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In homage to Duchamp, this performance is an attempt to turn into art even the grossest Italian politics. Marcel is an outcry of grief, a performance running on two tracks: two survivors in an apocalyptic set on one and the characters' nightmares on the other. The nightmares are readymade, created from the recorded calls from the Ruby case involving the former Italian Prime Minister Berlusconi and an underage Moroccan girl. Violence is like dust.