Orchestra London Musici. Conductor Paul Hoskins. Design Craig Givens. Lighting John B Read. Performer Lucila Alves. Performer Clara Barbara. Performer Antonette Dayrit. Performer Malgorzata Dzierzon. Performer Hubert Essakow. Performer Robin Gladwin. Performer Thoamsin Gulgee. Performer Andrew Hurst. Performer Martin Joyce. Performer Cameron McMillan. Performer Patricia Okenwa. Performer Mikaela Polley. Performer Pieter Symonds. Performer Melanie Teall. Performer Angela Towler. Performer Alexander Whitley. Performer Gemma Wilkinson. Performer Renaud Wiser. | |
27 Sep 06 to 30 Sep 06 | The Lowry, Salford :: V0655996499 listing details L02038299857 |
Outside - T99121839Outside is a free project for 12-16 year olds living in or attending school in the boroughs of Camden and Westminster. Both boys and girls are welcome to take part and those wishing to apply should contact Tracey Weller at The Royal Parks on 020 7298 2078 or email Email | |
31 Jul 06 to 25 Aug 06 | Open Air Theatre, West End :: V403 listing details L1629589542 |
Judgment of Paris/Divine Influence/Pond Way/Constant Speed - T0296915559Set to extracts from Kurt Weill's Threepenny Opera, Antony Tudor's Judgment of Paris is a sardonic take on the classical myth. In this black comedy, the three women are no longer goddesses but tired, tawdry floozies competing for the attentions of a drunken client in a seedy night-club. This little Tudor gem was first performed by Rambert in 1940 and has been revived on several occasions since. Divine Influence, by Rambert dancer/choreographer Martin Joyce, was originally created for the 2005 Rambert Workshop Season and is an intimate duet, performed to the third movement of Beethoven’s Moonlight Sonata. Divine Influence is a fast-moving, passionate encounter that bristles with comic tension and moments of real tenderness. Merce Cunningham is one of world’s most revered and enigmatic choreographers and Rambert is one of the few companies permitted to perform his work. Pond Way can be described as one of Cunningham's ‘nature studies’ where the movement evokes birds, animals or landscapes. It is a lyrical, contemplative and sensuous piece, with the movement, according to Cunningham, being reminiscent of the game of skimming stones over a pond, which he loved to play as a child. The production is further enriched with a backcloth from the visual artist Roy Lichtenstein and a soundscape by Brian Eno. Constant Speed, Baldwin’s first choreographic work as Artistic Director for Rambert, has been widely acclaimed for its novel and charming approach to physics. Commissioned by the Institute of Physics, Constant Speed has been inspired by three of Einstein’s key 1905 theories. The result is 19 of Rambert’s dancers whizzing around the stage like hyperactive molecules, in a joyous and athletic frenzy of movement. Performed to sparkling waltzes by Franz Lehár, this ingenious and witty piece succeeds in making physics intriguing and fun.Choreographer Antony Tudor (Judgment of Paris). Choreographer Martin Joyce (Divine Influence). Choreographer Merce Cunningham (Pond Way). Choreographer Mark Baldwin (Constant Speed). | |
22 Mar 06 to 25 Mar 06 | Theatre Royal, Brighton :: V657 listing details L0875463944 |
Judgment of Paris/Momenta/A Steel Garden/Constant Speed - T1632641594Set to extracts from Kurt Weill's Threepenny Opera, Antony Tudor's Judgment of Paris is a sardonic take on the classical myth. In this black comedy, the three women are no longer goddesses but tired, tawdry floozies competing for the attentions of a drunken client in a seedy night-club. This little Tudor gem was first performed by Rambert in 1940 and has been revived on several occasions since. Momenta by Rambert dancer/choreographer Mikaela Polley was created for the Rambert Workshop Season in January 2005. Momenta is an ensemble work for ten dancers and is performed to an original score of the same name by Patrick Nunn. The piece accelerates in physical and musical power culminating in a frenetic final movement. Christopher Bruce CBE returns to Rambert for the first time since his retirement as Artistic Director in November 2002. A Steel Garden brings together Bruce and composer David C. Heath, whose composition Dawn of a New Age was the starting point for the collaboration, and which was extended and developed as the dance evolved. Bruce’s choreographic career began with Rambert in 1969 and he has gone on to become one of Britain’s most important and well-known choreographers. Constant Speed, Baldwin’s first choreographic work as Artistic Director for Rambert, has been widely acclaimed for its novel and charming approach to physics. Commissioned by the Institute of Physics, Constant Speed has been inspired by three of Einstein’s key 1905 theories. The result is 19 of Rambert’s dancers whizzing around the stage like hyperactive molecules, in a joyous and athletic frenzy of movement. Performed to sparkling waltzes by Franz Lehár, this ingenious and witty piece succeeds in making physics intriguing and funChoreographer Antony Tudor (Judgment of Paris). Choreographer Mikaela Polley (Momenta). Choreographer Christopher Bruce (A Steel Garden). Choreographer Mark Baldwin (Constant Speed). | |
14 Mar 06 to 17 Mar 06 | Theatr Clwyd, Mold :: V810 listing details L0845553731 |
A Steel Garden/Judgment of Paris/Divine Influence/Constant Speed - T0516497737Christopher Bruce CBE returns to Rambert for the first time since his retirement as Artistic Director in November 2002. A Steel Garden brings together Bruce and composer David C. Heath, whose composition Dawn of a New Age was the starting point for the collaboration, and which was extended and developed as the dance evolved. Bruce’s choreographic career began with Rambert in 1969 and he has gone on to become one of Britain’s most important and well-known choreographers. Set to extracts from Kurt Weill's Threepenny Opera, Antony Tudor's Judgment of Paris is a sardonic take on the classical myth. In this black comedy, the three women are no longer goddesses but tired, tawdry floozies competing for the attentions of a drunken client in a seedy night-club. This little Tudor gem was first performed by Rambert in 1940 and has been revived on several occasions since. Divine Influence, by Rambert dancer/choreographer Martin Joyce, was originally created for the 2005 Rambert Workshop Season and is an intimate duet, performed to the third movement of Beethoven’s Moonlight Sonata. Divine Influence is a fast-moving, passionate encounter that bristles with comic tension and moments of real tenderness. Constant Speed, Baldwin’s first choreographic work as Artistic Director for Rambert, has been widely acclaimed for its novel and charming approach to physics. Commissioned by the Institute of Physics, Constant Speed has been inspired by three of Einstein’s key 1905 theories. The result is 19 of Rambert’s dancers whizzing around the stage like hyperactive molecules, in a joyous and athletic frenzy of movement. Performed to sparkling waltzes by Franz Lehár, this ingenious and witty piece succeeds in making physics intriguing and funChoreographer Christopher Bruce (A Steel Garden). Choreographer Antony Tudor (Judgment of Paris). Choreographer Martin Joyce (Divine Influence). Choreographer Mark Baldwin (Constant Speed). | |
1 Mar 06 to 2 Mar 06 | Hall for Cornwall, Truro :: V1183 listing details L2136920398 |
Songs of a Wayfarer/Momenta/Divine Influence/Constant Speed - T1299660320Songs of a Wayfarer by Danish choreographer Kim Brandstrup was specially commissioned by Rambert to form part of its programme at the 2004 Edinburgh International Festival. This evocative work explores the complex emotions associated with unrequited love. It is danced to Gustav Mahler’s achingly beautiful song-cycle of the same title. Momenta by Rambert dancer/choreographer Mikaela Polley was created for the Rambert Workshop Season in January 2005. Momenta is an ensemble work for ten dancers and is performed to an original score of the same name by Patrick Nunn. The piece accelerates in physical and musical power culminating in a frenetic final movement. Divine Influence, by Rambert dancer/choreographer Martin Joyce, was originally created for the 2005 Rambert Workshop Season and is an intimate duet, performed to the third movement of Beethoven’s Moonlight Sonata. Divine Influence is a fast-moving, passionate encounter that bristles with comic tension and moments of real tenderness. Constant Speed, Baldwin’s first choreographic work as Artistic Director for Rambert, has been widely acclaimed for its novel and charming approach to physics. Commissioned by the Institute of Physics, Constant Speed has been inspired by three of Einstein’s key 1905 theories. The result is 19 of Rambert’s dancers whizzing around the stage like hyperactive molecules, in a joyous and athletic frenzy of movement. Performed to sparkling waltzes by Franz Lehár, this ingenious and witty piece succeeds in making physics intriguing and fun.Choreographer Kim Brandstrup (Songs of a Wayfarer). Choreographer Mikaela Polley (Momenta). Choreographer Martin Joyce (Divine Influence). Choreographer Mark Baldwin (Constant Speed). | |
24 Feb 06 to 25 Feb 06 | Snape Maltings Concert Hall, Aldeburgh :: V75 listing details L01397370629 |
A Steel Garden/Judgment of Paris/Divine Influence/Constant Speed - T01271237307Christopher Bruce CBE returns to Rambert for the first time since his retirement as Artistic Director in November 2002. A Steel Garden brings together Bruce and composer David C. Heath, whose composition Dawn of a New Age was the starting point for the collaboration, and which was extended and developed as the dance evolved. Bruce’s choreographic career began with Rambert in 1969 and he has gone on to become one of Britain’s most important and well-known choreographers. Set to extracts from Kurt Weill's Threepenny Opera, Antony Tudor's Judgment of Paris is a sardonic take on the classical myth. In this black comedy, the three women are no longer goddesses but tired, tawdry floozies competing for the attentions of a drunken client in a seedy night-club. This little Tudor gem was first performed by Rambert in 1940 and has been revived on several occasions since. Divine Influence, by Rambert dancer/choreographer Martin Joyce, was originally created for the 2005 Rambert Workshop Season and is an intimate duet, performed to the third movement of Beethoven’s Moonlight Sonata. Divine Influence is a fast-moving, passionate encounter that bristles with comic tension and moments of real tenderness. Constant Speed, Baldwin’s first choreographic work as Artistic Director for Rambert, has been widely acclaimed for its novel and charming approach to physics. Commissioned by the Institute of Physics, Constant Speed has been inspired by three of Einstein’s key 1905 theories. The result is 19 of Rambert’s dancers whizzing around the stage like hyperactive molecules, in a joyous and athletic frenzy of movement. Performed to sparkling waltzes by Franz Lehár, this ingenious and witty piece succeeds in making physics intriguing and fun.Choreographer Christopher Bruce (A Steel Garden). Choreographer Antony Tudor (Judgment of Paris). Choreographer Martin Joyce (Divine Influence). Choreographer Mark Baldwin (Constant Speed). | |
14 Feb 06 to 18 Feb 06 | Theatre Royal, Newcastle upon Tyne :: V570 listing details L401225940 |
Swamp/A Steel Garden/Constant Speed - T451780777Modern dance icon Michael Clark created Swamp for Rambert in 1986, and this revival has received great critical acclaim, including the 2005 Olivier Award for Best New Dance Production. According to many observers, Swamp remains one of Clark’s choreographic highlights. Clark’s movement clearly shows the influence of his classical background, but this only acts as a foundation for his originality and inventiveness. Christopher Bruce CBE returns to Rambert for the first time since his retirement as Artistic Director in November 2002. A Steel Garden brings together Bruce and composer David C. Heath, whose composition Dawn of a New Age was the starting point for the collaboration, and which was extended and developed as the dance evolved. Bruce’s choreographic career began with Rambert in 1969 and he has gone on to become one of Britain’s most important and well-known choreographers. Constant Speed, Baldwin’s first choreographic work as Artistic Director for Rambert, has been widely acclaimed for its novel and charming approach to physics. Commissioned by the Institute of Physics, Constant Speed has been inspired by three of Einstein’s key 1905 theories. The result is 19 of Rambert’s dancers whizzing around the stage like hyperactive molecules, in a joyous and athletic frenzy of movement. Performed to sparkling waltzes by Franz Lehár, this ingenious and witty piece succeeds in making physics intriguing and fun.Choreographer Michael Clark (Swamp). Choreographer Christopher Bruce (A Steel Garden). Choreographer Mark Baldwin (Constant Speed). | |
