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The Seagull


Archive :: production:T795251018, play:S4870, venue:V709

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The SeagullWritten in 1896 this is a comic play of aspiration and failure. Nina aspires to be an actress, Kostya a writer. Madame Arkadina and Trigorin are already these things. Can the young people's dreams come true or will they sour when confronted with the adult world?
Author Anton Chekhov

Production details


News etc

The Telegraph (11Jan01)
Noble is keenly alert to the mixture of humour and piercing sadness in the script. Chekhov's portrayal of the cruel inequality of love, with a daisy-chain of unrequited lovers, is beautifully judged. Penelope Wilton, a great and undervalued actress, gives a merciless account of the ruthless selfishness of the actress Arkadina.
Evening Standard (11Jan01)
I have rarely seen a production of The Seagull where Chekhov's designation of the play as "comedy" seemed more ironic or misplaced. Vicki Mortimer's inefficient, insufficient stage-set scarcely evokes the park-land estate, the lake-side where Konstantin stages his play, or croquet lawn. Noble's production instead concentrates its melancholy gaze upon Konstantin and Nina. Justine Waddell's riveting Nina is a gawky, awkward young thing, in the first flush of happiness.
The Times (11Jan01)
[Richard Johnson] and a talented young actor, John Light, transformed a giggly audience into one that remained utterly rapt. Noble is able to fill any silences in Peter Gill s brisk new translation with emotional eloquence, and his cast are generous with telling detail.

Company

Company Royal Shakespeare Company
Adapted by Peter Gill
Director Adrian Noble
Design Vicki Mortimer
Lighting Paule Constable
Sound Mic Poole
Performer Penelope Wilton (Arkadina)
Performer Nigel Terry (Medvedenko)
Performer Richard Johnson (Dorn)
Performer John Light (Konstantin)
Performer Richard Pasco (Sorin)
Performer Barry Stanton (Shamrayev)
Performer Justine Waddell (Nina)
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