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Writing, performing and watching a show are a bit like creating, baking and eating a cake. Imagine a Delia Smith recipe cooked up by Ainsley Harriot and served to you. Mmmm nice. But what if Delia was sitting there next to you? Would her judgement of the dessert made from her recipe be worth more than yours? And whose cake is it anyway? In the Church of the Pen by Kristen Lazarian explores what happens when a playwright gets too up close and personal. Are his comments constructive, or will it seal the show's doom?

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Author: Kristen Lazarian