7 Feb 06 to 9 Feb 06 | His Majesty's Theatre, Aberdeen :: V585 listing details L030007101 |
New Work/New Work/Constant Speed - T378793728Choreographer Rafael Bonachela (New Work). Choreographer Christopher Bruce (New Work). Choreographer Mark Baldwin (Constant Speed). Music Lehar (Constant Speed). Design Michael Howells (Constant Speed). Costume Michael Howells (Constant Speed). Lighting Sam McNern (Constant Speed). | |
30 Nov 05 to 3 Dec 05 | Theatre Royal Plymouth, Plymouth :: V895 listing details L0661355241 |
23 Nov 05 to 25 Nov 05 | Festival Theatre, Edinburgh :: V600 listing details L871477595 |
New Work/New Work/Swamp - T772668340Swamp is a modern dance at the most pure. Echoes of Clark's classical background are very evident here, but this only acts as a foundation for his originality and inventiveness.Choreographer Rafael Bonachela (New Work). Choreographer Christopher Bruce (New Work). Choreographer Michael Clark (Swamp). | |
15 Nov 05 to 19 Nov 05 | Sadler's Wells Theatre, Inner London :: V224 listing details L0660703905 |
Swamp/New Work/Constant Speed - T01132876791Swamp is a modern dance at the most pure. Echoes of Clark's classical background are very evident here, but this only acts as a foundation for his originality and inventiveness. Constant Speed - Celebrating the centenary of the publication of Albert Einstein's theory of relativity, Baldwin and designer Michael Howells have created a prismatic world of colour. This is the first work Baldwin has created for Rambert since becoming Artistic Director in 2002.Choreographer Michael Clark (Swamp). Choreographer Rafael Bonachela (New Work). Choreographer Mark Baldwin (Constant Speed). | |
2 Nov 05 to 5 Nov 05 | Milton Keynes Theatre, Milton Keynes :: V754 listing details L01154832088 |
Constant Speed/Dark Elegies/Swamp - T447975550Constant Speed - Celebrating the centenary of the publication of Albert Einstein's theory of relativity, Baldwin and designer Michael Howells have created a prismatic world of colour. This is the first work Baldwin has created for Rambert since becoming Artistic Director in 2002. Antony Tudor's Dark Elegies is a masterwork from the Rambert repertoire. Created in 1937 and performed to Mahler's Kindertotenlieder (Songs on the Death of Children), this emotionally charged ballet is a timeless exploration of grief and mourning. By contrast Swamp is a modern dance at the most pure. Echoes of Clark's classical background are very evident here, but this only acts as a foundation for his originality and inventiveness.Choreographer Mark Baldwin (Constant Speed). Music Franz Lehar (Constant Speed). Design Michael Howell (Constant Speed). Choreographer Antony Tudor (Dark Elegies). Music Mahler (Dark Elegies). Choreographer Michael Clark (Swamp). | |
12 Oct 05 to 14 Oct 05 | Theatre Royal, Norwich :: V72 listing details L92116369 |
5 Oct 05 to 8 Oct 05 | Bristol Hippodrome, Bristol :: V856 listing details L429269669 |
Judgment of Paris/Momenta/Dark Elegies/Constant Speed - T0120590102Judgment of Paris Set to extracts from Kurt Weill's Threepenny Opera, Antony Tudor's Judgment of Paris is a sardonic take on the classical myth. In this black comedy, the three women are no longer goddesses but tired, tawdy floozies competing for the attentions of a drunken client in a seedy night-club. This little Tudor gem was first performed by Rambert in 1940 and has been revived on several occasions since.Momenta by Rambert dancer Mikaela Polley was created for the Rambert Workshop Season in January 2005, and has been promoted to the Company's main repertory. Momenta is an ensemble world for ten dancers and is performed to an original score of the same name by Patrick Nunn, a doctoral student at the Royal Academy of Music. Mikaela has been a dancer with the Company since 2001 and this promotion is continuing proof of Rambert's dedication to nurturing choreographers from within its ranks. Dark Elegies initially struck a chord with those aware of civilian suffering in the Spanish Civil War, but its timeless and eloquent choreography has retained its significance, particularly to disasters involving groups of children. When it opened in Edinburgh in September 2004 it coincided with the breaking news of the school siege in Beslan, bringing a tragic relevance to the piece. Constant Speed has been specially commissioned by The Institute of Physics to mark Einstein Year 2005. Einstein Year celebrates the centenary of the publication of Albert Einstein's major theories, including the theory of special relativity; theories which changed scientific thinking about the universe forever, Inspired by the fizz and sparkle of molecules ricocheting in space, Constant Speed will be performed to the luxuriant music of Franz Lehar and designed by film/art director Michael Howells.Choreographer Antony Tudor (Antony Tudor (Judgment of Paris). Music Kurt Weill (Judgment of Paris). Costume Hugh Laing (Judgment of Paris). Choreographer Mikaela Polley (Momenta). Music Patrick Nunn (Momenta). Choreographer Antony Tudor (Dark Elegies). Choreographer Sally Martin (Dark Elegies reconstructed). Music Mahler (Drak Elegies). Design Nadia Benois (Dark Elegies). Costume Nadia Benois (Dark Elegies). Lighting Malcolm Glanville (Dark Elegies). Lighting John B. Read (Constant Speed). Music Lehar (Constant Speed). Design Michael Howells (Constant Speed). Costume Michael Howells (Constant Speed). Lighting Sam McNern (Constant Speed). | |
28 Sep 05 to 1 Oct 05 | Wycombe Swan, High Wycombe :: V749 listing details L01594021028 |
New Work/Dark Elegies/Constant Speed - T1871611134Antony Tudor's Dark Elegies is a masterwork from the Rambert repertoire. Created in 1937 and performed to Mahler's Kindertotenlieder (Songs on the Death of Children), this emotionally charged ballet is a timeless exploration of grief and mourning. Constant Speed - Celebrating the centenary of the publication of Albert Einstein's theory of relativity, Baldwin and designer Michael Howells have created a prismatic world of colour. This is the first work Baldwin has created for Rambert since becoming Artistic Director in 2002.Choreographer Rafael Bonachela (New Work). Choreographer Antony Tudor (Dark Elegies). Choreographer Mark Baldwin (Constant Speed). | |
21 Sep 05 to 24 Sep 05 | The Lowry, Salford :: V0655996499 listing details L01398952943 |
Judgment of Paris/Dark Elegies/Constant Speed - T0908706564Judgment of Paris Set to extracts from Kurt Weill's Threepenny Opera, Antony Tudor's Judgment of Paris is a sardonic take on the classical myth. In this black comedy, the three women are no longer goddesses but tired, tawdy floozies competing for the attentions of a drunken client in a seedy night-club. This little Tudor gem was first performed by Rambert in 1940 and has been revived on several occasions since. Dark Elegies initially struck a chord with those aware of civilian suffering in the Spanish Civil War, but its timeless and eloquent choreography has retained its significance, particularly to disasters involving groups of children. When it opened in Edinburgh in September 2004 it coincided with the breaking news of the school siege in Beslan, bringing a tragic relevance to the piece. Constant Speed has been specially commissioned by The Institute of Physics to mark Einstein Year 2005. Einstein Year celebrates the centenary of the publication of Albert Einstein's major theories, including the theory of special relativity; theories which changed scientific thinking about the universe forever, Inspired by the fizz and sparkle of molecules ricocheting in space, Constant Speed will be performed to the luxuriant music of Franz Lehar and designed by film/art director Michael Howells.Choreographer Antony Tudor (Antony Tudor (Judgment of Paris). Music Kurt Weill (Judgment of Paris). Costume Hugh Laing (Judgment of Paris). Choreographer Antony Tudor (Dark Elegies). Choreographer Sally Martin (Dark Elegies reconstructed). Music Mahler (Dark Elegies). Design Nadia Benois (Dark Elegies). Costume Nadia Benois (Dark Elegies). Lighting Malcolm Glanville (Dark Elegies). Lighting John B. Read (Dark Elegies - original lighting). Choreographer Mark Baldwin (Constant Speed). Music Lehar (Constant Speed). Design Michael Howells (Constant Speed). Costume Michael Howells (Constant Speed). Lighting Sam McNern (Constant Speed). | |
24 May 05 to 28 May 05 | Sadler's Wells Theatre, Inner London :: V224 listing details L01999466297 |
Swamp/UK Premiere/Dark Elegies - T01243034128Swampis a modern dance at its most pure. Echoes of Clark's classical background are very evident there, but this only acts as a foundation for his originality and inventiveness. Dark Elegies initially struck a chord with those aware of civilian suffering in the Spanish Civil War, but its timeless and eloquent choreography has retained its significance, particularly to disasters involving groups of children. When it opened in Edinburgh in September 2004 it coincided with the breaking news of the school siege in Beslan, bringing a tragic relevance to the piece. | |
27 Apr 05 to 30 Apr 05 | New Theatre, Oxford :: V802 listing details L01857629685 |
Five Brahms Waltzes in the Manner of Isadora Duncan/Irony of Fate/Dark Elegies/Swamp - T0607513643Five Brahmas Waltzes in the Manner of Isadora Duncan - Choreographed for Rambert in 1976, this beautiful solo for a female dancer has been revived to mark the centenary year of its creator, Sir Frederick Ashton. Irony of Fate is a sublime duet for dancer and violinist. Virtuosity and passion come together, as the artists embark on a journey that takes them to the brink of exhaustion. Dark Elegies initially struck a chord with those aware of civilian suffering in the Spanish Civil War, but its timeless and eloquent choreography has retained its significance, particularly to disasters involving groups of children. When it opened in Edinburgh in September 2004 it coincided with the breaking news of the school siege in Beslan, bringing a tragic relevance to the piece. Swampis a modern dance at its most pure. Echoes of Clark's classical background are very evident there, but this only acts as a foundation for his originality and inventiveness.Choreographer Frederick Ashton (Five Brahms Waltzes). Choreographer Rafael Bonachela (Irony of Fate). Choreographer Antony Tudor (Dark Elegies). Choreographer Michael Clark (Swamp). | |
15 Apr 05 to 16 Apr 05 | Snape Maltings Concert Hall, Aldeburgh :: V75 listing details L01602520156 |
Songs of a Wayfarer/Irony of Fate/A Tragedy of Fashion/Swamp - T268228612Songs of a Wayfarer explores the complex emotions associated with unrequited love. Irony of Fate is a sublime duet for dancer and violinist. Virtuosity and passion come together, as the artists embark on a journey that takes them to the brink of exhaustion. In 1926 [Frederick Ashton] created his first ballet for Rambert, A Tragedy of Fashion. Best described as a dance/drama, this new version by [Ian Spink] is true to the original story line of fashion, art and suicide and is a theatrical production for all to enjoy. Swampis a modern dance at its most pure. Echoes of Clark's classical background are very evident there, but this only acts as a foundation for his originality and inventiveness.Choreographer Kim Brandstrup (Songs of a Wayfarer). Music Mahler (Songs of a Wayfarer). Choreographer Rafael Bonachela (Irony of Fate). Choreographer Ian Spink (A Tragedy of Fashion - after [Frederick Ashton]). Choreographer Michael Clark (Swamp). | |
16 Mar 05 to 19 Mar 05 | Sheffield Theatres, Sheffield :: V962 listing details L01047902993 |
9 Mar 05 to 12 Mar 05 | Theatr Clwyd, Mold :: V810 listing details L0471966492 |
23 Feb 05 to 26 Feb 05 | Theatre Royal, Brighton :: V657 listing details L0642038215 |
16 Feb 05 to 17 Feb 05 | Hall for Cornwall, Truro :: V1183 listing details L01275269165 |
