The Winter's Tale

In her second production as Artistic Director at The Tobacco Factory, Heidi Vaughan, has yet again triumphed (Oliver Twist 2023 was sublime) in creating engaging, accessible theatre in this small but perfect space with Shakespeare’s The Winter’s Tale.

Using local actors and fully embracing the tragicomedy of this play with the simplest of props and clever staging the storytelling is exceptional. Taking the audience on the emotional journey of Leontes as he descends into the mire of jealousy and madness towards his pregnant wife Hermione and his ‘brother’ Polixenes of Bohemia; albeit due to unfounded and flawed suspicions of their adultery. Through the harrowing tale of child abandonment, reconciliation, young love and the ultimate theatrical magic of a statue that comes to life. A typically Shakespearean happy ending.

Contrasts – in character, scene and delivery – are subtle but well observed, giving the whole production an immersive feeling; helped by character ‘asides’ directed to audience members. Notably the comedic sheep shearing festival, where coloured ribbons and a log transform the space; and allows for masterful comedy and laugh-out-loud moments. This is a production that makes the best use of this intimate theatre space whilst never losing pace or impact.

As Leontes, Felix Hayes truly embodied the contorted and tortured physicality of his character, with subtle costume nuances reflecting the ‘descent’ – a simple but effective touch. As the strong-willed Paulina (also very funny Dorcas) Rose Wardlaw was faultless, easily the best performer of the ensemble. For comedy, hard to beat Stu Mcloughlin as Autolycus and Corrina Buchan as Clown (previous noteworthy performance in The Little Mermaid, Bristol Old Vic).

Whether you are familiar with this play or a newcomer, this production is accessible and enjoyable; you would do well to make this a ‘must see’ this spring - The Winter’s Tale in on at Tobacco Factory Theatres until 29th March.

Paula Luke