CORONAVIRUS: 22Feb21 UpdateAll UK venues closed on 16th March 2020. After the Prime Minister's announcement it would appear that, subject to continued control of the virus, venues may re-open with social distancing and limits on audiences from 17th May. Social distancing restrictions may be removed from 21st June. We will continue to update our listings as much as possible to reflect the changes as/when they are reported.
Written shortly after The Marriage of Figaro
. Based on the famous legend of Don Juan the master seducer from whom no woman can be considered safe. Don Giovanni pursues, seduces, rapes and murders and in the climax is pulled to hell by a stone statue of one of his victims come to life - he remains unrepentant. His servant Leporello witnesses all his masters wrongs. There is also a rarely performed opera of the same name (and story) by Giuseppe Gazzaniga which was first performed in 1786, eight months before Mozart's version.Performers In-Sung Sim (Il Commendatore), Albina Shagimurativa (Donna Anna), Toby Spence (Don Ottavio), Lucas Meachem (Don Giovanni), Matthew Rose (Leporello), Miah Persson (Donna Elvira), Marita Solberg (Zerlina), David Soar (Masetto).
Music Mozart. Lyrics Da Ponte (1787). Producer Glyndebourne Festival Opera. Conductor Robin Ticciati. Director Jonathan Kent. Director Lloyd Wood (revival). Design Paul Brown. Lighting Mark Henderson. Director Denni Sayers (movement). Director Alison de Burgh (fight). Company The Orchestra of the Age of Enlightenment. Company Glyndebourne Chorus.
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