Five Brahms Waltzes in the Manner of Isadora Duncan/Swamp/A Tragedy of Fashion/Elsa Canasta - T01633995435Five Brahmas Waltzes in the Manner of Isadora Duncan - Choreographed for Rambert in 1976, this beautiful solo for a female dancer has been revived to mark the centenary year of its creator, Sir Frederick Ashton. Swamp, a piece he first created for Rambert's 60th Anniversary. Clark's choreography clearly shows the influence of his classical background, but this only acts as a foundation for his originality and inventiveness. A Tragedy of Fashion - In 1926 Rambert's Founding Choreographer, Sir Frederick Ashton, choreographed A Tragedy of Fashion. This new version by Ian Spink makes reference to the original plot of fashion, art and suicide but also highlights Ashton's creative influences in the 1920s.Choreographer Frederick Ashton (Five Brahms Waltzes). Choreographer Michael Clark (Swamp). Choreographer Ian Spink (A Tragedy of Fashion). Choreographer Javier De Frutos (Elsa Canasta). | |
1 Dec 04 to 4 Dec 04 | Theatre Royal Plymouth, Plymouth :: V895 listing details L0487877852 |
Songs of a Wayfayer/Five Brahms Waltzes in the Manner of Isadora Duncan/Linear Remains/Swamp - T02096768565Songs of a Wayfayer - created by Kim Brandstrup is an evocative work for seven dancers which explores the complex emotions associated with unrequited love. It is danced to Mahler's achingly beautiful song-cycle of the same title, which is performed live. Five Brahms Waltzes in the Manner of Isadora Duncan - is presented to mark the centenary year of Rambert's founding choreographer, Sir Frederick Ashton. Duncan was a pioneer of the modern dance movement and each short 'waltz' represents a different facet of her personality. Linear Remains - by Associate Choreographer Rafael Bonachela, bodies intertwine, creating angular patterns of mesmerising complexity and movement that fizzes with tension and energy. Swamp - clearly demonstrates his classical background, but this only acts as a foundation for his unique originality and inventiveness. The title comes from the play Who's Afraid of Virgina Woolf? in which Martha refers to her husband as 'Swampy'.Choreographer Kim Brandstrup (Songs of a Wayfayer). Music Mahler (Songs of a Wayfayer). Choreographer Ashton (Five Brahms Waltzes in the Manner of Isadora Duncan). Choreographer Rafael Bonachela (Linear Remains). Choreographer Michael Clark (Swamp). | |
16 Nov 04 to 20 Nov 04 | Theatre Royal, Bath :: V854 listing details L02031576782 |
A Tragedy of Fashion/Swamp/Elsa Canasta - T420794297A Tragedy of Fashion - In 1926 Rambert's Founding Choreographer, Sir Frederick Ashton, choreographed A Tragedy of Fashion. This new version by Ian Spink makes reference to the original plot of fashion, art and suicide but also highlights Ashton's creative influences in the 1920s. Swamp, a piece he first created for Rambert's 60th Anniversary. Clark's choreography clearly shows the influence of his classical background, but this only acts as a foundation for his originality and inventiveness. Elsa Canasta - Created by Javier De Frutos, Elsa Canasta is a genuine crowd-pleaser. Love, in all its forms, is explored here and sexual chemistry bursts out of this vibrant and witty interpretation of Cole Porter's music and lyrics. (Not suitable for children).Choreographer Ian Spink (A Tragedy of Fashion). Choreographer Michael Clark (Swamp). Choreographer Javier De Frutos (Elsa Canasta). | |
10 Nov 04 to 12 Nov 04 | Festival Theatre, Edinburgh :: V600 listing details L456186264 |
Songs of a Wayfarer/Irony of Fate/Swamp/Elsa Canasta - T01099388862Receiving its London premiere, Songs of a Wayfayer, by [Kim Brandstrup], is an evocative work exploring the complex emotions of unrequited love, performed to [Mahler]'s achingly beautiful song-cycle of the same title. Irony of Fate, by Rambert’s Associate Choreographer, [Rafael Bonachela], is a sublime duet for dancer and violinist. In this piece virtuosity and passion come together, as the two artists embark on a journey that takes them to the brink of exhaustion [Michael Clark] has revisited and expanded his classic Swamp, a piece he first created for Rambert's 60th Anniversary. Clark's choreography clearly shows the influence of his classical background, but this only acts as a foundation for his originality and inventiveness. The programme ends with a genuine crowd-pleaser - Elsa Canasta by [Javier De Frutos]. Sexual chemistry bursts out of this vibrant and witty interpretation of Cole Porter's music, as 14 dancers throw themselves into a series of passionate encounters, serenaded by the smouldering vocals of a female jazz singer. Please note that Elsa Canasta contains scenes of a provocative nature and may not be suitable for children under the age of 13.Choreographer Kim Brandstrup (Songs of a Wayfayer). Choreographer Rafael Bonachela (Irony of Fate). Choreographer Michael Clark (Swamp). Choreographer Javier De Frutos (Elsa Canasta). Lighting Michael Mannion. Lighting Charles Atlas. Lighting Giuseppe Di Iorio. Costume Steven Scott. Costume Robert Cary-Williams. Costume Body-map. Costume Jean-Marc Puissant. Design Marc Puissnant. | |
2 Nov 04 to 6 Nov 04 | Sadler's Wells Theatre, Inner London :: V224 listing details L792791781 |
Linear Remains/Swamp/Five Brahms Waltzes in the Manner of Isadora Duncan/A Tragedy of Fashion - T02101921121Linear Remains - Created by Rambert's Associate Choreographer, Rafael Bonachela, this is a fine example of his free-flowing approach to movement that fizzes with kinetic energy. Five Brahms Waltzes in the Manner of Isadora Duncan - Choreographed for Rambert in 1976, this beautiful solo for a female dancer has been revived to mark the centenary year of its creator, Sir Fredrick Ashton. A Tragedy of Fashion - In 1926 Rambert's Founding Choreographer, Sir Frederick Ashton, choreographed A Tragedy of Fashion. No record of the choreography exists so, inspired by a few precious photos, Ian Spink reinterprets the work of our time.Choreographer Rafael Bonachela (Linear Remains). Choreographer Michael Clark (Swamp). Choreographer Ashton (Five Brahms Waltzes in the Manner of Isadora Duncan). Choreographer Ashton (A Tragedy of Fashion). | |
19 Oct 04 to 23 Oct 04 | Theatre Royal, Newcastle upon Tyne :: V570 listing details L01690454570 |
A Tragedy of Fashion/Linear Remains/Five Brahms Waltzes in the Manner of Isadora Duncan/Elsa Canasta - T01530492966A Tragedy of Fashion - In 1926 Rambert's Founding Choreographer, Sir Frederick Ashton, choreographed A Tragedy of Fashion. This new version by Ian Spink makes reference to the original plot of fashion, art and suicide but also highlights Ashton's creative influences in the 1920s. Linear Remains - Created by Rambert's Associate Choreographer, Rafael Bonachela, this is a fine example of his free-flowing approach to movement that fizzes with kinetic energy. Five Brahmas Waltzes in the Manner of Isadora Duncan - Choreographed for Rambert in 1976, this beautiful solo for a female dancer has been revived to mark the centenary year of its creator, Sir Frederick Ashton. Elsa Canasta - Created by Javier De Frutos, Elsa Canasta is a genuine crowd-pleaser. Love, in all its forms, is explored here and sexual chemistry bursts out of this vibrant and witty interpretation of Cole Porter's music and lyrics. (Not suitable for children).Choreographer Ian Spink (A Tragedy of Fashion). Choreographer Rafael Bonachela (Linear Remains). Choreographer Frederick Ashton (Five Brahms Waltzes). Choreographer Javier De Frutos (Elsa Canasta). | |
13 Oct 04 to 15 Oct 04 | Royal & Derngate, Northampton :: V449 listing details L385744861 |
A Tragedy of Fashion/Five Brahms Waltzes in the Manner of Isadora Duncan/Songs of a Wayfarer/Swamp - T1938459095A Tragedy of Fashion - In 1926 Rambert's Founding Choreographer, Sir Frederick Ashton, choreographed A Tragedy of Fashion. This new version by Ian Spink makes reference to the original plot of fashion, art and suicide but also highlights Ashton's creative influences in the 1920s. Five Brahmas Waltzes in the Manner of Isadora Duncan - Choreographed for Rambert in 1976, this beautiful solo for a female dancer has been revived to mark the centenary year of its creator, Sir Frederick Ashton. Songs of a Wayfarer - Created by Kim Brandstrup, this evocative work for seven dancers explores the complex emotions associated with unrequited love and is danced to Mahler's achingly beautiful song-cycle of the same title. Swamp - Michael Clark's Swamp was first performed in 1986 and imaginatively employs classical dance movements in a thoroughly contemporary way. Danced to music by Wire.Choreographer Ian Spink (A Tragedy of Fashion). Choreographer Frederick Ashton (Five Brahms Waltzes). Choreographer Kim Brandstrup (Songs of a Wayfarer). Choreographer Michael Clark (Swamp). | |
6 Oct 04 to 9 Oct 04 | Wycombe Swan, High Wycombe :: V749 listing details L1066024174 |
Songs of a Wayfarer/Five Brahms Waltzes in the Manner of Isadora Duncan/A Tragedy of Fashion/Elsa Canasta - T01610618726Songs of a Wayfayer - created by Kim Brandstrup is an evocative work for seven dancers which explores the complex emotions associated with unrequited love. It is danced to Mahler's achingly beautiful song-cycle of the same title, which is performed live. Five Brahms Waltzes in the Manner of Isadora Duncan - Choreographed for Rambert in 1976, this beautiful solo for a female dancer has been revived to mark the centenary year of its creator, Sir Fredrick Ashton. A Tragedy of Fashion - In 1926 Rambert's Founding Choreographer, Sir Frederick Ashton, choreographed A Tragedy of Fashion. No record of the choreography exists so, inspired by a few precious photos, Ian Spink reinterprets the work of our time. Elsa Canasta - Created by Javier De Frutos, Elsa Canasta is a genuine crowd-pleaser. Love, in all its forms, is explored here and sexual chemistry bursts out of this vibrant and witty interpretation of Cole Porter's music and lyrics. (Not suitable for children).Choreographer Kim Brandstrup (Songs of a Wayfarer). Music Mahler (Songs of a Wayfarer - Song Cycle). Choreographer Frederick Ashton (Five Brahms Waltzes). Music Johannes Brahms (Five Brahms Waltzes). Choreographer Ian Spink (A Tragedy of Fashion). Choreographer Javier De Frutos (Elsa Canasta). Music Cole Porter (Elsa Canasta). | |
29 Sep 04 to 1 Oct 04 | Theatre Royal, Norwich :: V72 listing details L1411128221 |
Swamp/Five Brahms Waltzes in the Manner of Isadora Duncan/A Tragedy of Fashion/PreSentient - T01795118565Swamp, a piece he first created for Rambert's 60th Anniversary. Clark's choreography clearly shows the influence of his classical background, but this only acts as a foundation for his originality and inventiveness. Five Brahms Waltzes in the Manner of Isadora Duncan - Choreographed for Rambert in 1976, this beautiful solo for a female dancer has been revived to mark the centenary year of its creator, Sir Fredrick Ashton. A Tragedy of Fashion - In 1926 Rambert's Founding Choreographer, Sir Frederick Ashton, choreographed A Tragedy of Fashion. No record of the choreography exists so, inspired by a few precious photos, Ian Spink reinterprets the work of our time. PreSentient is a physically audacious spectacle by one of Britain's hottest choreographers, Wayne McGregor. It is performed to Steve Reich's driving Triple Quartet.Choreographer Michael Clark (Swamp). Choreographer Frederick Ashton (Five Brahms Waltzes). Music Johannes Brahms (Five Brahms Waltzes). Choreographer Ian Spink (A Tragedy of Fashion). Choreographer Wayne McGregor (PreSentient). Music Zoviet France (PreSentient). | |
22 Sep 04 to 25 Sep 04 | The Lowry, Salford :: V0655996499 listing details L01487098686 |
Linear Remains/Five Brahms Waltzes/A Tragedy of Fashion/Elsa Canasta - T01711782244Linear Remains - Created by Rambert's Associate Choreographer, Rafael Bonachela, this is a fine example of his free-flowing approach to movement that fizzes with kinetic energy. Five Waltzes in the Manner of Isadora Duncan - Choreographed for Rambert in 1976, this beautiful solo for a female dancer has been revived to mark the centenary year of its creator, Sir Fredrick Ashton. A Tragedy of Fashion - In 1926 Rambert's Founding Choreographer, Sir Frederick Ashton, choreographed A Tragedy of Fashion. No record of the choreography exists so, inspired by a few precious photos, Ian Spink reinterprets the work of our time. Elsa Canasta - Created by Javier De Frutos, Elsa Canasta is a genuine crowd-pleaser. Love, in all its forms, is explored here and sexual chemistry bursts out of this vibrant and witty interpretation of Cole Porter's music and lyrics. (Not suitable for children).Choreographer Rafael Bonachela (Linear Remains). Music Christian Fennesz (Linear Remains). Choreographer Frederick Ashton (Five Brahms Waltzes). Music Johannes Brahms (Five Brahms Waltzes). Choreographer Ian Spink (A Tragedy of Fashion). Choreographer Javier De Frutos (Elsa Canasta). Music Cole Porter (Elsa Canasta). | |
