UKTW - 25 years online
CORONAVIRUS: currently, all theatres and related venues are closed. Shows are either being cancelled, postponed or rescheduled and we are trying to keep up with all the changes. There are currently few changes after May 2020 and many shows that were due for April have been pushed back towards the end of Autumn. Pantomimes are looking like a safe bet at the moment ;-)

Details

The Crucible archiveSalem, Massachusetts 1692. When the stories of three local girls are taken as gospel, a small village populated by Puritans and petty local rivalries, is thrown into panic by talk of witchcraft. The community begins to purge itself, and as accusations fly suspicion alone is accepted as evidence. Written during the vigorous and unscrupulous investigations of Senator J R McCarthy in 1950's America. The Crucible is a timeless portrayal of communal hysteria and the evil of mindless persecution.
Performers Amita Dhiri, Rebecca Callard, Sara Bienvenu, Nicola Blackman, John Branwell, Claude Close, Paul Hamilton, David Leonard, Glenna Morrison, Joanne Moseley, Mark Roper, Tracy Sweetinburgh, Richard Willis.
Author Arthur Miller. Design Paul Farnsworth. Lighting Jenny Cane. Director Paul Kerryson.

The Crucible

The Crucible (Play) production archive for QTIX code T01282502243. Details of all The Crucible archived productions can be found under the QTIX code: S2898

Archive Listings

13 Oct 00
to
11 Nov 00
Haymarket Theatre
Leicester
Leicestershire

User Reviews

USER (11Jan01): An interesting and well thought out stage set and superbly convincing actors make this play both enjoyable and realistic. Watched this play to aid an A-level theatre studies course, and it brought the text to life (It was so convincing that our Tutor even cried towards the end!) Particular congratulations to Glenna Morrison (Mary Warren), Paul Hamilton (John Proctor) and Guy Nicholls (Giles Corey) for their convincing portrayal of their characters. The scene changes in this production are undertaken in a particularly interesting way.

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