Details

Sense and Sensibility archiveIn Jane Austen's classic, the difference between sisters Marianne and Elinor Dashwood lies not only in their appearance, but also in their temperament. Sense and Sensibility explores love and the threat of losing love, and is a wry commentary on the expectations placed upon gentry women in the eighteenth century.

Creatives/Company

Book by: Jane Austen
Company: Thrice Three Muses

Sense and Sensibility

Sense and Sensibility (Play) production archive for QTIX code T117002103. Details of all Sense and Sensibility archived productions can be found under the QTIX code: S722096577

Archive Listings

11 Jun 13
  to
27 Jun 13
Bierkeller Bristol
Bristol, City of Bristol
Performance Details => Venue archive

Reviews

Reviews


User Review: 20Jun13: I have been to see the show twice now, and planning on attending a third as I find this performance of Sense and Sensibility truly outstanding in all aspects. As you walk in to the stage area, you notice the simplicity of the set and it certainly did make me judge the play before it had started, but much like what was done in the west-end’s ‘The Woman in Black’ the script and the actors entice you into the fascinating world of Jane Austen. By this point you hardly notice that it is a stage production as you personally feel connected with the play. The actors use the fourth wall technique to its full capability as they perform to almost a 360˚ audience, director Ben Hughes-Games has done a masterful job of balancing out the stage. Whenever you may have an actor’s back to you, you need not worry as there is so much more to see on the rest of the stage. I particularly found the second to last scene fascinating in this regard as Colonel Brandon (Thomas Hatherley) finally proposes to the beautiful Marianne Da

User Reviews

Jack Gatsby (20Jun13): I have been to see the show twice now, and planning on attending a third as I find this performance of Sense and Sensibility truly outstanding in all aspects. As you walk in to the stage area, you notice the simplicity of the set and it certainly did make me judge the play before it had started, but much like what was done in the west-end’s ‘The Woman in Black’ the script and the actors entice you into the fascinating world of Jane Austen. By this point you hardly notice that it is a stage production as you personally feel connected with the play. The actors use the fourth wall technique to its full capability as they perform to almost a 360˚ audience, director Ben Hughes-Games has done a masterful job of balancing out the stage. Whenever you may have an actor’s back to you, you need not worry as there is so much more to see on the rest of the stage. I particularly found the second to last scene fascinating in this regard as Colonel Brandon (Thomas Hatherley) finally proposes to the beautiful Marianne Da
CORONAVIRUS: All UK venues closed on 16th March 2020, restrictions were lifted on 19th July 2021. Please note that iUKTDb archive listings between March 2020 and July 2021 may not be accurate as we did not receive details of all rescheduled and cancelled shows.

Listings powered by Dynamic Listing Ltd
Mastodon X - Twitter Multidomain certificate installed
© Dynamic Listing Ltd, UK. 1995-2024