15 Jun 04 to 17 Jun 04 | Theatre Royal, Glasgow :: V623 listing details L0522492697 |
PreSentient/A Tragedy of Fashion/Elsa Canasta - T30937681PreSentient is a physically audacious spectacle by one of Britain's hottest choreographers, Wayne McGregor. It is performed to Steve Reich's driving Triple Quartet. A Tragedy of Fashion - In 1926 Rambert's Founding Choreographer, Sir Frederick Ashton, choreographed A Tragedy of Fashion. No record of the choreography exists so, inspired by a few precious photos, Ian Spink reinterprets the work of our time. Elsa Canasta - Created by Javier De Frutos, Elsa Canasta is a genuine crowd-pleaser. Love, in all its forms, is explored here and sexual chemistry bursts out of this vibrant and witty interpretation of Cole Porter's music and lyrics. (Not suitable for children)Choreographer Wayne McGregor (PreSentient). Music Zoviet France (PreSentient). Music Steve Reich (PreSentient). Choreographer Ian Spink (A Tragedy of Fashion). Choreographer Javier De Frutos (Elsa Canasta). Music Cole Porter (Elsa Canasta). | |
9 Jun 04 to 12 Jun 04 | New Theatre, Oxford :: V802 listing details L570531216 |
PreSentient/Five Brahms Waltzes/A Tragedy of Fashion/Elsa Canasta - T0529954542PreSentient is a physically audacious spectacle by one of Britain's hottest choreographers, Wayne McGregor. It is performed to Steve Reich's driving Triple Quartet. Five Waltzes in the Manner of Isadora Duncan - Choreographed for Rambert in 1976, this beautiful solo for a female dancer has been revived to mark the centenary year of its creator, Sir Fredrick Ashton. A Tragedy of Fashion - In 1926 Rambert's Founding Choreographer, Sir Frederick Ashton, choreographed A Tragedy of Fashion. No record of the choreography exists so, inspired by a few precious photos, Ian Spink reinterprets the work of our time. Elsa Canasta - Created by Javier De Frutos, Elsa Canasta is a genuine crowd-pleaser. Love, in all its forms, is explored here and sexual chemistry bursts out of this vibrant and witty interpretation of Cole Porter's music and lyrics. (Not suitable for children).Choreographer Wayne McGregor (PreSentient). Music Zoviet France (PreSentient). Music Steve Reich (PreSentient). Choreographer Frederick Ashton (Five Brahms Waltzes). Music Johannes Brahms (Five Brahms Waltzes). Choreographer Ian Spink (A Tragedy of Fashion). Choreographer Javier De Frutos (Elsa Canasta). Music Cole Porter (Elsa Canasta). | |
2 Jun 04 to 5 Jun 04 | Birmingham Hippodrome, Birmingham :: V145 listing details L01005960971 |
Reflection/Linear Remains/Five Brahms Waltzes/A Tragedy of Fashion - T1635027759Reflections - This new work by Fin Walker is a dynamic exploration about change and impermanence. The work is performed to a score that was created in tandem with the choreography. Linear Remains - Created by Rambert's Associate Choreographer, Rafael Bonachela, this is a fine example of his free-flowing approach to movement that fizzes with kinetic energy. Five Waltzes in the Manner of Isadora Duncan - Choreographed for Rambert in 1976, this beautiful solo for a female dancer has been revived to mark the centenary year of its creator, Sir Fredrick Ashton. A Tragedy of Fashion - In 1926 Rambert's Founding Choreographer, Sir Frederick Ashton, choreographed A Tragedy of Fashion. No record of the choreography exists so, inspired by a few precious photos, Ian Spink reinterprets the work of our time.Choreographer Fin Walker (Reflection). Music Ben Park (Reflection). Choreographer Rafael Bonachela (Linear Remains). Music Christian Fennesz (Linear Remains). Choreographer Frederick Ashton (Five Brahms Waltzes). Music Johannes Brahms (Five Brahms Waltzes). Choreographer Ian Spink (A Tragedy of Fashion). | |
25 May 04 to 29 May 04 | Sadler's Wells Theatre, Inner London :: V224 listing details L01289440602 |
PreSentient/Living Toys/Elsa Canasta - T632511413PreSentient- Winner of the 2002 Time Out Live Award for Outstanding Choreography, PreSentient is another physically audacious spectacle by one of Britain's hottest choreographers, [Wayne McGregor]. 12 dancers perform precision dance at breakneck speed to [Steve Reich]'s kinetic Triple Quartet, played live by [London Musici). Living Toys[Karole Armitage]'s first work for Rambert, Living Toys transports us into that precarious state where dreams and consciousness merge. Inspired by [Thomas Ades]'s somewhat sinister and surreal score of the same title, Living Toys is performed by all of [Rambert]'s 22 dancers and accompanied by [London Musici]. Elsa Canasta is the second work to be created for Rambert by [Javier De Frutos] and is performed to music and songs by the ever-popular [Cole Porter], including a rare score Porter wrote in 1923. With a cast of 14 dancers, the timeless ambiguity of Porter's compositions is the trigger for Javier's personal choreographic response. November 24 at 14:30 - Family Matinee Living Toys and Elsa Canasta only.Choreographer Wayne McGregor (PreSentient). Music Zoviet France (PreSentient). Choreographer Karole Armitage (Living Toys). Music Thomas Ades (Living Toys). Choreographer Javier De Frutos (Elsa Canasta). Music Cole Porter (Elsa Canasta). | |
30 Mar 04 to 3 Apr 04 | Theatr Clwyd, Mold :: V810 listing details L375774114 |
25 Nov 03 to 29 Nov 03 | Sadler's Wells Theatre, Inner London :: V224 listing details L01642877180 |
29 Oct 03 to 1 Nov 03 | Wycombe Swan, High Wycombe :: V749 listing details L01808897627 |
Linear Remains/Five Brahms Waltzes/Visions Fugitives/PreSentient - T02105893140Linear Remains - Created by Rambert's Associate Choreographer, Rafael Bonachela, this is a fine example of his free-flowing approach to movement that fizzes with kinetic energy. Five Waltzes in the Manner of Isadora Duncan - Choreographed for Rambert in 1976, this beautiful solo for a female dancer has been revived to mark the centenary year of its creator, Sir Fredrick Ashton. Visions Fugitives - Dutch choreographer Hans van Manen created this suite od dances that range from the sinister to the playful. The music comprises 15 miniatures, each lasting between 20 seconds and 2 minutes. PreSentient is a physically audacious spectacle by one of Britain's hottest choreographers, Wayne McGregor. It is performed to Steve Reich's driving Triple Quartet.Choreographer Rafael Bonachela (Linear Remains). Music Christian Fennesz (Linear Remains). Choreographer Frederick Ashton (Five Brahms Waltzes). Music Johannes Brahms (Five Brahms Waltzes). Choreographer Hans van Manen (Visions Fugitives). Music Prokofiev (Visions Fugitives). Choreographer Wayne McGregor (PreSentient). Music Zoviet France (PreSentient). Music Steve Reich (PreSentient). | |
24 Mar 04 to 27 Mar 04 | Theatre Royal, Brighton :: V657 listing details L0283528809 |
26 Feb 04 to 27 Feb 04 | Hall for Cornwall, Truro :: V1183 listing details L1425154167 |
Reflections/Visions Fugitives/Five Brahms Waltzes in the Manner of Isadora Duncan/Linear Remains - T0858386972Reflections - This new work by Fin Walker is a dynamic exploration about change and impermanence. The work is performed to a score that was created in tandem with the choreography. Visions Fugitive - Dutch choreographer Hans van Manen created this suite od dances that range from the sinister to the playful. The music comprises 15 miniatures, each lasting between 20 seconds and 2 minutes. Five Waltzes in the Manner of Isadora Duncan - Choreographed for Rambert in 1976, this beautiful solo for a female dancer has been revived to mark the centenary year of its creator, Sir Fredrick Ashton. Linear Remains - Created by Rambert's Associate Choreographer, Rafael Bonachela, this is a fine example of his free-flowing approach to movement that fizzes with kinetic energy.Choreographer Fin Walker (Reflection). Music Ben Park (Reflection). Choreographer Hans van Manen (Visions Fugitives). Music Prokofiev (Visions Fugitives). Choreographer Rafael Bonachela (Linear Remains). Music Christian Fennesz (Linear Remains). Choreographer Frederick Ashton (Five Brahms Waltzes). Music Johannes Brahms (Five Brahms Waltzes). | |
11 Mar 04 to 12 Mar 04 | Villa Marina and Gaiety Theatre, Douglas :: V915 listing details L2125909754 |
3 Mar 04 to 6 Mar 04 | Sheffield Theatres, Sheffield :: V962 listing details L1636097615 |
21/Living Toys/Elsa Canasta - T2765396821 - Rambert dancer and choreographer [Rafael Bonachela] has collaborated with Kylie Minogue] and her creative team to produce a work that explores pure physical expression and the meaning of celebrity and adoration. Living Toys[Karole Armitage]'s first work for Rambert, Living Toys transports us into that precarious state where dreams and consciousness merge. Inspired by [Thomas Ades]'s somewhat sinister and surreal score of the same title, Living Toys is performed by all of [Rambert]'s 22 dancers and accompanied by [London Musici]. Elsa Canasta is the second work to be created for Rambert by [Javier De Frutos] and is performed to music and songs by the ever-popular [Cole Porter], including a rare score Porter wrote in 1923. With a cast of 14 dancers, the timeless ambiguity of Porter's compositions is the trigger for Javier's personal choreographic response.Choreographer Rafael Bonachela (21). Music Benjamin Wallfisch (21). Choreographer Karole Armitage (Living Toys). Music Thomas Ades (Living Toys). Choreographer Javier De Frutos (Elsa Canasta). Music Cole Porter (Elsa Canasta). | |
3 Dec 03 to 6 Dec 03 | Theatre Royal Plymouth, Plymouth :: V895 listing details L0489366293 |
Visions Fugitives/21/Elsa Canasta - T1664524343Visions Fugitives - Inspired by [Prokoviev]'s score of the same title, Dutch choreographer Hans van Manen created this suite of dances that range from the sinister to the playful. The music, played live, comprises 15 miniatures, each lasting from 20 to 60 seconds. 21 - Rambert dancer and choreographer [Rafael Bonachela] has collaborated with Kylie Minogue] and her creative team to produce a work that explores pure physical expression and the meaning of celebrity and adoration. Elsa Canasta is the second work to be created for Rambert by [Javier De Frutos] and is performed to music and songs by the ever-popular [Cole Porter], including a rare score Porter wrote in 1923. With a cast of 14 dancers, the timeless ambiguity of Porter's compositions is the trigger for Javier's personal choreographic response.Choreographer Hans van Manen (Visions Fugitives). Music Prokofiev (Visions Fugitives). Choreographer Rafael Bonachela (21). Music Benjamin Wallfisch (21). Choreographer Javier De Frutos (Javier De Frutos (Elsa Canasta). Music Cole Porter (Elsa Canasta). | |
5 Nov 03 to 7 Nov 03 | Festival Theatre, Edinburgh :: V600 listing details L01486493082 |
15 Oct 03 to 18 Oct 03 | Milton Keynes Theatre, Milton Keynes :: V754 listing details L01024043144 |
8 Oct 03 to 11 Oct 03 | Bristol Hippodrome, Bristol :: V856 listing details L606259898 |
24 Sep 03 to 27 Sep 03 | The Lowry, Salford :: V0655996499 listing details L0260306738 |
PreSentient/Living Toys/Elsa Canasta - T710403207PreSentient is the latest award-winning work to be created for the Company by the celebrated British choreographer [Wayne McGregor]. Performed at incredible speed and precision by 12 dancers, PreSentient is a physically audacious piece that is performed to [Steve Reich]'s kinetic score Triple Quartet, played live by Rambert's Associate Orchestra London Musici. Living Toys, [Karole Armitage]'s first creation for Rambert, transports us into that precarious and surreal world where dreams and consciousness merge. Inspired by [Thomas Ades] dark and sinister score (again played live by London Musici), this large-scale work uses all of Rambert's dancers and promises to be a visual feast. Elsa Canasta is a new piece created by the flamboyant choreographer [Javier De Frutos] and is performed to music and songs by [Cole Porter], including a rarely heard jazz-ballet score composed in 1923.Choreographer Wayne McGrego (PreSentient). Music Steve Reich (PreSentient). Company London Musici. Choreographer Karole Armitage (Living Toys). Music Thomas Ades (Living Toys). Choreographer Javier De Frutos. Music Cole Porter. | |
29 Oct 03 to 1 Nov 03 | Wycombe Swan, High Wycombe :: V749 listing details L571666673 |
