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Is the only part Shakespeare wrote for a black man actually just, well... a bit rubbish? Isn't Othello responsible for setting up negative stereotypes about black men? Isn't Desdemona a bit shallow? And don't all the best lines go to Iago anyway? Welcome to Nothello, an absurdist, anarchic, insightful and witty new play from the Belgrade Theatre. Join us on an increasingly meta deep-dive into Shakespeare's Othello, from the perspective of an unborn child, exploring the play's legacy and what it means to be of mixed-heritage. Maybe we can imagine a version of Othello for today, where it's not a tragedy anymore but a romance. Where Othello and Desdemona can start all over again, full of love and possibility - full of hope and wonder.T0533704920Devised by Justine Themen with the Belgrade Community Chorus. Nothello is the final production in the Belgrade Theatre's programme of work for Coventry UK City of Culture 2021, and will feature a mixed-heritage chorus of people from across the city.Presented byBelgrade Theatre. Director Justine Themen. Director Joelle Ikawa (assistant). Design Simon Kenny. DramaturgOla Animashawun. Lighting Ben Omerod. Music Arun Ghosh. Sound Arun Ghosh. Director Rosie Kay (movement). Other Shaun Cope (movement associate). Other Una May Olomolaiye (songsmith). Other Victoria Williams (voice coach). Performer Aimee Powell (Desdeknownow). Performer Harris Cain (Nothello). Performer Rayyah McCaul (Desdemona / Emilia). Performer Gabriel Akamo (Othello / Otis). Performer Alex Scott-Fairly (Iago / Colin). | |
| 7 May 22 to 21 May 22 | Belgrade Theatre, Coventry :: V153 listing details L02095143190 |
