Details

A performance of sound, visuals and choreography which subverts hyper-sexualised notions of African and Caribbean dance. Grin is a masquerade of dance sculptures where body and costume are accompanied by a pulsating sound score. Conversation around community building, refusals, friendship and support grounds the development of this dynamic dance production, which both holds and is held by a cohort of friends at it's core. With a significant focus on black love and other experiences of interiority, this show is essential in considering how we can build empathy and reconstitute networks of solidarity.