Visions Fugitives/PreSentient/Elsa Canasta - T228398391Visions Fugitives - Inspired by [Prokoviev]'s score of the same title, Dutch choreographer Hans van Manen created this suite of dances that range from the sinister to the playful. The music, played live, comprises 15 miniatures, each lasting from 20 to 60 seconds. PreSentient- Winner of the 2002 Time Out Live Award for Outstanding Choreography, PreSentient is another physically audacious spectacle by one of Britain's hottest choreographers, [Wayne McGregor]. 12 dancers perform precision dance at breakneck speed to [Steve Reich]'s kinetic Triple Quartet, played live by [London Musici). Elsa Canasta is the second work to be created for Rambert by [Javier De Frutos] and is performed to music and songs by the ever-popular [Cole Porter], including a rare score Porter wrote in 1923. With a cast of 14 dancers, the timeless ambiguity of Porter's compositions is the trigger for Javier's personal choreographic response.Choreographer Hans van Manen (Visions Fugitives). Music Prokofiev (Visions Fugitives). Choreographer Wayne McGregor (PreSentient). Music Zoviet France (PreSentient). Music Steve Reich (PreSentient). Choreographer Javier De Frutos (Elsa Canasta). Music Cole Porter (Elsa Canasta). | |
2 Oct 03 to 4 Oct 03 | Theatre Royal, Norwich :: V72 listing details L0114134578 |
Study from Blackbird/Hurricane/Living Toys/Ghost Dances - T02074944016The programme includes Jiri Kylian's sensuous duet Study from Blackbird that, like a blackbird's love song, resonates with emotion. Hurricane is a dramatic solo that tells the poignant story of Rubin 'Hurricane' Carter, the African/American boxer who was wrongfully imprisoned on a triple murder charge. Living Toys transports us into that precarious and surreal state where dreams and consciousness merge. Inspired by [Thomas Adès’]s dark and somewhat sinister score, this large-scale dance work promises to be a sensual and physically virtuosic spectacle. The ballet will be further enhanced by the live performance of the score by Rambert’s Associate Orchestra, [London Musici]. Ghost Dances - One of the great contemporary classics - a great favourite with audiences. Powerful, atmospheric and very moving. Grinning In Your Face is inspired by images of the American mid-west during the middle decades of the last century, and the music of virtuoso blues and folk guitarist [Martin Simpson], the ballet is laced with emotional power and lyrical beauty that are hallmarks of Bruce's work.Choreographer Jiri Kylian (Study from Blackbird). Choreographer Christopher Bruce (Hurricane). Choreographer Armitage (Living Toys). Choreographer Christopher Bruce (Ghost Dances). | |
29 May 03 to 31 May 03 | Theatre Royal, Glasgow :: V623 listing details L1530077707 |
21 Feb 03 to 22 Feb 03 | Snape Maltings Concert Hall, Aldeburgh :: V75 listing details L0593239865 |
21/Visions Fugitives/Ghost Dances - T031785163321 is a multi-media presentation of dance, music and film incorporating Bonachela's distinctive style of choreography with his creative directors' concept of the meaning of celebrity and adoration. The work is performed to [Wallfisch]'s original score. The piece will incorporate a short black and white film featuring [Kylie Minogue]. [Prokofiev]’s score, Visions Fugitives, comprises 15 miniatures, each lasting between 20 and 60 seconds.This score was the inspiration for Dutch choreographer, [Hans van Manen], to create a suite of dances that range from the sinister to the playful. [Rafael Bonachela] is a dancer and choreographer with Rambert Dance Company. This is his third work to be presented at Sadler’s Wells. Bonachela’s choreograhy is an exploration of pure dance and physical expression. [Christopher Bruce]’s Ghost Dances is one of the most celebrated contemporary dance pieces of its generation. A powerful tribute to the innocent victims of political oppression in South America, the ballet is accompanied by the bewitching rhythms of traditional Andean folk music. Eloquent, compassionate and intensely moving, moments of ordinary life are retraced through dances that are filled with love, happiness and grief. Ghost Dances is quite simply a popular masterpiece. The Family Matinee programme will include Ghost Dances and one other work from the programme.Choreographer Rafael Bonachela (21). Music Benjamin Wallfisch (21). Choreographer Hans van Manen (Visions Fugitives). Music Prokofiev. Choreographer Rafael Bonachela. Choreographer Christopher Bruce (Ghost Dances). Company Associate Orchestra London Musici. | |
20 May 03 to 24 May 03 | Sadler's Wells Theatre, Inner London :: V224 listing details L2049031942 |
21/Grinning In Your Face/PreSentient - T191844301421 is a multi-media presentation of dance, music and film incorporating Bonachela's distinctive style of choreography with his creative directors' concept of the meaning of celebrity and adoration. The work is performed to [Wallfisch]'s original score. The piece will incorporate a short black and white film featuring [Kylie Minogue]. Grinning In Your Face is inspired by images of the American mid-west during the middle decades of the last century, and the music of virtuoso blues and folk guitarist [Martin Simpson], the ballet is laced with emotional power and lyrical beauty that are hallmarks of Bruce's work. PreSentient is a dynamic new work, inspired by [Steve Reich]'s Triple Quartet which pushes dancers to their physical limits as they perform razor-sharp choreography at a frenzied pace.Choreographer Rafael Bonachela (21). Music Benjamin Wallfisch (21). Choreographer Bonachela (New Work). Choreographer Christopher Bruce (Grinning In Your Face). Choreographer Wayne McGregor (PreSentient). | |
9 Apr 03 to 12 Apr 03 | Theatr Clwyd, Mold :: V810 listing details L1432241922 |
Study from Blackbird/Hurricane/Grinning In Your Face/PreSentient - T0691680744The programme includes Jiri Kylian's sensuous duet Study from Blackbird that, like a blackbird's love song, resonates with emotion. Two works by [Christopher Bruce] feature. The first, Hurricane is a dramatic solo that tells the poignant story of Rubin 'Hurricane' Carter, the African/American boxer who was wrongfully imprisoned on a triple murder charge. The second Grinning In Your Face is inspired by images of the American mid-west during the middle decades of the last century, and the music of virtuoso blues and folk guitarist [Martin Simpson], the ballet is laced with emotional power and lyrical beauty that are hallmarks of Bruce's work. PreSentient is a dynamic new work, inspired by [Steve Reich]'s Triple Quartet which pushes dancers to their physical limits as they perform razor-sharp choreography at a frenzied pace.Choreographer Jiri Kylian (Study from Blackbird). Choreographer Christopher Bruce (Hurricane). Choreographer Christopher Bruce (Grinning In Your Face). Choreographer Wayne McGregor (PreSentient). | |
1 Apr 03 to 5 Apr 03 | Theatre Royal, Newcastle upon Tyne :: V570 listing details L1244783573 |
13 Mar 03 to 15 Mar 03 | His Majesty's Theatre, Aberdeen :: V585 listing details L1367836902 |
Visions Fugitive/Grinning In Your Face/PreSentient - T0867279358Choreographer Hans Van Manen (Visions Fugitive). Music Prokofiev (Visions Fugitive). Company London Musici. Choreographer Christopher Bruce (Grinning In Your Face). Music Martin Simpson (Grinning In Your Face). Choreographer Wayne McGregor (PreSentient). Music Steve Reich (PreSentient). | |
27 Mar 03 to 29 Mar 03 | New Victoria Theatre, Woking :: V709 listing details L01699811419 |
Study from Blackbird/Hurricane/Ghost Dances - T01018116191The programme includes Jiri Kylian's sensuous duet Study from Blackbird that, like a blackbird's love song, resonates with emotion. Two works by [Christopher Bruce] feature. The first, Hurricane is a dramatic solo that tells the poignant story of Rubin 'Hurricane' Carter, the African/American boxer who was wrongfully imprisoned on a triple murder charge. The second is his sensational and emotionally-charged masterpiece Ghost Dances, which is performed to the bewitching rhythms of Andean folk music.Choreographer Jiri Kylian (Study from Blackbird). Choreographer Christopher Bruce (Hurricane). Choreographer Christopher Bruce (Ghost Dances). | |
5 Mar 03 to 8 Mar 03 | Sheffield Theatres, Sheffield :: V962 listing details L0650687968 |
The Parades Gone By/Ground Level Overlay - T01420493978The Parades Gone By is a highly theatrical parody on the golden age of Hollywood. In a derelict film studio, a deranged director reminisces and conjures up a galaxy of ghostly stars including Valentino, Dracula, Marlene and Fred and Ginger...but his fantasies soon spiral out of control. Ground Level Overlay - ranks as one of Merce Cunningham's finest works. In it, intricate sculptural formations emerge from blasts of activity and moments of serene stillness.Choreographer Lindsay Kemp (The Parades Gone By). Choreographer Merce Cunningham (Ground Level Overlay). | |
12 Feb 03 to 13 Feb 03 | Hall for Cornwall, Truro :: V1183 listing details L568468761 |
Study from Blackbird/PreSentient/Hurricane/The Parade Gone By - T2077030249Choreographer Jiri Kylian (Study from Blackbird). Music Traditional Georgian Music (Study from Blackbird). Costume Joke Visser (Study from Blackbird). Lighting Kees Tjebbes (Study from Blackbird). Choreographer Wayne McGregor (PreSentient). Music Steve Reich (Triple Quartet - PreSentient). Costume Ursula Bombshell (PreSentient). Lighting Lucy Carter (PreSentient). Company London Musici (PreSentient). Choreographer Christopher Bruce (Hurricane). Music Bob Dylan (Hurricane). Choreographer Lindsay Kemp (The Parade Gone By). | |
27 Nov 02 to 30 Nov 02 | Theatre Royal Plymouth, Plymouth :: V895 listing details L2051972616 |
Sounding/Study from Blackbird/PreSentient/Grinning In Your Face - T1336798621The programme includes the London premiere of [Wayne McGregor]'s latest and second creation for Rambert PreSentient, a dynamic new work, inspired by [Steve Reich]'s Triple Quartet which pushes dancers to their physical limits as they perform razor-sharp choreography at a frenzied pace. This work is performed alongside [Siobhan Davies]' Sounding which was created for Rambert in 1985 and was then reworked for the Company's 75th anniversary in 2001. It is performed to a resonant and hypnotic score that is said to reflect 'the heartbeat of the earth'. [Jiri Kylian] is one of the world's most respected choreographers and his duet Blackbird receives its London premiere this season. The programme features [Christopher Bruce]'s most recent work, Grinning In Your Face. Inspired by images of the American mid-west during the middle decades of the last century, and the music of virtuoso blues and folk guitarist [Martin Simpson], the ballet is laced with emotional power and lyrical beauty that are hallmarks of Bruce's work.Choreographer Jiri Kylian (Study from Blackbird). Music Traditional Georgian Music (Study from Blackbird). Costume Joke Visser (Study from Blackbird). Lighting Kees Tjebbes (Study from Blackbird). Choreographer Siobhan Davies (Sounding). Music Giacinto Scelsi ( Okanagon - Sounding). Costume Sasha Kier (Sounding). Lighting Peter Mumford (Sounding). Company London Musici (Sounding). Choreographer Christopher Bruce (Grinning In Your Face). Music Martin Simpson (songs from Grinning In Your Face). Design Marian Bruce (Grinning In Your Face). Lighting John B Read (Grinning In Your Face). Choreographer Wayne McGregor (PreSentient). Music Steve Reich (Triple Quartet - PreSentient). Costume Ursula Bombshell (PreSentient). Lighting Lucy Carter (PreSentient). Company London Musici (PreSentient). | |
12 Nov 02 to 16 Nov 02 | Sadler's Wells Theatre, Inner London :: V224 listing details L01048747636 |
Grinning In Your Face/The Parades Gone By - T0816748924Grinning In Your Face. Inspired by images of the American mid-west during the middle decades of the last century, and the music of virtuoso blues and folk guitarist [Martin Simpson], the ballet is laced with emotional power and lyrical beauty that are hallmarks of Bruce's work. The Parades Gone By - In a derelict film studio, a deranged director reminisces and conjures up a galaxy of ghostly stars including Valentino, Dracula and Fred and Ginger... but his fantasies soon spiral out of his control. | |
16 Oct 02 to 19 Oct 02 | Marlowe Theatre, Canterbury :: V674 listing details L462724463 |
Ground Level Overlay/PreSentient/Grinning in Your Face - T01866493238Choreographer Cunningham (Ground Level Overlay). Choreographer McGregor (PreSentient). Choreographer Bruce (Grinning in Your Face). | |
