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Archive :: production:T50554129, musical:S1464, venue:V823

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ChicagoBlues behind bars from the writers of Cabaret. Justice is on trial for the husband killing bad girls of shady Chicago. A chorus girl murders her lover but manages to get off through a strange assortment of allies. She forms an unusual nightclub act with another murderess with the hopes of keeping them both out of trouble. Songs include All That Jazz, Razzle Dazzle and All I Care About.
Music John Kander
Lyrics Fred Ebb
Book by Fred Ebb
Book by Bob Fosse

Production details

Special Performances


  • 20 Nov 04 Sign Interpreted

News etc

User (24Mar05)
“CHICAGO” ALEXANDRA THEATRE BIRMINGHAM, 21 MARCH 2005 (David Ian for Clear Channel Entertainment) Chicago hit the second city and made a great impact last night at Birmingham’s Alexandra Theatre with the opening performance of a 2-week booking. A capacity audience were treated to great dance numbers, strong principal performances and an enjoyable evening out. I got the feeling that many in the audience were not seeing this show for the first time and as often is the case with long running musical tours they build up a loyal following of dedicated fans whose enthusiasm adds to the spectacle. The music is by the legendary John Kander and lyrics by the equally famous Fred Ebb, their first major success was in 1966 with “Cabaret” which had a run of 1,166 performances and won the Tony Award as the season's best musical. The original choreography was by the marvellously talented Bob Fosse and much of the atmosphere created by Ann Reinking and the talented team of dancers is down to him. The whole evening gets off to a great musical start right from the opening number “All that Jazz” and with orchestrations by jazz powerhouse Ralph Burns the tempo is set and the action begins. Musical director Dan Jackson and his large orchestra enjoy every minute of this rhythmic show and it is so refreshing to have a full size orchestra on tour as it adds so much to the sound quality. Cavin Cornwall gives a strong performance as the devious lawyer Billy Flynn hell bent on getting Roxie off her murder charge but it is Rachel Stanley as Velma and Claire Taylor as Roxie who get the best of the numbers and sequences throughout the production and the night was theirs song after song. The comedy and pathos comes from Christopher Howell as downtrodden Amos Hart and there’s a wonderful and quite bizarre cameo from C C Mullaney as Mary Sunshine. You have to see it to appreciate the twist! The stand out sequence is “Razzle Dazzle” where all the sassiness and sexiness comes together and the company give it 100%+ and the audience loved it. There is no doubting that this show which was first performed back in 1975 is still a big success and it deserves to do great business over the Easter break. If you want a memorable theatre night out then this has to be it, runs until 2 April. Clive Fuller
User (11Jan01)
One of my all-time favourite shows. So sexy when done well and also funny, moving and still a good comment on society!

Company

Producer David Ian (for [Clear Chavnel Entertainment])
Producer Maurice Cassidy (for [57th Street] in association with Barry and Fran Weissler)
Director Walter Bobbie
Design John Lee Beatty
Costume William Ivey Long
Lighting Ken Billington
Sound Rick Clarke
Director James Dunsmore (music)
Other Rob Fisher (musical supervision)
Producer David Ian (for Clear Channel Entertainment in association with Barry and Fran Weissler and 57th Street)
Choreographer Ann Reinking
Director Walter Bobbie
Design John Lee Beatty
Lighting Ken Billington
Costume William Ivey Long
Sound Rick Clarke
Performer Marti Pellow (Billy Flynn)
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