Details

You're Human Like the Rest of Them archiveYou're Human Like the Rest of Them is the wickedly funny portrayal of a young man facing up to the excruciating reality of the human condition. When plucky schoolmaster Haakon is sent to hospital with a minor back complaint, he finds himself in a lecture in back care alongside a cast of colourful octogenarians. Outraged by their exposure of the flaws of the human design, he returns to his own classroom a changed man, posing a new lesson of the day: what is the meaning of life? Originally commissioned by the Royal Shakespeare Company in 1964, Johnson's first stage play later went on to become a ground-breaking film. Down Red Lane was Johnson's final work written before his early death at the age of 40. A man newly come up in the world, the Diner has found a new vocation - fine dining. Knowing only too well the weakness of his regular customer, the Waiter plies him with every temptation. Unable to resist, the Diner is seemingly intent on indulging himself to death until his angry working class body begins to fight back. It's Man versus Belly in Johnson's absurd tale of the consequences of indulgence and desire. Not Counting the Savages was originally produced as a teleplay directed by Mike Newell and starring Brenda Bruce as part of the BBC's Thirty Minute Theatre season in 1972. This production marks its world stage premiere. Wife is left traumatised by an encounter with a flasher in a local graveyard, but when she turns to her family for support, her doctor husband is indifferent, her son gets a voyeuristic kick and her daughter accuses her of overreacting. When the family conference is cut short by an emergency call from the hospital, Wife is left wondering why her husband is able to save a life, but desperately unable to save their marriage.

Creatives/Company

Author: B.S. Johnson

Archive listings for You're Human Like the Rest of Them

Work type: Play.

You're Human Like the Rest of Them/Down Red Lane/Not Counting the Savages - T1546569363

Hailed by Samuel Beckett as a 'most gifted writer', this is a rare opportunity to see the work of Britain's 'ultimate forgotten author', one of the most irreverent, visionary voices to come out of post-war Britain.Producer Marricdale Productions (in association with Neil McPherson for the Finborough Theatre). Director Carla Kingham. Design Ruta Irbite. Lighting Kieron Johnson. Sound Max Pappenheim. Performer Sarah Berger (Wife / Physiotherapist). Performer Brian Deacon (Husband). Performer Reginald Edwards (Diner). Performer Alex Griffin-Griffiths (Belly). Performer Emma Paetz (Rosa / Miss Hammond). Performer Bertie Taylor-Smith (Jerry / Walter / Haakon).
5 Mar 17 to 21 Mar 17Finborough, Inner London :: V199
listing details L0346999011

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CORONAVIRUS: All UK venues closed on 16th March 2020, restrictions were lifted on 19th July 2021. Please note that iUKTDb archive listings between March 2020 and July 2021 may not be accurate as we did not receive details of all rescheduled and cancelled shows.

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