9 Oct 02 to 12 Oct 02 | Festival Theatre, Edinburgh :: V600 listing details L01787855731 |
Blackbird/Hurricane/Ground Level Overlay/The Parade Gone By - T01869348083Blackbird - New work . Hurricane - A dramatic work for a solo dancer performed as a complex narrative that interprets the lyrics to Bob Dylan's song, Hurricane. Bruce employs the traditional device of a Commedia dell'arte figure to relate the story in the third person and adopts a comic-strip style, enabling the solo dancer to play a variety of roles, including a policemen and a waitress. Ground Level Overlay - Created using the computer programme, LifeForms, this work must rank as one of Cunningham's finest. In it, beautiful sculptural formations emerge from blasts of activity and moments of calm stillness. Performed to a soundtrack of ten trombones, recorded in an enormous empty underground water tank, the music is enhanced by live musicians. The Parade Gone By - In a derelict film studio, a deranged director reminisces and conjures up a galaxy of ghostly stars including Valentino, Dracula and Fred and Ginger... but his fantasies soon spiral out of his control.Choreographer Jiri Kylian (Blackbird). Choreographer Christopher Bruce (Hurricane). Choreographer Merce Cunningham (Ground Level Overlay). Choreographer Lindsay Kemp (The Parade Gone By). | |
25 Sep 02 to 28 Sep 02 | The Lowry, Salford :: V0655996499 listing details L274539196 |
Unrest/Hurricane/Ghost Dances/Cheese - T998826928Unrest - an elegant work for six dancers, performed to an expressive score for violin and piano. Hurricane - a dramatic work for solo dancer, based on a true-story of the black American boxer, Rubin 'Hurricane' Carter, who was wrongfully imprisoned for murders he never committed. Ghost Dances - is acknowledged as a masterpiece of contemporary dance. Performed to traditional South American music, the ballet is laced with an emotional power and lyrical beauty. CheeseChoreographer Richard Alston (Unrest). Music Arvo Part (Unrest). Choreographer Christopher Bruce (Hurricane). Music Bob Dylan (Hurricane). Choreographer Christopher Bruce (Ghost Dances). Music N Mojsiejenko (Ghost Dances). Choreographer Jeremy James (Cheese). Music Peter Morris (Cheese). Music Third Core (Cheese). | |
19 Jun 02 to 22 Jun 02 | Theatre Royal, Brighton :: V657 listing details L0220163033 |
Symphony of Psalms/Detritus/Tree Finger Soup (World Premiere) - T01049142220Symphony of Psalms is a glorious celebration of the human spirit. Lyrical in style, the 16 dancers express a range of emotions from tenderness and hope to suffering and regret. [Wayne McGregor]'s detritus is an extraordinary work that explores the tensions between classical and contemporary movement. The work is made even more amazing by the inclusion of a huge, suspended mechanical 'limb' that 'performs' alongside the dancers. This programme also includes a new work from Rambert dancer and choreographer, [Glenn Wilkinson].Choreographer Jiri Kylian (Symphony of Psalms). Music Igor Stravinsky (Symphony of Psalms). Choreographer Wayne McGregor (detritus). Music Scanner (detritus). Choreographer Glenn Wilkinson (Kinson Productions - Tree Finger Soup). Music Headrillaz (Tree Finger Soup). | |
21 May 02 to 25 May 02 | Sadler's Wells Theatre, Inner London :: V224 listing details L2098603999 |
Programme 1 - She Was Black/The Parades Gone By - T1194375817[Mats Ek]'s She Was Black is a gritty and erotic exploration of modern relationships, shot through with dark, quirky humour. Passionate duets of balletic grace and strength are punctuated by sequences of wild abandon, sending 11 dancers leaping, diving and spinning across the stage in a breath-taking display of athleticism. [Lindsay Kemp]'s The Parades Gone By, is a theatrical parody on the golden days of Hollywood. Set in a derelict film studio, a deranged director revisits his memories by lovingly conjuring up a galaxy of ghostly stars in a series of dream-like sequences from his films. As Valentino, Dracula, Marlene, and Fred and Ginger, to name a but few, emerge from the darkness, their creator becomes more and more entangled in his own fantasies, until they run out of his control.Company Orchestra London Musici. Choreographer Mats Ek (She Was Black). Music Henryk M Gorecki (She Was Black). Choreographer Lindsay Kemp (The Parades Gone By). Music Carlos Miranda (The Parades Gone By). | |
14 May 02 to 25 May 02 | Sadler's Wells Theatre, Inner London :: V224 listing details L1781629352 |
Cheese/Ghost Dances/The Parades Gone By - T01605539278Cheese. Ghost Dances - is acknowledged as a masterpiece of contemporary dance. Performed to traditional South American music, the ballet is laced with an emotional power and lyrical beauty. The Parades Gone By - is a theatrical parody on the golden days of Hollywood. Set in a derelict film studio, a deranged director revisits his memories by lovingly conjuring up a galaxy of ghostly stars in a series of dream-like sequences from his films. As Valentino, Dracula, Marlene, and Fred and Ginger, to name a but few, emerge from the darkness, their creator becomes more and more entangled in his own fantasies, until they run out of his control.Choreographer Jeremy James (Cheese). Music Peter Morris (Cheese). Music Third Core (Cheese). Choreographer Christopher Bruce (Ghost Dances). Music N Mojsiejenko (Ghost Dances). Choreographer Lindsay Kemp (The Parades Gone By). Music Carlos Miranda (The Parades Gone By). | |
23 Apr 02 to 27 Apr 02 | Theatre Royal, Newcastle upon Tyne :: V570 listing details L519352958 |
Grinning In Your Face/Parades Gone By - T1212883258Grinning In Your Face, by the brilliant acoustic guitarist, banjo player and vocalist, Martin Simpson. For Bruce, the music appears to paint pictures of rural America, particularly during the middle decades of the twentieth century. Parades Gone By, is a theatrical parody on the golden days of Hollywood. Set in a derelict film studio, a deranged director revisits his memories by lovingly conjuring up a galaxy of ghostly stars in a series of dream-like sequences from his films. As Valentino, Dracula, Marlene, and Fred and Ginger, to name a but few, emerge from the darkness, their creator becomes more and more entangled in his own fantasies, until they run out of his control.Choreographer Christopher Bruce (Grinning in Your Face). Music Martin Simpson (Grinning in Your Face). Choreographer Lindsay Kemp (The Parades Gone By). Music Carlos Miranda (The Parades Gone By). | |
18 Apr 02 to 20 Apr 02 | Theatre Royal, Norwich :: V72 listing details L1913076413 |
Unrest/Hurricane/Ghost Dances/Cheese - T02094369436Urest - A short intimate work for 6 dancers, that is both beautiful and unsettling, it has been described as 'troubled spirits bound together in private pain'. The choreography captures the agitated music and propels the dancers into a state of 'unrest'. A work of distressed beauty. Hurricane - A dramatic work for a solo dancer performed as a complex narrative that interprets the lyrics to Bob Dylan's song, Hurricane. Bruce employs the traditional device of a Commedia dell'arte figure to relate the story in the third person and adopts a comic-strip style, enabling the solo dancer to play a variety of roles, including a policemen and a waitress. Ghost Dances - is acknowledged as a masterpiece of contemporary dance. Performed to traditional South American music, the ballet is laced with an emotional power and lyrical beauty. CheeseChoreographer Richard Alston (Unrest). Music Arvo Part (Unrest). Choreographer Christopher Bruce (Hurricane). Music Bob Dylan (Hurricane). Choreographer Christopher Bruce (Ghost Dances). Music N Mojsiejenko (arr. Ghost Dances). Choreographer Jeremy James (Cheese). Music Peter Morris (Cheese). Music Third Core (Cheese). | |
10 Apr 02 to 13 Apr 02 | Theatr Clwyd, Mold :: V810 listing details L01360587825 |
Unrest/Sounding/Symphony of Psalms/Grinning in Your Face - T1023443193Urest - A short intimate work for 6 dancers, that is both beautiful and unsettling, it has been described as 'troubled spirits bound together in private pain'. The choreography captures the agitated music and propels the dancers into a state of 'unrest'. A work of distressed beauty. Sounding - Very quiet and sober. Couples lean against each other or slither to the floor. The movement reflects the music; it's as if the dancers actually were the sounds created by the resonant instruments. This illusion - seeing the music as tangible activity - is framed by Peter Mumford's beautiful fretwork of light. Kinetic energy passes from one dancer to another. The mood and pace shifts constantly. Symphony of Psalms - Monumental score and performance. Large-scale performance with the 16 dancers on stage the entire time. The dancers express suffering, hope, regret and tenderness and sweep through graceful ensembles and passionate duets. It combines yearning arabesques and bold leaps with flexed limbs and strong use of torso. Grinning in Your Face - A series of vignets of varying moods incorporating the hallmarks of Bruce's choreography, combining modern ballet and folk dance.Choreographer Richard Alston (Unrest). Music Arvo Part (Unrest). Choreographer Siobhan Davies (Sounding). Music Giacinto Scelsi (Sounding). Choreographer Jiri Kylian (Symphony of Psalms). Music Igor Stravinsky (Symphony of Psalms). Choreographer Christopher Bruce (Grinning in Your Face). Music Martin Simpson (Grinning in Your Face). | |
6 Mar 02 to 9 Mar 02 | Wycombe Swan, High Wycombe :: V749 listing details L591218640 |
Unrest/Sounding/Grinning in Your Face/Cheese - T0279880557Urest - A short intimate work for 6 dancers, that is both beautiful and unsettling, it has been described as 'troubled spirits bound together in private pain'. The choreography captures the agitated music and propels the dancers into a state of 'unrest'. A work of distressed beauty. Sounding - Very quiet and sober. Couples lean against each other or slither to the floor. The movement reflects the music; it's as if the dancers actually were the sounds created by the resonant instruments. This illusion - seeing the music as tangible activity - is framed by Peter Mumford's beautiful fretwork of light. Kinetic energy passes from one dancer to another. The mood and pace shifts constantly. Grinning in Your Face - A series of vignets of varying moods incorporating the hallmarks of Bruce's choreography, combining modern ballet and folk dance. Cheese -Choreographer Richard Alston (Unrest). Music Arvo Part (Unrest). Choreographer Siobhan Davies (Sounding). Music Giacinto Scelsi (Sounding). Choreographer Christopher Bruce (Grinning in Your Face). Music Martin Simpson (Grinning in Your Face). Choreographer Jeremy James (Cheese). Music Peter Morris (Cheese). Music Third Core (Cheese). | |
20 Feb 02 to 23 Feb 02 | Sheffield Theatres, Sheffield :: V962 listing details L1129856875 |
Unrest/Hurricane/Ghost Dances/Grinning In Your Face - T01022953429Unrest - an elegant work for six dancers, performed to an expressive score for violin and piano. Hurricane - a dramatic work for solo dancer, based on a true-story of the black American boxer, Rubin 'Hurricane' Carter, who was wrongfully imprisoned for murders he never committed. Ghost Dances - is acknowledged as a masterpiece of contemporary dance. Performed to traditional South American music, the ballet is laced with an emotional power and lyrical beauty. Grinning In Your Face - was inspired by images of the American mid-west during the middle decades of the last century, with music by the virtuoso blues and folk guitarist, [Martin Simpson].Choreographer Richard Alston (Unrest). Music Arvo Part (Unrest). Choreographer Christopher Bruce (Hurricane). Music Bob Dylan (Hurricane). Choreographer Christopher Bruce (Ghost Dances). Music N Mojsiejenko (arr. Ghost Dances). Choreographer Christopher Bruce (Grinning In Your Face). Music Martin Simpson (Grinning in Your Face). | |
13 Feb 02 to 14 Feb 02 | Hall for Cornwall, Truro :: V1183 listing details L2121305362 |
Unrest/Sounding/Symphony of Psalms/Detritus - T01144901092Choreographer Richard Alston (Unrest). Music Arvo Part (Unrest). Choreographer Siobhan Davies (Sounding). Music Giacinto Scelsi (Sounding). Choreographer Jiri Kylian (Symphony of Psalms). Music Igor Stravinsky (Symphony of Psalms). Choreographer Wayne McGregor (Detritus). Music Scanner (Detritus). | |
28 Nov 01 to 1 Dec 01 | Theatre Royal Plymouth, Plymouth :: V895 listing details L930404297 |
17 Oct 01 to 20 Oct 01 | Festival Theatre, Edinburgh :: V600 listing details L1138732647 |
