Details
'That Mr. Beckett possesses the dramatic instinct in a most original sense one cannot doubt. His work in two acts holds the stage most wittily, but is it a play? Its significance - and how, one feels, Mr. Beckett must abjure the word - would seem to be that nothing finally is significant. (The Times, August 4, 1955). In the year of Samuel Beckett's centenary, Peter Hall recalls his original London production of Beckett's ground-breaking masterpiece, Waiting for Godot, with Jonathan Croall, author of The Coming of Godot, celebrating the play's fifty-year theatrical journey. Booksigning