Land/Gaps, Lapse and Relapse/Grinning in Your Face - T0644673542Land - Bruce's emotionally-charged Land was inspired by Arne Nordheim's Warsawa. Although the music was written in response to that city's suffering during World War II, Land is symbolic of the tragedies suffered by any people whose homeland has been invaded and ravaged by war. Gaps, Lapse and Relapse - is a vigorous cocktail of dynamic dance and street style created by the late Jeremy James - one of Britain's most individual choreographers. Quirky mechanised gestures, abstracted from everyday images, are a hallmark of the choreography. Grinning In Your Face - The inspiration for this new work has come from the folk and blues album Grinning In Your Face, by the brilliant acoustic guitarist, banjo player and vocalist, Martin Simpson. For Bruce, the music appears to paint pictures of rural America, particularly during the middle decades of the twentieth century. Running time 2 hours including 2 intervals.Choreographer Christopher Bruce (Land). Music Arde Nordheim (Land). Design Walter Nobbe (Land). Lighting John B Read (Land). Company London Musici (Land). Choreographer Jeremy James (Gaps Lapse and Relapse). Music Peter Morris (Gaps Lapse and Relapse). Costume John Richmond (Gaps Lapse and Relapse). Lighting Ian Beswick (Gaps Lapse and Relapse). Choreographer Christopher Bruce (Grinning in Your Face). Music Martin Simpson (Grinning in Your Face - recorded songs). Design Marian Bruce (Grinning in Your Face). Lighting John B Read (Grinning in Your Face). | |
20 Nov 01 to 24 Nov 01 | Sadler's Wells Theatre, Inner London :: V224 listing details L1508170877 |
Twin Suite 2/Hurricane/Ground Level Overlay/The Celebrated Soubrette - T0824984201Twin Suite 2 - Performed to the pulsating rhythms of Aphex Twin, eight dancers immerse themselves in frenetic but exquisitely crafted movement, in which tense, edgy duets give way to exhilarating physical expression. Twin Suite 2 is a distinctive and individual work performed with attitude. Hurricane - Bruce's dramatic work for a solo dancer is performed to [Bob Dylan]'s song of the same title. Hurricane tells the story of Rubin 'Hurricane' Carter, a black American boxer who was framed and imprisoned on a triple murder charge. After serving 20 years, he was finally cleared of all the charges and released. Ground Level Overlay - Created using the computer programme, LifeForms, this work must rank as one of Cunningham's finest. In it, beautiful sculptural formations emerge from blasts of activity and moments of calm stillness. Performed to a soundtrack of ten trombones, recorded in an enormous empty underground water tank, the music is enhanced by live musicians. The Celebrated Soubrette - takes 12 dancers on a tawdry journey through the glitz and grime of Las Vegas showbiz. This bitter-sweet snapshot into the life of a chorus-girl is decadent mixture of soul-searching and sequins, as rivals jostle one another for the limelight. It is performed to a highly entertaining score, inspired by the compositions of that larger than life American icon, Liberace. Running time 2 hours 10 minutes including 2 intervals (Nov 17th 1 hour 15 mins including 1 interval).Choreographer Glenn Wilkinson (Twin Suite 2). Music Aphex Twin (Twin Suite 2). Design Dody Nash (Twin Suite 2). Lighting Malcolm Glanville (Twin Suite 2). Choreographer Christopher Bruce (Hurricane). Music Bob Dylan (Hurricane). Design Marian Bruce (Hurricane). Lighting Mark Parry (Hurricane). Choreographer Merce Cunningham (Ground Level Overlay). Music Stuart Dempster (Ground Level Overlay). Design Leonardo Drew (Ground Level Overlay). Costume Suzanne Gallo (Ground Level Overlay). Lighting Aaron Copp (Ground Level Overlay). Company London Musici (Ground Level Overlay). Choreographer Javier De Frutos (Celebrated Soubrette). Music Michael Daugherty (Celebrated Soubrette). Design Jackie Galloway (Celebrated Soubrette). Lighting Peter Mumford (Celebrated Soubrette). Company London Musici (Celebrated Soubrette). | |
13 Nov 01 to 17 Nov 01 | Sadler's Wells Theatre, Inner London :: V224 listing details L01855249650 |
Ghost Dances/Meeting Point/Symphony of Psalms - T035931168675th Anniversay Tour. A programme that includes [Christopher Bruce]'s emotionally charged master piece Ghost Dances performed to the bewitching rhythms of Andean folk music. In his Meeting Point courtyl minuets and high-spirited reels alternate with athletic leaps and lifts to create an uplifting work that is performed to [Michael Nyman]'s exuberant saxophone conceto. [Jiri Kylian]'s Symphony of Psalms - performed to [Stravinksy]'s score of the same title - is a glorious celebration of the human spirit.Choreographer Christopher Bruce (Ghost Dances). Music N Mojsiejenko (arr Ghost Dances). Choreographer Christopher Bruce (Meeting Point). Music Michael Nyman (Meeting Point). Choreographer Jiri Kylian (Symphony of Psalms). Music Igor Stravinsky (Symphony of Psalms). | |
31 Oct 01 to 3 Nov 01 | Milton Keynes Theatre, Milton Keynes :: V754 listing details L01384827331 |
Symphony of Psalms/Detritus/New Work/Sounding - T01266368782Symphony of Psalms - performed to [Stravinsky]'s socre of the same title - is a glorious celebration of the human spirit. Lyrical and classically influenced in style, 16 dancers express the full range of emotions, from suffering and regret to tenderness and hope, with intricate duets displaying individuals passions and desires. Detritus - 13 razor-sharp dancers are catapulted at astonishing speed, to physical and emotional extremes. New Work - created in celebration of [Rambert]'s 75th Anniversary.Choreographer Jiri Kylian (Symphony of Psalms). Music Stravinsky (Symphony of Psalms). Choreographer Wayne McGregor (Detritus). Choreographer Richard Alston (New Work). Choreographer Siobhan Davis (Sounding). | |
9 Oct 01 to 13 Oct 01 | New Theatre, Oxford :: V802 listing details L1401870933 |
Detritus/Ghost Dances/New Work - T1084989393Choreographer Wayne McGregor (Detritus). Music Scanner (Detritus). Choreographer Christopher Bruce (Ghost Dances). Music N Mojsiejenko (Ghost Dances). Choreographer Christopher Bruce (Martin Simpson - recorded songs). | |
4 Oct 01 to 5 Oct 01 | Villa Marina and Gaiety Theatre, Douglas :: V915 listing details L0121198319 |
Unrest/Sounding/Symphony of Psalms/Grinning in Your Face - T5170449075th Anniversary TourChoreographer Richard Alston (Unrest). Music Arvo Part (Unrest). Choreographer Siobhan Davies (Sounding). Music Giacinto Scelsi (Sounding). Choreographer Jiri Kylian (Symphony of Psalms). Music Igor Stravinsky (Symphony of Psalms). Choreographer Christopher Bruce (Grinning in Your Face). Music Martin Simpson (Grinning in Your Face - recorded songs). | |
26 Sep 01 to 29 Sep 01 | The Lowry, Salford :: V0655996499 listing details L84617197 |
Programme 2 - New Work/Sounding/Pierrot Lunaire/Detritus - T1567349899Programme 2 includes two new works. Richard Alston, former artistic director of Rambert creates a work to celebrate the 75th anniversary while Wayne McGregor, one of Britain's most respected and admired young choreographers has been commissioned by Rambert Dance Company for the first time. The evening also includes Siobhan Davies' Sounding performed by six dancers and inspired by the haunting ritual incantation, Okanagon, which is said to reflect 'the heartbeat of the earth'.Company Rambert Dance Company. Choreographer Richard Alston (New Work). Music Arvo Part (Fratres - New Work). Design Jeanne Spaziani (New Work). Lighting Peter Mumford (New Work). Company London Musici (New Work). Choreographer Siobhan Davies (Sounding). Music Giacinto Scelsi (Okanagon - Sounding). Costume Sasha Kier (Sounding). Lighting Peter Mumford (Sounding). Company London Musici (Sounding). Choreographer Glen Tetley (Pierrot Lunaire). Music Arnold Schoenberg (Pierrot Lunaire Song Cycle - Pierrot Lunaire). Design Rouben Ter-Arutunian (Pierrot Lunaire). Lighting John B Read (Pierrot Lunaire). Company London Musici (Pierrot Lunaire). Choreographer Wayne McGregor (Detritus). Design Vicki Mortimer (Detritus). Costume Ben Maher (Detritus). Lighting Lucy Carter (Detritus). | |
20 Jun 01 to 23 Jun 01 | Sadler's Wells Theatre, Inner London :: V224 listing details L0602071310 |
Programme I - Cheese/Symphony of Psalms/Rooster - T1900373273In their two-week season at Sadler's Wells and as part of their 75th anniversary season, artistic director [Christopher Bruce] has devised a celebratory programme that includes new works by [Richard Alston] and [Wayne McGregor] as well as himself. The season also includes Symphony of Psalms, [Jiri Kylian]'s glorious celebration of the human spirit; [Siobhan Davies]'s mysterious and striking [Sounding]; [Jeremy James]'s final creation [Cheese] and [Glen Tetley]'s dramatic masterpiece Pierrot Lunaire. Following the outstanding success of last year's Promenade performances, the Proms return this year in the first week of [Rambert]'s programme. The season will also include a special performance on Friday 15 June - the actual 75th anniversary - and a family matinee on Saturday 23 June.Company Rambert Dance Company. Choreographer Jiri Kylian (Symphony of Psalms). Music Stravinsky (Symphony of Psalms). Choreographer Hans Knill (assistant - Symphony of Psalms). Design William Katz (Symphony of Psalms). Costume Joop Stokvis (Symphony of Psalms). Lighting Joop Stokvis (Symphony of Psalms). Company London Musici (Symphony of Psalms). Company New London Chamber Choir (Symphony of Psalms). Choreographer Jeremy James (Cheese). Music Peter Morris (Cheese). Costume Fiona Chillcot (Cheese). Lighting Ian Beswick (Cheese). Choreographer Christopher Burce (Rooster). Music Rolling Stones (Rooster). Costume Marian Bruce (Rooster). Lighting Tina MacHugh (Rooster). | |
12 Jun 01 to 16 Jun 01 | Sadler's Wells Theatre, Inner London :: V224 listing details L01146126216 |
Beach Birds/Hurricane/Twin Suite 2/At Any Time - T1904289073[Rambert Dance Company] celebrates its 75th anniversary this year and, in its first visit to the Linbury Studio Theatre. It presents a programme of innovative new works by two company members [Rafael Bonachela] and [Glenn Wilkinson] (Twin Suite 2)- two Rambert dancers who have established themselves as choreographers. The programme also includes [Merce Cunningham]'s mesmerising [Beach Birds], which was critically acclaimed at its recent Rambert premiere and Hurricane by Christopher Bruce - commissioned as a solo for the former Rambert dancer, [David Hughes] and first performed in October 2000, the ballet is inspired by the life of the American boxer, Rubin 'Hurricane' Carter, and danced to music by [Bob Dylan].Choreographer Christopher Bruce. Choreographer Rafael Bonachela. Choreographer Glenn Wilkinson. Choreographer Merce Cunningham. | |
2 May 01 to 5 May 01 | Royal Opera House, West End :: V377 listing details L197830640 |
Ghost Dances/Beach Birds/The Celebrated Soubrette - T0433029093Ghost Dances - this sensational and emotionally charged masterpiece is performed to bewitching South American folk music. Beach Birds - [Merce Cunningham]'s Beach Birds is mesmerising. The Celebrated Soubrette - a glitzy and glamorous Las Vegas based work performed to a score inspired by the American icon [Liberace]!Choreographer Christopher Bruce (Ghost Dances). Choreographer Merce Cunningham (Beach Birds). Choreographer Javier de Frutos (The Celebrated Soubrette). | |
22 Feb 01 to 24 Feb 01 | His Majesty's Theatre, Aberdeen :: V585 listing details L0258499902 |
Beach Birds/Sergeant Early's Dream/The Celebrated Soubrette - T219683162Choreographer Merce Cunningham. Choreographer Christopher Bruce. Choreographer Javier de Frutos. | |
17 Jan 01 to 20 Jan 01 | Sheffield Theatres, Sheffield :: V962 listing details L1896019974 |
Seven Deadly Sins, Ghost Dances, The Celebrated Soubrette - T01380073103Choreographer Didy Veldman (Seven Deadly Sins). Music Luca Mainardi (Seven Deadly Sins). Choreographer Christopher Bruce (Ghost Dances). Music N Mojsiejenko (Ghost Dances). Choreographer Javier de Frutos (The Celebrated Soubrette). Music Michael Daugherty (The Celebrated Soubrette). | |
29 Nov 00 to 2 Dec 00 | Theatre Royal Plymouth, Plymouth :: V895 listing details L414031152 |
Swansong - T01179571961Choreographer Christopher Bruce. Music Philip Chambon. | |
30 Nov 00 | Theatre Royal Plymouth, Plymouth :: V895 listing details L0312047906 |
7DS/Moonshine/Swansong/The Celebrated Soubrette - T133430175Rambert dancer and choreographer, [Didy Veldman] , has taken the seven deadly sins as the theme for her new work 7DS, while [Javier de Frutos]' commission The Celebrated Soubrette promises to be an extravagant and flamboyant piece, performed to a score inspired by the American icon [Liberace]! On Tuesday, Friday and Saturday, these works can be seen together with [Christopher Bruce]'s Moonshine performed to songs by [Bob Dylan]. On Wednesday and Thursday the programme includes Bruce's modern classic, Swansong - an intensely potent depiction of interrogation that is dramatic and sinister, but ultimately uplifting.Choreographer Didy Veldman (7DS). Music Luca Mainardi. Choreographer Christopher Bruce). Music Bob Dylan (Moonshine). Choreographer Christopher Bruce (Swansong). Music Philip Chambon (Swansong). Choreographer Javier de Frutos (The Celebrated Soubrette). Music Michael Daugherty (The Celebrated Soubrette). | |
21 Nov 00 to 25 Nov 00 | Sadler's Wells Theatre, Inner London :: V224 listing details L1271273188 |
Swansong - T0408050101Choreographer Christopher Bruce. Music Philip Chambon. | |
23 Nov 00 | Sadler's Wells Theatre, Inner London :: V224 listing details L0467146830 |
Programme 1 - She Was Black/Sergeant Early's Dream - T202790985Receiving its first London performances, [Mats Ek]'s She Was Black is a gritty, erotic and wildly theatrical expose of modern urban living, shot through with Ek's famously dark sense of humour. [Christopher Bruce]'s bittersweet Sergeant Early's Dream was inspired by traditional folk music. An exquisitely crafted suite of dances, the mood pivots between the comic and the poignant in this tender and nostalgic work.Choreographer Mats Ek. Choreographer Christopher Bruce. | |
14 Nov 00 to 18 Nov 00 | Sadler's Wells Theatre, Inner London :: V224 listing details L324774735 |
Embrace Tiger and Return to Mountain, Ghost Dances, The Celebrated Soubrette - T01492678842Choreographer Glen Tetley (Embrace Tiger and Return to Mountain). Music Morton Subotnick (Embrace Tiger and Return to Mountain). Choreographer Christopher Bruce (Ghost Dances). Music N Mojsiejenko (Ghost Dances). Choreographer Javier de Frutos (The Celebrated Soubrette). Music Michael Daugherty (The Celebrated Soubrette). | |
1 Nov 00 to 4 Nov 00 | Festival Theatre, Edinburgh :: V600 listing details L651635833 |
Sergeant Early's Dream, She Was Black - T0374632949Sergeant Early Dream - In an exquisitely crafted suite of dances, intricate footwork combines with ingenious sequences to create a work that shifts in mood between the comic and the poignant. Nine dancers are joined on stage by a folk band and vocalist to perform this tender and nostalgic work. She Was Black A gritty, erotic and wildly theatrical expose of modern urban living by leading European choreographer [Mats Ek], this was first performed by the [Culberg Ballet] of Sweden. The hit of the 1999 Edinburgh Festival, the work lets 11 dancers loose in a fantasy world of explosive movement and emotion, shot through with Ek's famously dark sense of humour. (Male nudity occurs briefly)Choreographer Christopher Bruce (Sergeant Early's Dream). Music British Irish and American Folk Songs (Sergeant Early's Dream). Choreographer Mats Ek (She Was Black). Music Henryk M Gorecki (She Was Black). | |
4 Oct 00 to 7 Oct 00 | Wycombe Swan, High Wycombe :: V749 listing details L1121977970 |
Embrace Tiger and Return to Mountain, Seven Deadly Sins, Ghost Dances - T0231382696Choreographer Glen Tetley (Embrace Tiger and Return to Mountain). Music Morton Subotnick (Embrace Tiger and Return to Mountain). Choreographer Didy Veldman (Seven Deadly Sins). Music Luca Mainardi (Seven Deadly Sins). Choreographer Christopher Bruce (Ghost Dances). Music N Mojsiejenko (arr - Ghost Dances). | |
20 Sep 00 to 23 Sep 00 | The Lowry, Salford :: V0655996499 listing details L1125186579 |
T0472738484Embrace Tiger, Return to Mountain, Pierrot Lunaire (Revival Premiere)), Ghost DancesChoreographer Glen Tetley (Embrace Tiger and Return to Mountain). Music Morton Subotnick (Embrace Tiger and Return to Mountain). Music Arnold Schoenberg (Pierrot Lunaire). Choreographer Christopher Bruce (Ghost Dances). Music Nick Mojsiejenko (arr. Ghost Dances). | |
10 May 00 to 13 May 00 | New Theatre, Oxford :: V802 listing details L106092275 |
T187872029God's Plenty - is a brilliant theatrical pageant inspired by [Chaucer]'s The Canterbury Tales. A gallery of colourful characters, including the bawdy Wife of Bath and the noble Knight, illuminate themes of love and conflict through a series of vivid episodes, packed with fluent dancing, gripping drama and deft comedy.Choreographer Christopher Bruce. Music Dominic Muldowney. Design Es Devlin. Lighting Ben Ormerod. Company London Musici. | |
18 Apr 00 to 20 Apr 00 | Milton Keynes Theatre, Milton Keynes :: V754 listing details L01586301546 |
14 Apr 00 to 15 Apr 00 | Grand Theatre and Opera House, Leeds :: V975 listing details L0314921990 |
22 Mar 00 to 25 Mar 00 | Theatre Royal, Norwich :: V72 listing details L2075798796 |
16 Mar 00 to 18 Mar 00 | New Victoria Theatre, Woking :: V709 listing details L157709292 |
9 Mar 00 to 11 Mar 00 | Marlowe Theatre, Canterbury :: V674 listing details L01583538196 |
T0485997193Mixed Bill - Greymatter was created by [Didy Veldman], choreographer of Northern Ballet Theatre's Carmen, Ghost Dances is performed to bewitching South American folk music and [Twyla Tharp]'s explosive The Golden Section has music by [David Byrne] of Talking Heads fame.Choreographer Didy Veldman. Choreographer Twyla Tharp. Music David Byrne. Choreographer Christopher Bruce. Music Dominic Muldowney. Design Es Devlin. Lighting Ben Ormerod. Company London Musici. | |
11 Apr 00 to 13 Apr 00 | Grand Theatre and Opera House, Leeds :: V975 listing details L304638077 |
7 Mar 00 to 8 Mar 00 | Marlowe Theatre, Canterbury :: V674 listing details L0356050440 |
T0399011472Rooster to the music of the Rolling StonesCompany Rambert Dance Company. Choreographer Christopher Bruce. | |
30 Mar 00 | Mick Jagger Centre, Dartford :: V01459751276 listing details L419582859 |
T1930192209God's Plenty - World Premiere of a thrilling new full length work by Christopher Bruce. This vivid theatrical journey from pagan to millennial England promises to be the dance event of the season. Mixed Bill (Fri/Sat) Exhilarating and varied dance including Christopher Bruce's smash hit Ghost Dance. Music ranges from bewitching South American folk to the pulsating rhythms of Talking Heads star, David Byrne!Choreographer Christopher Bruce. Music Dominic Muldowney. Design Es Devlin. Costume Es Devlin. Lighting Ben Ormerod. | |
15 Sep 99 to 18 Sep 99 | Palace Theatre, Manchester :: V490 listing details L597040272 |
T02029702759Four Scenes, Ghost Dancers, The Golden SectionChoreographer Christopher Bruce. Choreographer Twyla Tharp. Music Dave Heath. Music David Byrne. | |
24 Jun 99 to 26 Jun 99 | Theatre Royal, Norwich :: V72 listing details L02113779049 |
T1196313875Cruel Garden. An evocation of the life and times of Federico Garcia LorcaChoreographer Christopher Bruce. Director Lindsay Kemp. Director Christopher Bruce. Music Carlos Miranda. Costume Lindsay Kemp. Costume Sandy Powell. Design Ralph Koltai. Company London Musici. | |
25 May 99 to 29 May 99 | Sadler's Wells Theatre, Inner London :: V224 listing details L1546386297 |
23 Mar 99 to 25 Mar 99 | Theatr Clwyd, Mold :: V810 listing details L01931723944 |
16 Mar 99 to 18 Mar 99 | New Victoria Theatre, Woking :: V709 listing details L602315086 |
T1276368585Mixed Programme - Rooster, Three Gone Four Left Standing, The Golden Section. Gaps Lapse and RelapseChoreographer Rafael Bonachela. Choreographer Twyla Tharp. Choreographer Jeremy James. Choreographer Christopher Bruce. | |
18 May 99 to 22 May 99 | Sadler's Wells Theatre, Inner London :: V224 listing details L01228329642 |
18 May 99 to 22 May 99 | Sadler's Wells Theatre, Inner London :: V224 listing details L189606292 |
T2140671055Embarque, Four Scenes, The Golden SectionChoreographer Siobhan Davies. Choreographer Christopher Bruce. Choreographer Twyla Tharp. | |
6 May 99 to 8 May 99 | Royal & Derngate, Northampton :: V449 listing details L1079971950 |
T0533661283August Pace , Swansong, EmbarqueChoreographer Merce Cunningham. Choreographer Christopher Bruce. Choreographer Siobhan Davies. | |
2 Feb 99 to 3 Feb 99 | City Hall, Truro :: V880 listing details L0595024012 |
T01117626985Airs, Four Scenes, Axioma 7Choreographer Paul Taylor. Choreographer Christopher Bruce. Choreographer Ohad Naharin. | |
28 Jan 99 to 30 Jan 99 | His Majesty's Theatre, Aberdeen :: V585 listing details L668833146 |
T1066059585Cruel Garden | |
4 Dec 98 to 5 Dec 98 | Wycombe Swan, High Wycombe :: V749 listing details L1781916281 |
T0708449381No More Play, New Work, Axioma 7Choreographer Jiri Kylian. Music Anton Webern. Choreographer Christopher Bruce. Music Dave Heath. Choreographer Ohad Naharin. Music Johann Sebestian Bach. | |
2 Dec 98 to 3 Dec 98 | Wycombe Swan, High Wycombe :: V749 listing details L1251774009 |
T1167760139Embarque, [Siobhan Davies]. August Pace, [Merce Cunningham]. Axioma 7, [Ohad Naharin]. Runs 110 mins, two intervals. | |
16 Oct 98 to 17 Oct 98 | Sadler's Wells Theatre, Inner London :: V224 listing details L0723140240 |
T01523649323Airs, [Paul Taylor]. No More Play, [Jiri Kylian]. Petite Mort, [Jiri Kylian], New Work, [Christopher Bruce]. Runs 130 mins, two intervals. | |
12 Oct 98 to 15 Oct 98 | Sadler's Wells Theatre, Inner London :: V224 listing details L992362723 |
T1374006032Mixed Bill including the return of Christopher Bruce's smash hit 'Rooster', also featuring 'Embarque' and 'Gaps, 'Lapse and Relapse' and Fri/Sat Cruel Garden.Choreographer Christopher Bruce. Choreographer Siobhan Davies. Choreographer Jeremy James. | |
16 Sep 98 to 19 Sep 98 | Palace Theatre, Manchester :: V490 listing details L0586224124 |
T299961874Rooster to the music of the Rolling Stones, Moonshine to the music of Bob Dylan and No More Play by [Jiri Klian].Company Rambert Dance Company. | |
17 Feb 98 to 21 Feb 98 | Theatre Royal, Newcastle upon Tyne :: V570 listing details L1937554470 |
T1090764375Greymatter, Stream, AirsCompany Rambert Dance Company. Choreographer Didy Veldman. Choreographer Christopher Bruce. Choreographer Paul Taylor. | |
16 Oct 97 to 18 Oct 97 | Wycombe Swan, High Wycombe :: V749 listing details L0164551146 |
T01877884783Includes Moonshire choreographer Christopher Bruce, music by Bob Dylan. Stream choreographer Christopher Bruce, music by Philip ChambonCompany Rambert Dance Company. | |
7 May 97 to 10 May 97 | Theatre Royal, Brighton :: V657 listing details L0701920317 |
T01488109573The Red Programme includes Eidolon by [Kim Brandstrup] with music by [Kim Helweg], Stream by [Christopher Bruce] to music by [Philip Chambon] and Rooster by [Christopher Bruce] to the music of the Rolling Stones (recorded!). The Blue Programme includes Moonshine by [Christopher Bruce] set to [Bob Dylan] music, Kol Simcha (Voice of Celebration) by [Didy Veldman] to music by [Adam Gorb] derived from Yiddish folkdance and Sabat Mater by [Robert Cohan] to Vivaldi's oratorio of the same name.Company Rambert Dance Company. | |
25 Mar 97 to 29 Mar 97 | Peacock Theatre, West End :: V222 listing details L1332613920 |
12 Feb 97 to 15 Feb 97 | New Theatre, Oxford :: V802 listing details L01947399566 |
Other listings | |
20 Feb 20 to 22 Feb 20 | Festival Theatre, Edinburgh :: V600 listing details L01844229435 |
24 May 19 to 25 May 19 | King's Theatre, Edinburgh :: V601 listing details L1545090963 |
20 Feb 19 to 22 Feb 19 | Festival Theatre, Edinburgh :: V600 listing details L1308691616 |
11 Mar 16 | The Lowry, Salford :: V0655996499 listing details L0372323948 |
11 Feb 16 to 13 Feb 16 | Waterside Theatre, Aylesbury :: V1452754579 listing details L02102944836 |
26 Feb 14 to 1 Mar 14 | Theatre Royal, Brighton :: V657 listing details L0603273259 |
1 Apr 09 to 4 Apr 09 | Birmingham Hippodrome, Birmingham :: V145 listing details L0583328889 |
17 Oct 07 to 19 Oct 07 | Venue Cymru (formerly - North Wales Theatre), Llandudno :: V848 listing details L0471857416 |
10 Mar 02 to 13 Mar 02 | Theatr Clwyd, Mold :: V810 listing details L608862097 |
29 Feb 00 to 2 Mar 00 | The Lilian Baylis Theatre, Inner London :: V236 listing details L503277943 |
16 Jun 99 to 19 Jun 99 | New Theatre, Oxford :: V802 listing details L02062268563 |
24 Oct 97 to 26 Oct 97 | Sheffield Theatres, Sheffield :: V962 listing details L02080142434 |
25 Sep 97 to 26 Sep 97 | Villa Marina and Gaiety Theatre, Douglas :: V915 listing details L01637265553 |
20 May 97 to 24 May 97 | Royal & Derngate, Northampton :: V449 listing details L932149549 |